leebutler Biography, Biopic, Drama, History, Review

The Apprentice (2024) – Dump Trump

Released: 10th October 2024
Seen: 28th January 2025

Donald Trump is one of the worst human beings ever to set foot on planet Earth. He’s a racist, a sexist, a bigot, a fascist, a probable tax cheat, an adjudicated sexual abuser (I want to call him a rapist but apparently you can’t call him that because, according to the civil suit, he only forcibly penetrated E Jean Carol with his fingers and not his penis so we’re going to stick with sexual abuse), a man responsible for the spread of so much covid misinformation that we will never be able to put an end to that disease even though we had the tools to stop it and that’s just referring to the stuff he’s done in the last 5 years. History books are going to write about this man in the same tones that we now talk about a certain German man who also had a really shitty hairstyle… but unfortunately for all of us, this absolute scumbag piece of shit got to be president because enough idiots fell for his scam which means his life actually has historical importance and so, like a lot of other presidents before him, Donald Trump gets to have his own biopic… fortunately, it’s a biopic that shows him for what he is: SCUM! (and yes, I put this up the top of the review because if this paragraph upsets you because of me insulting Trump, the film is going to do worse so you are warned… you’re welcome)

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leebutler Comedy, Crime, Drama, Musical, Review, Thriller

Emilia Pérez (2025) – Oscar Bait

Released: 16th January
Seen: 26th January

Throughout my time writing this blog, I have made a point to champion when a film presents a minority group in its narrative – even if the film itself is not particularly great, it still deserves praise for breaking the mould and showing people as they are. This has been particularly notable when it comes to a film that presents members of the LGBTQ+ community since, as a member of the G part of that acronym, it’s nice to see those in your social group represented. Even subpar representation is still, on some level, representation and deserves to be brought up. It also feels important to bring this up in regards to films that are getting Awards nominations, particularly at the Oscars who have a bad history related to this. Enter this year’s biggest Oscar nominee Emilia Pérez which might be the most high-profile story about a trans woman in cinema this year… and sadly it’s just not a good film, to the point that it’s baffling that it’s become this awards darling.

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leebutler Adventure, Animation, Comedy, Family, Netflix, Review, Sci-Fi

Vengeance Most Fowl (2025) – Splendid

Released: 3rd January
Seen: 5th January

Wallace & Gromit Vengeance Most Fowl INformation

In 1989 the world was introduced to a lovable cheese-obsessed inventor named Wallace and his silent sentient super-smart dog named Gromit in the Oscar-nominated short film A Grand Adventure. Little did anyone know at the time that they had created a pair of cultural icons who would go on to be a major part of British pop culture for the next 35 years and counting. The charming little claymation characters and their somehow both subdued and wacky adventures would end up being the stars of a well known trilogy of shorts that included The Wrong Trousers and A Close Shave (the last two getting Oscars) and eventually made their way to the big screen with the 2005 film The Curse Of The Were-Rabbit. It’s been almost 20 years since then and apart from one more short it’s been very quiet for Wallace & Gromit but now they’re back with their new film Vengeance Most Fowl and once again they’ve proven that charm and a little bit of clay is a match made in heaven.

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leebutler Comedy, Horror, Review, Thriller

The Mouse Trap (2024) – ARRRRRRRRRRRRRGH

Released: 31st October
Seen: 28th December

This year, the leader of the club that’s made for you and me entered into the public domain. That’s right, Mickey Mouse is now officially available for use by anyone for any reason that they want as long as they only use things associated with the version of Mickey Mouse that can be found in the Steamboat Willie short (or in the two other shorts that came out that year, but the version you know is the Steamboat Willie version). This is a huge deal in terms of copyright laws, the reason that the public domain has been so empty for so many years can pretty much be explained by the reality that Disney never wanted Mickey to be in the public domain so they fought hard to keep him out of it but eventually, it had to happen, Mickey can now be put into any film or video game that you would dare to put him. As is tradition when big things like this enter the public domain, someone has to take it and turn it into a horror film as a symbolic gesture to show that no one owns this toy anymore, no one can stop you… someone should’ve stopped this, what the fuck did I just sit through?

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leebutler Fantasy, Musical, Review, Romance

Wicked: Part One (2024) – Green With Envy

Released: 1st August
Seen: 24th November

On October 30th 2003, the Gershwin Theatre presented the opening night performance of a little musical about a woman with green skin battling adversity and learning her true power through friendship with a hyperactive floating Barbie… that show was Wicked and to this day that show has captured audiences around the world. As of writing this sentence, it’s the second highest-grossing Broadway musical of all time, the fourth longest-running show in Broadway history and has been toured around the world so many times that it would be impossible to calculate just how many people have seen the show. It is a genre-defining artwork, one that has been talked about being turned into a movie since approximately 47 seconds after a movie producer heard Idina Menzel sing Defying Gravity for the first time and knew that this show needed to be captured on film… it’s taken them 20 years, it’s not the cast that they expected to get and it’s split a 2-hour-long stage show into two movies of 2+ hours each, but it looks like they absolutely nailed it.

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leebutler Horror, Mystery, Review, Thriller

Smile 2 (2024) – What’s The Use of Crying?

Released: 25th July
Seen: 9th November

So… how was your week?

For people who might stumble upon this in the future, this review is being written in the direct aftermath of America looking at a female prosecutor and a convicted felon who a court has determined to be a literal rapist who also has people who study the rise of Adolf Hitler going “Hey, this guy feels familiar” and decided to give the fascist the practically endless power of the United States presidency so I’ve been a little depressed lately (and I’m not even from the US so god knows how I’d feel if I had to live in the same country that did that). It’s been a hard week full of intense emotions with a lot of people just feeling like the world is crumbling around them… seems like a perfect time to go watch the sequel to a movie about how mental illness can drive you to the brink of suicide and beyond, because it seemed like a more fitting option than that cute looking movie about round robots who raise ducks.

Content warning, this film deals heavily with ideas of suicide and mental illness and those will need to be discussed in order to properly discuss this movie. If that is too much for you… this movie will be too much for you, there’s your review. If even reading this far has stirred up emotions, please call Lifeline on 13 11 14, or the service in your country.

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leebutler Horror, Review

Terrifier 3 (2024) – Merry Christ-mass Murder

Released: 11th October
Seen: 12th October

Two years ago something insane happened (in the world of cinema, something insane happens in the real world every other week lately). To the shock of almost everyone, a gonzo gorefest horror film was released worldwide in major cinemas and made over 15 million at the box office. Sure 15 million might not sound like a lot but when you’re made on a budget of 250K and are the sequel to an underground horror film that’s so extreme that even horror fans might wonder if it’s going too far, that’s wildly impressive. Terrifier 2 was an undeniable moment for horror, the moment we had to enter Art the Clown into the pantheon of great horror icons (and in general deliver one of the best performances of 2022. Since then, he’s only grown in popularity. He’s appeared in sitcoms, there’s merchandise with his horrific face all over it, and he’s a character in the latest Call of Duty game, it’s fair to say that he’s broken out of the underground and into the mainstream so it’s no shock that he would come back to the cinemas to remind us why Art the Clown is horror royalty.

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