Emma (2020) – More Like Em-meh

Released: 13th February
Seen: 8th June

Time seems to have no meaning anymore, it really doesn’t. I could swear to you that my last review was a few days ago and I would be so very wrong because it’s been two whole weeks. Obviously, these last few weeks are not exactly the weeks where anyone wants to hear the opinion of some random Australian about whatever movie he stumbled upon but it still feels like this year is going at the weirdest pace ever. Time is meaningless, up is down, left is right and people still somehow think the phrase “Black Lives Matter” is scary. I don’t get it, I really don’t but what I do get is that I need to pick up the pace and catch up on some movies that have finally made it to VOD when their cinematic runs got cut short or abandoned in general. Today, we talk about the 2020 adaptation of Emma.

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The Lovebirds (2020) – Something For (Almost) Everyone

Released: 22nd May
Seen: 25th May

In case you hadn’t noticed, these last several weeks have been…  a lot. It’s been a couple of months now that the entire world has basically had to shut down while we deal with a minor apocalyptic pandemic and everyone is reacting differently. Some are just getting tired and depressed, some are playing a whole lot of Animal Crossing, others are outside demanding barbers open so they can get haircuts because no one loves them enough to grab a pair of scissors and snip their bangs. I’ve personally been doing the first two of those, my Animal Crossing island is awful at the moment but I clearly have plenty of time to create a little getaway where I don’t have to deal with the third kind of person. 

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The Wrong Missy (2020) – The Wrong Movie

Released: 13th May
Seen: 17th May

The Happy Madison film company logo might as well be the poop emoji for what it represents as a marker of quality. Every now and then they’ll release something decent, the corn kernel of their cinematic output that’s just overwhelmed by a monsoon of shit that spews out of that company like water from a fire hydrant. It’s almost like they’ve set a challenge to make the laziest comedies known to man and milk people’s love for a pack of former SNL bad boys as much as they can. Their films are also, effectively, creative excuses to go on long trips on company money to fancy locations where they can basically have a vacation between making what they claim is a movie. Since the end of 2015, shortly after the release of the infamously awful Pixels, every movie from Happy Madison is a Netflix exclusive but because Netflix doesn’t seem to have quality control, we get films like The Wrong Missy which are almost clinically designed to make me hate life itself.

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Spenser Confidential (2020) – Not So Condidential

Released: 6th March
Seen: 28th April

The buddy cop movie is a classic and reliable genre for a reason, the formula is so simple that if you pull it off right you will have something fun. You take two very different people, an Odd Couple if you will, and then you put them in cop outfits and make them do cop stuff. This is not a hard concept to execute and yet Netflix has already kinda screwed it up with the disastrous Coffee and Kareem which still haunts my nightmares which I have a lot more of now because I sleep more often because what the hell else does one do during a pandemic? Anyway, since Netflix either knew Coffee and Kareem was going to hurt or because they figured that no one would care if they did the same general thing again they made another buddy cop movie and this time they did an adequate job, IMPROVEMENT!

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Stargirl (2020) – Aggressively OK

Released: 13th March
Seen: 26th April

In 2000, Jerry Spinelli released the novel Stargirl to critical acclaim. The book was a New York Times bestseller, won multiple awards and even had a sequel called Love, Stargirl. It even got adapted into a stage play and has led to the creation of groups known as Stargirl Societies, designed to encourage young people to be themselves. With all this acclaim and cultural impact, a film adaptation was somewhat inevitable and since Disney is a mega-corporation with a streaming service in search of original content it seems only logical that they would be the ones to take the ball and run with it… or, in this case, take the ball and casually walk down a footpath with it while whistling music by The Go-Go’s.

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The Willoughbys (2020) – Home Alone: Extreme Edition


Released: 
22nd April
Seen: 24th April

So, I know right now we’re all a little frazzled thanks to the mild apocalypse we’ve got going on. The people who are probably most in need of a respite from the insanity are the parents of young kids who are just running about without anything to watch since they’ve probably sat through Trolls: World Tour and Onward about 17 times each. Well, let me offer something that might delight them… and might make them work out ways to murder their parents, but they will be quiet for an hour and a half so you can decide if that trade-off is worthwhile.

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Z-O-M-B-I-E-S 2 (2020) – Braaaaiiiiiinnnnss

Released: 18th April
Seen: 20th April

You know, I’ve tackled a fair few streaming networks over the years. I’ve dealt with Netflix originals, Stan originals and Shudder originals but I’ve somehow managed to avoid Disney Plus originals because none of them really leapt out at me. I almost watched that Lady and the Tramp remake but… well, I suffered through three Disney Remakes in one year, I’m allowed to skip one of them. There are a few original films on there but I figured they weren’t going to be that important for me to need to look through… and then the world decided to malfunction and every cinema closed, so I may as well throw the Disney Plus originals into my diet because why the hell not?

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Love Wedding Repeat Header Image

Love Wedding Repeat (2020) – I Want A Divorce!

Released: 10th April
Seen: 14th April

Love Wedding Repeat Info

Love Wedding Repeat is one of the blandest, stupidest and most pathetic attempts at a rom-com that I’ve ever seen. There is no other way to even start this, I don’t feel like trying to find some esoteric tangent that I could go on, the film is bad and pathetic and I do not like it for even a second. You want a film to make you hate the concept of marriage in totality? Have I got a film for you? A pathetic film that sells itself on looking pretty and having attractive actors with British and Italian accents say things that they believe are jokes but under the faux-pretty surface lies one of the ugliest messes I’ve ever laid eyes on.

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