The Dead Don’t Die (2019) – Zombie Or Not Zombie

Released: 24th October (General Release)
Seen: 17th June (Sydney Film Festival)

It’s been said before, I shall say it again, there is no element of pop culture that has been used more often than the Zombie. Maybe Jesus has been used more often, but not by much. Everything nowadays has a zombie element to it. One of the most popular TV series right now is a Zombie show, every 4th game released has a zombie mode in it, you can buy zombie-shaped slippers for crying out loud. Zombies are everywhere nowadays and they’ve been done in so many ways that a truly original take on them is almost impossible to find. The last real original Zombie movie I saw was one called Anna and the Apocalypse; I never got around to reviewing that film but it was a Christmas Zombie Musical Comedy set in England and it’s every bit as glorious as that combination sounds. I bring that film up because it’s a great example of what happens when you have several film ideas (a Christmas film, a zombie film and a high school musical comedy) and make them work together. The Dead Don’t Die however is what happens when you have several film ideas, smash them together violently, hold them together with Scotch tape and present it as a complete work. Weirdly, it kind of works… kind of.

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Godzilla: King of the Monsters (2019) – Yes Gawd-Zilla

Released: 30th May
Seen:31st May

Since 1954 the world has had a repeated fascination with the Japanese movie monster Godzilla, a gigantic sea creature that was spawned by the nuclear radiation that would also regularly spit fire like it was nobody’s business. Godzilla is possibly one of the most iconic film characters of all time and for years he was a metaphor for nuclear war, natural disasters, basically anything that could best be embodied by a giant nuclear sea creature. Appearing in 35 films that span the gamut from iconically bad to some of the most fun you’ll have watching men in dinosaur suits slap each other, it’s a series that everyone has at least heard of and that Hollywood has tried to make on multiple occasions. The first time Hollywood got their slimy hands on Godzilla was in 1998 with Roland Emmerich decided he was going to make a Godzilla film even though, turns out, he didn’t even really make a Godzilla movie since he basically just made a movie with a weird dinosaur. It was a movie that was so bad that Toho, the company behind Godzilla, trademarked the new design as “Zilla” because there was nothing godly about that mess (except, perhaps, a godly amount of fish). Then in 2014, we got another Godzilla film and while that one was a step up from what came before, it also had maybe 10 minutes of Godzilla in it and spent a ton of time with the humans that no one cares about. So now, here we are, the third time that Hollywood would take on the king of the monsters and… god damn it, they finally got the damn point.

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Aladdin (2019) – Friend Like Meh

Released: 23rd May
Seen:23rd May

When we think of the Disney Renaissance we think of this brief period between 1989 and 1999 when Disney was putting out hit after hit, some of the best films that appear in their catalogue. Right in the front end of that list, dropping in 1992 is the film Aladdin. Based on the Arabic folktale, Aladdin remains one of Disney’s most beloved films. It’s a simple love story, enchanting tunes and, of course, its legendary performance by the late Robin Williams has cemented it into cinema history. Even today the original film holds up with great comedy and award-winning songs that everyone knows. A Whole New World, Friend Like Me, Prince Ali, these are some of the best songs ever put on film. The movie was such a hit it led to two direct-to-video sequels (one of them is actually good) and a TV series that everyone who was a child in the 90s watched. There’s even an adaptation of the show on Broadway but one thing that there will never be is a live-action film remake… at least, that’s what I thought until we inexplicably let Disney think that it would be acceptable to plunder their vaults and turn their classic animated films into subpar live action drivel, but apparently we’re allowing that now so guess what I have to do right now? That’s right, weep and cry because I had to watch this bland lifeless thing that alleges to be a movie.

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Avengers: Endgame (2019) – No Spoiler Zone

Released: 24th April
Seen: 24th April

Avengers Endgame Info.png

On the 25th of April 2018, celebrating a decade as a cinematic universe, Marvel released Avengers: Infinity War. A true box office smash, the film broke records and defied expectations and at the 2-hour 5-minute and 41-second mark, Thanos snapped his fingers and eradicated half of the MCU in a sequence that was instantly one of the most iconic things in modern cinema. It was meme’d into oblivion; it was a moment of cultural shock that is easily the ballsiest thing that a movie studio has done in a long time. They made us love every single character, and then they killed them in front of us in a 3 minute sequence that was designed intentionally to destroy the audience… and then they said “Come back in a year, we’re not done tearing you apart yet” and sure enough, they came back and they were not even close to done tearing us apart.

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Missing Link (2019) – Proof Of Happiness

Released: 11th April
Seen: 13th April

Missing Link

Stop Motion animation is probably the most difficult kind of animation there is. Building scale models and animating them in the physical world, moving just a tiny portion of the models for every single frame and slowly creating movement by hand, something where a small accident could ruin days of work. If a model dries up then that could destroy a film. For the longest time the big name in the field of stop motion animation was Aardman Animation, the people who made Chicken Run (which I just found out is getting a sequel, which is awesome), and now the new people claiming the throne of stop motion animation is Laika who has been fairly consistent in releasing great films, and their latest film is no exception.

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Hellboy (2019) – Aww, Hell!

Released: 11th April
Seen: 11th April

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In 1993 the comic book artist Mike Mignola created the character of Hellboy for Dark Horse comics. A demon-human hybrid, the character became a big enough hit with readers to get an adaptation in 2004 with the movie Hellboy that was written and directed by Guillermo del Toro who managed to turn it into a minor box office hit, pulling in almost 100 million worldwide on a 66 million budget. It got enough critical praise and a cult following to get Universal to shell out for a sequel with the same cast and same creative team, 4 years later letting out Hellboy 2: The Golden Army which fared even better, netting almost 160 million on an 85 million budget and (at least as far as I’m concerned) was just a better movie all around. Now it’s a decade later and rebooting old franchises is all the rage, and Guillermo Del Toro is coming off of two Oscar wins for his beloved film The Shape of Water so now would be the perfect time to get him to come back, drag Ron Perlman with him to don the red latex again and knock everyone out with an amazing Hellboy movie… or you could just get a bunch of completely different people to try and make money off the name alone and hope to god no one actually cares about being entertained, that’s a valid option.

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SHAZAM! (2019) – Hot Damn!

Released: 4th April
Seen: 4th April

Shazam! Info.png

I’ve previously talked on this blog about how nervous I get walking into DC films. After their attempt at an expanded universe netted exactly one good film (Wonder Woman, for the record) and got them a resounding box office failure with their massive team-up film… let’s just say that I get nervous when I walk into these things. Then Aquaman happened and it was above any expectation. I dare say that I should’ve probably given it an even 4 out of 5 now that I look back on it because it was a genuinely fun playful movie that understood that the material was not meant to be dark and so it didn’t bother being pointlessly grim. With the advertisements for Shazam! I was admittedly a little more excited, there was a brighter tone that excited me and made me hopeful that they were going to get this right… oh my god, oh my god you guys!

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