When it comes to the Oscar race this year for best animated film, it feels like Soulis the foregone conclusion. It’s kind of hard to beat a film that was so funny and poignant with such impeccable visuals and was such a cultural event. However, the race isn’t quite over yet and I would like to offer a wild card entry that might sneak in at the last minute, that being the Netflix original film Over The Moon.
The list of musicians that decided to try their hand at directing a film isn’t exactly large, especially in comparison to musicians who’ve acted in a film. People like Rob Zombie and Barbra Streisand proved that you could make big waves in music and be a respected director… then there are people like Madonna and Fred Durst who proved that sometimes you should probably stick to music. So, where does Sia fall in this- second. She’s in the second group, she should just stay in the world of music because if this film is an indication of what she’ll offer to cinema, I’d rather she stuck to music.
The story of Constance McMillen’s 2010 prom is truly something. Constance had plans on going to the prom with her girlfriend while wearing a tux, something that’s completely harmless in every possible way… unfortunately, her school board consisted of massive pieces of excrement and they decided to ban her from the prom. Like any good member of the LGBT community that knows their history, she fought this ban on the grounds that it was stupid and bigoted so the school board did what anyone with no brain would do. They cancelled the prom.
Released: 17th September Seen: 13th September (Advance Screening)
When we look back on 2020 in film (through the spaces between our fingers like one might watch a particularly gory horror movie) there will be one film that stands out as having changed cinema forever. That film will be Trolls World Tour, one of the first films to make the leap from a cinematic release to a VOD release that created a stand off between AMC theatres and Universal that ended with Universal getting to put their films on VOD a lot sooner than they ever had been able to before and AMC gets to maybe show James Bond movies if we ever put big blockbusters out again. This film hit VOD in April… oh wait, I’m sorry, it hit VOD in the USA back in April but because of reasons, I had to wait until it came out in an Australian cinema in the middle of September in order to see it. Seriously, this kind of gap is dumb at the best of times but during a pandemic? ANYWAY
You know, I’ve tackled a fair few streaming networks over the years. I’ve dealt with Netflix originals, Stan originals and Shudder originals but I’ve somehow managed to avoid Disney Plus originals because none of them really leapt out at me. I almost watched that Lady and the Tramp remake but… well, I suffered through three Disney Remakes in one year, I’m allowed to skip one of them. There are a few original films on there but I figured they weren’t going to be that important for me to need to look through… and then the world decided to malfunction and every cinema closed, so I may as well throw the Disney Plus originals into my diet because why the hell not?
In 1939, T.S. Eliot wrote a book titled Old Possum’s Book of Practical Cats. In it, he wrote a series of poems about… well, cats. The book was beloved by many and would be the inspiration for Andrew Lloyd Webber to create the musical Cats in 1981. That show would go on to be the fourth longest-running show on Broadway, just behind The Phantom of the Opera, Chicago and The Lion King. It would also be the 6th longest running show on the West End, behind The Mousetrap, Les Miserables, The Phantom of the Opera, The Woman in Black and Blood Brothers. It’s made billions around the world on the stage and has delighted audiences for years with its story of cats that compete to kill themselves in a magical ritual… and then Tom Hooper managed to get some blackmail photos of a lot of famous people and forced them to appear in his adaptation of the infamously strange musical. That’s the best explanation that I can come up with for why these people turned up. Blackmail and kidnapping, they certainly weren’t there because they wanted to be.
I don’t think we spend enough time really grappling with how surprisingly good Lego Movie and Lego Movie 2 were. Not only were both of them hilarious and wonderfully animated, but they both also had memorable soundtracks and a well thought out and touching tale about family and bringing them together. Sure they were also giant advertisements for the toy that’s caused more foot pain than ingrown toenails, bunions and athletes’ foot combined but it was a sweet and clever advertisement for that toy. Sure, Lego Ninjago wasn’t that great but Lego Batman made up for it. Movies about the tiny plastic figures going on adventures seems to actually work… when you’re a popular brand like Lego. When you’re Playmobil, also known as “What you buy for your kids when they’ve sold out of Lego”, turns out it doesn’t quite work out as well.
In 2013, Frozen came out and destroyed the lives of parents everywhere. While a charming movie, it had the power to make every child under the age of five unable to listen to anything other than the song Let It Go, an earworm so powerful that even typing that simple phrase has popped that song right back into the heads of anyone who saw the movie. It was also one of Disney’s best films, a simple story about two sisters that won the hearts of everyone who saw it. With charming songs sung by Broadway legends and some of the best animation ever seen it was a smashing success, grossing over 400 million at the box office and becoming the third highest-grossing film of the year. Naturally, they were going to end up making a sequel eventually and here we are, 6 years later finally getting a sequel to one of the greatest films of the 2010s. With such a high bar to reach it shouldn’t be a shock that it doesn’t quite make it, but it’s still pretty great.
In 1986, the British TV station ITV began airing a cartoon called The Raggy Dolls. For 9 seasons, children were shown the adventures of Sad Sack, Dotty, Hi-Fi, Lucy, Back-To-Front, Claude, and Princess. For almost a decade people would tune in to watch as the gaggle of rejected toys with various malfunctions went on adventures together and taught the audience to treat those who are different with kindness. It also had the absolute best theme tune of any 80s cartoon (I WILL fight you on this) that was sung by Neil Innes (of the Bonzo Dog Doo-Dah Band) and is a glorious ode to treating people well no matter their differences. It’s legitimately one of the sweetest little cartoons that I remember watching as a kid and a must watch for anyone who wants to get their kids to learn the lesson that people who look different are just as valuable as everyone else… it’s certainly better than this movie was, because I remember the music from Raggy Dolls but good luck with remembering anything from Uglydolls… which I will now force myself to remember in order to explain why it’s forgettable.
So, here’s a fun thing I do that’s very stupid. Sometimes, if a classic film has a reputation as being one of the all time classics… I won’t watch it. Most of these are films from before I was born or, at least, young enough that I wouldn’t have been able to see upon release but if they’re influential as hell then I probably missed them. This is for a variety of reasons that I think make sense (they don’t, I’m dumb). The first is just a lack of availability, half the fun of being in Australia is that a lot of major films don’t end up on easily available streaming services at an affordable rate. The second reason is simply that there’s so many current films out that I genuinely didn’t have the time to catch up on them, I don’t have time to go back and watch Terms of Endearment because I have to go catch a 3pm screening of Here Comes The Grump (like I said, I AM DUMB). The third, and only legitimate reason I have, is that I have this worry that I will be tainted by the films that referenced the classic so it won’t seem as good by comparison. This actually happened with Psycho, a movie I didn’t watch until this year because I had not only seen a billion people reference the shower scene, but I’d seen the horror films that took influence from Psycho and tried to go beyond the kind of violence that was considered shocking in 1960. For the record, upon seeing it I did promptly kick myself for being so dumb but I still do it. I tell you all this because I should’ve seen Cabaret long ago, but I saw everyone reference it and worried it wouldn’t hold up so please remember to aim the tomatoes you want to throw directly at my face, I deserve it.