leebutler Horror, Review, Thriller

Passenger (2026) – Directionless

Released: 28th May
Seen: 12th August

Driving has become one of those things that everyone more or less needs to be able to do to be a significant part of society nowadays. Sure, you could theoretically get by on public transport and walking but everything is so far away and public transport is woefully underfunded in most places so as a general rule, you’re going to need to know how to drive. Because we spend so much time behind the wheel of a car it would make sense to have a horror movie where driving is a major element of the story, tap into some of those fears that come with the act of getting into a ton of steel on wheels and moving at 100 kms per hour alongside other tons of steel on wheels. There’s something naturally there that could make for quite the interesting film… or you could just do a fairly standard haunted house movie on wheels, that’s also an option available to you if you would like it and apparently that’s what Passenger went with.

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leebutler Horror, Sci-Fi, Thriller

Undertone (2026) – Underdone

Released: 25th July
Seen: 9th August

In 1927, the film The Jazz Singer came out and changed the world. While it was possibly the first film to use sound (depending on how we want to define it there are several candidates for the first sound picture), it was certainly the first to be popular and to allow the use of audible dialogue, and so, with the simple line “You ain’t heard nothing yet”, that film entered the history of cinema as an important benchmark (even though that benchmark comes with a notable history of racism… but so does most early cinema, let’s be honest). Since then, sound has been an essential element of the cinematic experience; it can make or break a film. There are countless stories of films that were deemed to be bad because they didn’t have the soundtrack completed yet, a bad sound mix can make a serious scene into an accidental comedy, there’s an absolutely hilarious version of the trailer for The Mummy that muted the wrong audio track which became the only interesting thing about that movie. Sound is important and so when a horror film sells itself on its sound by saying it’s the scariest movie you’ll ever hear you hope that it can deliver on that… in the cast of Undertone, it sounds good but I’ve heard scarier.

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leebutler Crime, Drama, Horror, Review, Thriller

Psycho Killer (2026) – Boring Heads

Released: 20th February
Seen: 6th August

In 1995, the movie Se7en came out to good reviews and a great box office. It’s the film that made people start noticing David Fincher as a director, gave several people involved some much-needed career boosts and is nowadays considered an absolute classic of the genre, showing how genuinely intelligent and dark a crime thriller could actually be. The man who wrote it was Andrew Kevin Walker, who has written several other films, done script doctoring on some major works like Fight Club and even wrote an episode of Tales From The Crypt, so he should be considered a genuinely great writer… and he wrote the script for the movie Psycho Killer, so even the greats can write absolute trash.

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leebutler Horror, Mystery, Review, Thriller

Scream 7 (2026) – Annoyed Yell

Released: 26th February
Seen: 2nd August

In November of 2023, it was announced that Melissa Barrera was no longer going to be a part of Scream 7. She was fired over a handful of posts she’d made calling the attacks in Gaza a genocide, these posts were deemed anti-semitic by Spyglass… they were not, they were calling out the actions of the government of Israel and specifically those of its leader, who right now has a warrant out for his arrest in relation to war crimes, specifically the genocide in Gaza. This was a pretty obvious overreaction back in 2023 but the feeling of anger towards Spyglass only grew as the war raged on and it became even more obvious that Melissa was right, which led to a lot of people calling for a boycott of Scream 7. This is why I didn’t go see the film during its initial release, despite loving this franchise which was my introduction to the horror genre that I love so much. Now Melissa has come out and said she’s moved on from everything, and the film made so much money that it feels silly to keep boycotting it (this isn’t a Harry Potter situation where the people who made it are so hateful that giving them a dollar actively harms others) so I finally saw it… and it’s probably the worst entry in this legendary franchise.

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leebutler Action, Drama, Review, Thriller

In The Grey (2026) – Greyscale Guy

Released: 15th May
Seen: 24th July

Some directors have a certain style that you come to expect when you hear that they’ve made a film. You go to a Hitchcock film and you expect a film full of suspense, you go to a Tarantino film and you expect something very violent with a lot of swearing that borrows a lot of aesthetics from old movies you’d find in a drive in, you go see a Uwe Boll film and you expect to see the cinematic equivalent of testicular cancer. A director gives you a good idea of what kind of film you can expect to see, so what do you expect when you hear that Guy Ritchie has made a new film? You expect something exactly like In The Grey, a film that is so obviously made by Guy Ritchie that he didn’t even need to bother putting his name on the film because it’s so clearly a film in his style that it couldn’t be anyone else… It’s also just kind of dull.

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leebutler Action, Comedy, Review, Thriller

Over Your Dead Body (2026) – Lethally Funny

Released: 10th June
Seen: 12th July

The dark comedy is one of the harder genres to nail because there’s a very fine line between “A dark joke” and “being a tasteless fuck” and it’s a line that’s incredibly easy to cross. Not only that but if you don’t actually push far enough with a joke it can just feel kind of dull, like in the movie How To Make A Killing which showed that you can have a dark comedic premise but fail at the actual comedy element. The idea of a couple trying to murder each other is a premise that can absolutely lead to some great dark comedy if done well, but can also lead to something kind of boring if it’s not committed to properly… fortunately, Over My Dead Body commits just enough to get the job done.

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leebutler Comedy, Horror, Review, Thriller

Ready Or Not 2: Here I Come (2026) – FOUND YOU!

Released: 9th April
Seen: 5th July

In 2019, the filmmaking team known as Radio Silence graduated from making short films that were part of anthology features into making a feature-length film all of their own. That film was Ready Or Not which presented us with a young woman named Grace (Samara Weaving) who married into a rich family and had to take part in a little family ritual where they play a game on the night a new family member joins them. Unfortunately, she picks hide and seek and thus is required to hide while the family hunts her. It was a glorious romp of a film, very silly and campy at times but with enough tension, good characters and enough gore to satisfy any horror fan. It ended with a spectacular shower of blood flying everywhere as Grace won her little game and made her new family explode. It was a glorious film that probably didn’t need a sequel, but damn I’m glad it has one.

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leebutler Comedy, Drama, Review, Thriller

How To Make A Killing (2026) – Lethal

Released: 26th February
Seen: 20th June

Every few years we get a celebrity who is clearly being pitched as a leading man to the masses but, for some reason, just doesn’t seem to click. One of the more recent ones who has been undergoing this process is Glen Powell, it seemed to start around his appearance in Top Gun: Maverick and kept going with works like Hit Man, Anyone But You, Twisters (the image of him walking in the rain was almost scientifically designed to make audiences feral) and The Running Man. Each film basically just tried to give him star power, turn him into the affable, attractive leading man that anyone could root for. It’s clear that the industry wants him to be the next Tom Cruise-type but somehow they have yet to get him into a vehicle that puts him on that level. How To Make A Killing definitely wanted to be the thing that cemented him as that leading man but it flopped hard enough that it won’t be doing that, which is a shame because if it had hit it would’ve undoubtedly been the thing that made Glen into a generational star, even if the film itself isn’t great.

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leebutler Action, Comedy, Horror, Review, Thriller

They Will Kill You (2026) – Killer

Released: 12th March
Seen: 13th June

In 2019, a fun little horror film called Ready or Not came out and became a major hit, at least among Horror fans. The film itself revolved around a bride being introduced to her new family, who turn out to be Satan worshippers, who need to hunt her down and kill her by sunrise to give their dark lord a tribute to maintain their family’s wealth. It was a truly insane, blood-soaked ride full of dark comedy and some of the most insane action scenes. It was a film that was almost destined to have imitators, and now here comes They Will Kill You that gives a crash course in how to copy from other better films and still make something awesome.

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leebutler Action, Horror, Review, Thriller

Pretty Lethal (2026) – Pretty Fun

Released: 25th March
Seen: 8th June

In 2024, a little film called Abigail came out and showed people that the combination of ballerinas and bloodshed could end up making a genuinely fun film if done well. Something about the combination of this glamorous artform that’s largely considered the realm of young women and girls blended with about 50 gallons of the red stuff is a recipe for a good time that the whole family can enjoy (provided your family is suitably fucked up). While Abigail was a ton of fun, it didn’t do quite as wel at the box office as it probably should have, thanks to an ad campaign that gave away the film’s big twist… but hey, at least it got a cinematic release unlike the delightfully fun Pretty Lethal which had to take its blood-soaked ballerinas to enjoy them on streaming instead.

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