Coffee & Kareem (2020) – I’ll Have Decaf, Thanks

Released: 3rd April
Seen: 6th April

Dear Netflix

Look, I get it. You used to be the king of the mountain with all the films anyone could ever want and then the studios got greedy and realised that they could do it without a middle man and you lost a bunch of content so now you’re desperate to fill the empty space up. Sometimes you get desperate and you need to load up with content. I get it, you need content that they can’t take away from you and so you’re just greenlighting everything but may I suggest you try watching it before you upload it because maybe then you won’t unleash painful garbage like Coffee & Kareem onto the world.

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Bloodshot (2020) – More Like BloodMisfire

Released: 12th March
Seen: 12th March

In November 1992, Valiant Comics introduced the world to the character of Bloodshot. A super-soldier gifted with the ability to regenerate damaged tissue due to the nanotechnology that has been injected into his veins, Bloodshot was a huge seller with praise coming out of every orifice, strong enough that it’s still in print today with new issues of the comic coming out within the last year. The character has been rebooted a few times, appeared in other media but had yet to be turned into a movie and since now is the golden age of the comic book movie this would be the best time to make a go of it and… well, they almost have something here. Almost.

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Midway (2020) – Midway Of The Road

Released: 30th January
Seen: 14th February

So… the guy who directed Independence Day and that really bad American remake of Godzilla wants us to take him seriously. Roland Emmerich, a director who only has 2 films that got above average reviews from critics, would really like it if you could look at his film Midway and say “Why, Roland, you are an artist who is right up there with all the other great war filmmakers”. I would love to say that, I genuinely would. I would love to have a fun subversive twist by ending this slightly sarcastic paragraph with the shocking reveal that this film is actually great… but I’m not a liar and “it’s average” is not enough, especially when the average Roland Emmerich film is so awful.

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Sonic The Hedgehog (2020) – Gotta Go

Released: 13th February
Seen: 13th February

Remember this? Remember when this image was originally seared into the brains of people around the world? Remember the nightmares? The shakes? Do you remember the fear that at any moment this small blue demon from the depths of hell could emerge from the shadows in the corner of your room and the last thing you’d hear before you were forced to look at your own intestines was a tiny innocent-sounding “Meow”? Well, I remember, I remember it well. I still can’t listen to Gangsta’s Paradise unless I’m wearing brown pants. 

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Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) – (2020) – High Flying Fun

Released: 6th February
Seen: 8th February

The 2016 Suicide Squad movie is the definition of a mixed bag. It’s currently the 4th highest-earning film in the DCEU (or whatever the hell we’re calling the batch of DC films since Man of Steel) making almost $750million worldwide which is pretty impressive… it also has a 27% on Rotten Tomatoes right now and is getting a ‘sequel’ next year that will only be bringing back 4 of the actors and has the title THE Suicide Squad which, to me, sounds like they’re masking a reboot under the cover of a sequel. One of the few things that everyone could agree on about the original Suicide Squad movie was that Margot Robbie is an absolutely amazing Harley Quinn and should probably have her own movie. The catch is, Harley Quinn is just a little too insane to be trusted to finish a story on her own and maybe she should have a little bit of backup.

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Spies In Disguise (2020) – Bond-Lite, For The Kiddies!

Released: 1st January
Seen: 28th January

In 2009, Lucas Martell released a short animated film called Pigeon: Impossible. The short was simple, a secret agent sits on a bench about to eat a bagel when a pigeon comes by to take it, there are some mishaps with a computer in a briefcase and a whole lot of slapstick comedy. It’s a pretty fun little short film that clearly caught the attention of some people at BlueSky Animation because that little short film directly inspired this little animated spy comedy and in doing so created a genuinely fun little film that just oozes with charm.

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My Spy (2020) – ’90s Reject

Released: 9th January
Seen: 28th January

About a month ago I reviewed Playing With Fire and in that review, I discussed this strange phenomenon where wrestlers who become actors have one big thing in common. They all end up headlining a very bad kids’ movie. Sure, a lot of actors end up appearing in one bad kid’s movie because it offers them an easy paycheck and it’s a movie they can take their children to go see so they can prove they have an actual job but wrestlers almost make a sport out of it. Our latest addition to this is Dave Bautista who I kind of hoped wouldn’t have to do this because he has the Guardians of the Galaxy and Avengers movies which would be enough to show any future children that he was cool. He didn’t need this, he didn’t need this to be the first major thing he did after Endgame (Stuber came out BEFORE Endgame, if you can believe it). I’ll give it this much, it’s not as painful as that thing Robert Downey Jr decided to do after Endgame.

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Dolittle (2020) – The Animals Talk But Have Nothing To Say

Released: 16th January
Seen: 20th January

The Doctor Dolittle character first came to life in 1920 with the release of the book The Story of Doctor Dolittle by Hugh Lofting. The book, and subsequent series of companion novels, told the story of Doctor John Dolittle who has learned to talk to animals and uses that knowledge to go on several great adventures. This idea was destined to become a movie so it comes as no surprise that in 1967 a musical was created. That musical cost 17 million and ended up making 9 million, it had the production from hell that included racism, Rex Harrison being a dick and ducks forgetting how to swim. Naturally, the property would end up abandoned until 1998 when a new Doctor Dolittle movie was made that starred Eddie Murphy. This new version was a success financially and got average reviews but it’s still fun… but it’s also, notably, one of the last good films Eddie Murphy made until his recent resurgence with Dolemite Is My Name. Basically what I’m saying is that the Doctor Dolittle franchise is a career killer and I now seriously worry about just what’s going to happen to Robert Downey Jr because the man just appeared in the worst version of the Dolittle story that’s been put on film.

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Bad Boys For Life (2020) – Oh God I’m So External

Normally here is where I would be posting a lengthy review about Bad Boys 3 and making a bunch of jokes about how Bay is a bad director who shouldn’t be permitted near a disposable camera let alone a movie camera but… well, this time I did that somewhere else.

The fine people over at Soda and Telepaths sent me to go see Bad Boys For Life and my review for that film is over there. I will hopefully have a Little Women review up here tomorrow but if you want to read me rambling on about the Will Smith and Martin Lawrence movie, go click the link and head on over there.

The Gentlemen (2020) – Bring It On Lads

Released: 1st January
Seen: 2nd January

For several years now, Guy Ritchie has been trying to spread out from the English crime drama/comedy films that he made his name on. Most recently he tried to take some of the elements from his old crime drama films and put them in the criminally underrated King Arthur: Legend of the Sword. He then made the just flat out criminally bad Aladdin movie and maybe those films shook him a little since people were starting to catch onto his bag of tricks and calling them out. Whatever happened with those two films, Guy Ritchie seemed to go back to what he does best… an English crime drama/comedy with a large eclectic cast of characters who drop obscenities like they were forms of punctuation. Thank goodness because this is probably the kind of film Guy Ritchie was born to make because he does it so well.

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