One Night Only (2026) – Celibate

Released: 6th August
Seen: 13th August

The year is 2013, and James DeMonaco makes his feature-length directorial debut with a film called The Purge. This is a big deal for James, because up to this point in his career James has mostly been a scriptwriter who got his start writing the script for Jack (that Robin Williams film about the boy who ages weirdly) but wasn’t really known for anything that special. He worked, certainly, but didn’t really get to make his mark. The Purge movie was going to make his mark; he wrote and directed it, got Ethan Hawke to star in his little low-budget horror film about a world where all crime, including murder, was legal for one night only; things were going well. Hell, the film made money, nearly 90 million on a 3 million budget. Everything should be going great… Unfortunately, the film got slaughtered in reviews.

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The Bride! (2026) – Marital Bliss

Released: 6th March
Seen: 10th August

Mary Shelley was, essentially, the inventor of modern science fiction with her 1818 novel Frankenstein: Or, the Modern Prometheus. This single 280-page book about a mad scientist deciding to dig up a bunch of corpses and sew them together to create the perfect man was an absolute revolution and would eventually go on to be the basis for another important work of art, that being the 1931 feature film Frankenstein. That film was, and still is, an absolute benchmark of horror cinema that everyone has referenced at some point and was one of the top earning films of the year when it came out, making 12 million at the box office (adjusted for inflation, that’s about 263 million today). It was big enough that director James Whale was basically begged to make a sequel which brought us The Bride of Frankenstein which is iconic in a very different way from the film that went before it (It’s campier and so much gayer, because why not?). That would inevitably lead to a string of sequels, remakes, reimaginings, recontextualisations and eventually would lead to Maggie Gyllenhaal taking a swing at the idea and giving us The Bride!, a striking modern take on the eternal classic.

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Psycho Killer (2026) – Boring Heads

Released: 20th February
Seen: 6th August

In 1995, the movie Se7en came out to good reviews and a great box office. It’s the film that made people start noticing David Fincher as a director, gave several people involved some much-needed career boosts and is nowadays considered an absolute classic of the genre, showing how genuinely intelligent and dark a crime thriller could actually be. The man who wrote it was Andrew Kevin Walker, who has written several other films, done script doctoring on some major works like Fight Club and even wrote an episode of Tales From The Crypt, so he should be considered a genuinely great writer… and he wrote the script for the movie Psycho Killer, so even the greats can write absolute trash.

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The Devil Wears Prada 2 (2026) – Prada Harder

Released: 30th April
Seen: 30th July

In 2003, Lauren Weisberger released her first novel, The Devil Wears Prada, about a young woman working in a fashion magazine under a tyrannical boss named Miranda Priestly. The book was a hit and, in 2006, it was turned into a movie of the same name. That movie became a cultural touchstone; it turned two of its leads into superstars, effectively revived Meryl Streep’s commercial career and reminded the world why she’s one of the best of all time, and is full of enough witty, biting dialogue to delight any fan of witty bitchy banter (The Cerulean monologue in particular has enjoyed quite a life as a drag queen staple). It honestly does feel shocking that it took twenty years to get a sequel for this incredible film, but at least we got one, and while it might not hit the dizzying heights of the original, it’s still a spectacular experience.

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In The Grey (2026) – Greyscale Guy

Released: 15th May
Seen: 24th July

Some directors have a certain style that you come to expect when you hear that they’ve made a film. You go to a Hitchcock film and you expect a film full of suspense, you go to a Tarantino film and you expect something very violent with a lot of swearing that borrows a lot of aesthetics from old movies you’d find in a drive in, you go see a Uwe Boll film and you expect to see the cinematic equivalent of testicular cancer. A director gives you a good idea of what kind of film you can expect to see, so what do you expect when you hear that Guy Ritchie has made a new film? You expect something exactly like In The Grey, a film that is so obviously made by Guy Ritchie that he didn’t even need to bother putting his name on the film because it’s so clearly a film in his style that it couldn’t be anyone else… It’s also just kind of dull.

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The Drama (2026) – DRAAAAMA

Released: 10th July
Seen: 21st July

It’s sadly an unavoidable reality that the mass shooting epidemic in America has exploded in recent years. Considering that the only year in recent history where there wasn’t a new mass shooting every other day was the lockdown year where it was literally impossible for such an event to happen, it’s the kind of thing that needs to be talked about and dealt with in some way. Since it’s clear that political figures won’t touch it, maybe some piece of art will crack through and make an impact (It’s unlikely, but it could happen) so for a film to use a mass shooting as an element of its plot isn’t automatically the worst thing in the world… However, if it uses something so heavy in a careless manner, that can create some serious issues with enjoying a film… so yeah, there’s some issues with The Drama.

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The Odyssey (2026) – Let’s Do The Odyssey

Released: 9th April
Seen: 20th July

In the 8th century BC, Homer wrote the epic poem The Odyssey. The poem spanned over 12,000 lines and told the story of a warrior trying to make his way back home, a story that would go on to be one of the most adapted tales in history. It’s been told as a straight-up epic, an opera, a crime comedy by the Coen brothers, a futuristic animated cartoon, if you can think of a way for someone to retell the story of The Odyssey, it’s probably been done. Probably the obvious way to tell the story is as the grandiose epic, after all an epic poem deserves an epic adaptation and this one has already had a few of those before… but until now, it hasn’t been thrown into the hands of a cinematic icon like Christopher Nolan who seems to revel in proving to the world that he’s one of the greatest filmmakers of all damn time.

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Project Hail Mary (2026) – Rocks

Released: 19th March
Seen: 1st July

One of the most beloved stories that cinema keeps going back to is “Man interacts with aliens”. It’s a time-tested story that allows for so many variations, from the whimsical wonder of ET to the nightmarish horror of The Thing, cinema has run the gamut of ways to show a human having to deal with a creature from another planet, figure out how to communicate with said creature and either save or destroy it. It’s been done so many times that we’re almost out of new alien designs that we can use before repeating ourselves. So one would think that another film about a human going to space and spending the entire time interacting with an alien would feel at least a little rote, a little repetitive… somehow, Project Hail Mary manages to feel fresh while also being charming as all hell.

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Supergirl (2026) – Averagegirl

Released: 25th June
Seen: 25th June

Roughly one year ago, Superman returned to us. After the absolute disaster that was the DCU, we were given a Superman who cares and there was much rejoicing. It was a genuinely charming movie with one of the best Superman actors we’ve had since the Christopher Reeve-era and I do not say that lightly. I named that film the second best film of 2025 and the performance of Superman was my third favourite performance in that same year. It was a genuinely great work of art that showed that there was space in the modern era for a kinder sweeter Superman. The ending of that film had a brief moment for Supergirl (Milly Alcock) who came to collect her dog Krypto and showed that this universe’s Supergirl was a bit of a drunken disaster who we would eventually get to spend an entire movie following. It was exciting, it seemed like it should be fun and now that film has come out and… it’s OK, it’s a genuinely OK movie but it should be so much better than OK.

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How To Make A Killing (2026) – Lethal

Released: 26th February
Seen: 20th June

Every few years we get a celebrity who is clearly being pitched as a leading man to the masses but, for some reason, just doesn’t seem to click. One of the more recent ones who has been undergoing this process is Glen Powell, it seemed to start around his appearance in Top Gun: Maverick and kept going with works like Hit Man, Anyone But You, Twisters (the image of him walking in the rain was almost scientifically designed to make audiences feral) and The Running Man. Each film basically just tried to give him star power, turn him into the affable, attractive leading man that anyone could root for. It’s clear that the industry wants him to be the next Tom Cruise-type but somehow they have yet to get him into a vehicle that puts him on that level. How To Make A Killing definitely wanted to be the thing that cemented him as that leading man but it flopped hard enough that it won’t be doing that, which is a shame because if it had hit it would’ve undoubtedly been the thing that made Glen into a generational star, even if the film itself isn’t great.

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