The Irishman (2019) – The Luck Of The Irish

Released: 27th November
Seen: 1st December

So… the discussion around Marin Scorsese lately has been kind of interesting. I’ve avoided bringing up his feelings regarding the Marvel movies on this blog because it never seemed relevant but now I’m going to have to talk about the movie that he was promoting while making those comments so let’s get that out of the way. While I think Martin was wrong, he’s also one of the greatest directors of all time and can, therefore, say any goddamn thing he wants to say about cinema. Plus, he’s still turning out high quality films so as long as he keeps proving why he’s one of the best of all time, I’m good with just about anything he wants to say… even if I strenuously disagree with him and think that his latest film has a few problems, it’s still great and worthy of letting the man say any damn thing he likes.

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Frozen 2 (2019) – Do You Wanna Make A Sequel?

Released: 28th November
Seen: 29th November

In 2013, Frozen came out and destroyed the lives of parents everywhere. While a charming movie, it had the power to make every child under the age of five unable to listen to anything other than the song Let It Go, an earworm so powerful that even typing that simple phrase has popped that song right back into the heads of anyone who saw the movie. It was also one of Disney’s best films, a simple story about two sisters that won the hearts of everyone who saw it. With charming songs sung by Broadway legends and some of the best animation ever seen it was a smashing success, grossing over 400 million at the box office and becoming the third highest-grossing film of the year. Naturally, they were going to end up making a sequel eventually and here we are, 6 years later finally getting a sequel to one of the greatest films of the 2010s. With such a high bar to reach it shouldn’t be a shock that it doesn’t quite make it, but it’s still pretty great.

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Countdown (2019) – Please Be The Final

Released: 24th October
Seen: 27th November

I’ve said it before, I’ll say it again, Horror is a very silly genre. Almost by design, it’s a genre that will look at something in everyday life and say “What if we did that, but made it deadly”. Stephen King is the master of this, he took cars and cell phones and long grass and found a way to make them terrifying. Sometimes horror also takes something, makes it deadly, and then acknowledges how silly that is. Jack Frost, for example, is about a killer snowman… there is no way on earth to make that scary, so you lean into the comic absurdity of it. So naturally when you hear a plot idea like “It’s an app that kills you”, I kind of expected something a little tongue in cheek… I also expected something fun and I really need to stop doing that because it tends to not happen when I want it to.

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Arctic Justice (2019) – There Is No Justice

No Turning Back (2019) – No, Turn Back!

Released: 7th November
Seen: 27th November

So, this year has been kind of bad for animated films, at least in my experience it has. Maybe I’m unique because I’m the idiot who went to see Flying the Nest, Cats, Here Comes The Grump and Wonder Park all in the same year but it feels like there just aren’t really that many great kids films this year. Sure, Toy Story 4 was really good, Missing Link was amazing (though seriously slept on by most audiences) and there were some bright spots but most of the animated films I’ve seen this year have been on the bad side. It’s almost a respite from the badness that Arctic Justice (AKA Arctic Dogs, AKA Polar Squad AKA “Look, if we keep changing the name then eventually people might think we’re actually worthy of getting their ticket money”) is just stupid and boring instead of just outright hateful towards its audience.

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Widows Walk (2019) – Walk On

Released: 16th December
Seen: 18th November (Lift-Off Film Festival)

When it comes to ghost stories, it’s very hard to get a truly great one. Ghosts are the kind of horror movie creature that can either be genuinely terrifying or goofy as hell with very little in between. I tend to like ghost movies more when the ghosts are used as some kind of metaphor, either for repressed emotions or for grief, because that lets these apparitions be used for something interesting instead of just “an excuse to make a closing door scary”. This movie used ghosts as a metaphor for grief, but it also needed to work a bit on its structure.

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Pooh: The Derrick Rose Story (2019) – Play Ball!

Released: 11th April
Seen: 22nd November (Lift Off Film Festival)

So, I’m not anything close to a sports guy. I don’t get them, I don’t understand them and I have just never enjoyed them. I don’t watch or play them, they do nothing for me. You ask me about Pooh, I’ll start talking about a little yellow bear who is all stuffed with fluff but if you ask a basketball fan about Pooh, they’ll start talking about a man named Derrick Rose who was a rising basketball star that signed on to the Chicago Bulls in 2008 where he was destined for greatness, being the youngest person to win the MVP award and a whole bunch of other sports titles that I do not understand… and then he tore his ACL (Anterior cruciate ligament) and all hell broke loose. Pooh: The Derrick Rose Story charts all of it, from Derrick’s days in Chicago learning to play through to today and it is a shocking tale, to say the least.

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No Turning Back (2019) – No, Turn Back!

Released: 12th April
Seen: 21st November (Lift Off Film Festival)

You know, I get no real joy out of writing a negative review. Sure, it can be cathartic to lay into a film that I felt was offensive or particularly bad but sometimes it feels like I’m kicking a puppy. Sometimes a first-time feature filmmaker makes a genuinely bad film and part of me wants to just ignore it, move on and pretend I didn’t see it… but I did see it and it would feel dishonest not to write about it especially when I have thoughts on it. Just know that this is not exactly fun for me right now, this one I feel bad because I was in the room when the director was asked “Is this a comedy?” and that question should tell you everything about how bad this drama film is.

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The Last Witness (2018) – Badgering The Witness

Released: 29th May (2018)
Seen: 21st November (Lift Off Film Festival)

Sometimes you can tell everything about a movie just by a basic description of its genre and the descriptive term “Your average”. For example, if I said to you that The Prowler was your average 80s Slasher then you would have a good idea of what to expect from that movie. You automatically picture certain visual style, acting choices and even setting and as long as the movie hits those notes it’s fine. It might not be great but it’s fine. Well, The Last Witness is your average post-WW2 movie set in Britain. It delivers what you expect, but that’s about it.

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The Addams Family (2019) – *Snap Snap*

Released: 5th December
Seen: 23rd November (Advance Screening)

In 1938 Charles Addams created a cartoon about a strange family for the New Yorker. It was a satirical take on the modern family that ran for 150 single-panel cartoons and gained a following. Enough of a following that in 1964 a TV series was greenlit and that series, though it only lasted for two seasons, would be responsible for giving every member of this family their names and set the tone that people would come to expect from these characters. The series would continue to be adapted into many forms from cartoons to new live-action series to the two 90s Addams Family movies everyone loves (Don’t deny it) and even a stage musical. Now it’s a big bold animated movie, another in the recent trend of “Franchises that refuse to die” and like a lot of films in that trend, you don’t need to see this one.

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Knives Out (2019) – It Murdered Me

Released: 28th November
Seen: 23rd November (Advance Screening)

One of my favourite films of all time is the immortal Clue, the camp murder mystery based on the board game of the same name… in the states, in Australia it was named Cluedo for reasons I don’t understand. Everything about it makes me so happy from its quotable dialogue to the crazy camp characters to the luscious set that just begs you to enjoy every element of it. The film is a cult classic but it contains one massive flaw… no way in hell could you actually solve that thing. It has three different endings and all of them rely on information the audience never gets until the moment Wadsworth starts running around and telling everyone who did it. For years I was waiting for a movie to come around with great dialogue, crazy fun characters and a murder mystery that actually feels solvable as the plot comes out… and Rian Johnson clearly heard my plea because he made that exact film and I love it so much.

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