Aladdin (2019) – Friend Like Meh

Released: 23rd May
Seen:23rd May

When we think of the Disney Renaissance we think of this brief period between 1989 and 1999 when Disney was putting out hit after hit, some of the best films that appear in their catalogue. Right in the front end of that list, dropping in 1992 is the film Aladdin. Based on the Arabic folktale, Aladdin remains one of Disney’s most beloved films. It’s a simple love story, enchanting tunes and, of course, its legendary performance by the late Robin Williams has cemented it into cinema history. Even today the original film holds up with great comedy and award-winning songs that everyone knows. A Whole New World, Friend Like Me, Prince Ali, these are some of the best songs ever put on film. The movie was such a hit it led to two direct-to-video sequels (one of them is actually good) and a TV series that everyone who was a child in the 90s watched. There’s even an adaptation of the show on Broadway but one thing that there will never be is a live-action film remake… at least, that’s what I thought until we inexplicably let Disney think that it would be acceptable to plunder their vaults and turn their classic animated films into subpar live action drivel, but apparently we’re allowing that now so guess what I have to do right now? That’s right, weep and cry because I had to watch this bland lifeless thing that alleges to be a movie.

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Red Joan (2019) – Communism Is Just A Red Herring

Released: 6th June
Seen:22nd May (Advance Screening)

Do you know what’s the hardest part of these reviews to write? This opening paragraph that is always placed above a cut so when you look on the main page you get this little paragraph that provides a little bit of context, either context for the series the movie is part of or maybe a personal story so you can understand where I’m coming from when I talk about a certain film. The idea behind this format is that if you were to scroll through and read the opening paragraph, it might catch your eye and make you read it. It provides a jumping off point, like an introduction to an essay and they’re insanely hard to write because it requires me to find a way to hint at my feelings about the film without going into detail. It’s a taste-test that I offer you to get you to read on and when a movie is great they can be a lot of fun to write and when a movie is awful, they’re even more fun to write. But what about when a film is so middle of the road and so pointless that not only do I not have anything interesting to say about its inception, but its lack of purpose makes me spend a two-hour train ride pondering “Just how the hell am I going to talk about this?”. Well, Red Joan is here to test just how much I can get out of one of the most boring films I’ve seen in a while… which is weird to say about a film with Russian spies stealing nuclear secrets but that’s what we have.

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Someone Great (2019) – Something Very Above Average

Released: 19th April
Seen: 13th May

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Is it just me or does Netflix have a weird habit of hiring actors from the CW network and giving them a cheesy romcom to play around with? We had that very recently with The Last Summer and The Perfect Date, two movies that were certainly watchable but nothing really worth writing home about (but totally worth writing a thousand words on the internet about because that is apparently my life now) and both of them have already been basically forgotten. There’s even another one coming out later on this month called Always Be My Maybe and heck, maybe that one’ll end up being the one that is just a little bit better than “Ah, it’s pretty good” because we’re still at “Ah, it’s pretty good” levels right now with another film in this genre.

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The Perfect Date (2019) – Maybe Not Perfect, But Good

Released: 12th April
Seen: 6th May

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Yesterday I talked about a little Netflix teen comedy called The Last Summer that, while watchable, lacked a real cohesive plotline and likable characters despite the actual charm of the lead cast. It cannot be understated just how important those two things are in a teen rom-com, they basically are what will give the movie an audience that goes beyond the specific demographic that will watch every single one of those movies. So what would happen if we take a similar cast from The Last Summer, including a different Riverdale alum, but make all the characters charming and likable while also allowing them to interact through a cohesive plot that doesn’t make me want to rip my eyeballs out with tweezers? Well, that’s when you get The Perfect Date.

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The Last Summer (2019) – Luke Warm For The Summer

Released: 3rd May
Seen: 5th May

The Last Summer

 

No one really expects much from a teen rom-com. Not really, they’re so formulaic at this point that the second I say a teen romcom there’s only a certain amount of things that are going to happen. It’s going to involve either seniors or people between high school and college, all of whom are played by TV actors in their twenties. Every plotline revolves around this couple who were a cute pair of friends as children but now they have hormones so, therefore, they’re into each other, they go on several dates that they never actually call dates and talk on the phone until eventually, the conflict happens that’s brought on by one of them withholding an arbitrary bit of information that leads to a temporary break up that’s undone 7 minutes later with some massive gesture of affection that warms the broken heart just enough for it to mend itself and bring them back together. If you go through any of these teenage romcoms, that’s just a series of events that will happen and films stand out when they put a twist on that plot or add interesting characters with a lot of well-written jokes… or you could just not bother, that works too.

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The Aftermath (2019) – Bland

Released: 23rd April
Seen: 3rd May

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So, this one is going to be exceptionally hard to write about. In general, when a movie gives me a lot to work with it’s fairly easy to sit here and explain why it does or doesn’t work. A particularly good or bad film can almost create its own review through sheer excitement or revulsion. What’s a lot more difficult to write about are movies where I feel absolutely nothing, not a shred of emotion either for or against the film. A generic boring slog will always be the hardest thing to write about because while describing why the movie is a generic boring slog, I have to attempt to ensure that this review isn’t a generic boring slog… though it does help when the boring film shouldn’t actually be boring based upon its subject matter.

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Long Shot (2019) – Exactly What It Says On The Tin

Released: 2nd May
Seen: 23rd April (Preview screening)

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Just scroll back up a little and look at the poster again, I’ll wait. Do you notice that it’s basically the exact poster you expect it to be for almost any rom-com? Seriously, picture the standard rom-com about an awkward guy who’s a little rough around the edges (or even just completely made of edges) who falls for a woman who is so far out of his league that it’s almost funny. Sitcoms thrive on this, King of Queens, The Simpsons and Married with Children just to name a few. It’s also a big trend in movies, Adam Sandler basically made a career out of it until Seth Rogen came out and played the everyman stoner who falls for the insanely attractive woman and they fall for each other. Do you enjoy those kinds of movies? Great, then you’ll like this one and no longer need to hear my lengthy diatribe on why I also enjoy this movie… but please keep reading anyway, page views give me validation.

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