leebutler Action, Adventure, Review, Sci-Fi

Spider-Man: Brand New Day (2026) – Incredible

Released: 30th July
Seen: 1st August

It’s been 5 years since we last saw Spider-Man in the cinema and boy, it set a high bar. Spider-Man: No Way Home was an undeniable highlight of the post-Endgame MCU era, not only for its ability to weave nostalgia for previous iterations into a truly compelling narrative, but also for being a gut-punch of a film that shifted the course of the franchise. It absolutely changed how Spider-Man was dealt with in this universe due to the world-changing final moments where Dr Strange made everyone forget who Peter Parker was in order to save the world. Personally, I put the film in my top 10 list of that year and I still think Willem Dafoe’s return to the Green Goblin role should’ve gotten him an Oscar nomination (Just saying, he would’ve been a far better nomination than JK Simmons for Being the Ricardos). Any follow up film that Spider-Man had was going to have a lot to live up on not only a narrative level but an emotional one. Fortunately, Spider-Man: Brand New Day manages to meet the standard set by the previous movie in a truly fascinating and compelling way.

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leebutler Action, Adventure, Fantasy, Review, Sci-Fi

Masters Of The Universe (2026) – IT HAS THE POWER!!

Released: 10th July
Seen: 26th July

The history of He-Man begins in 1982 with the release of the first toy line which was a massive hit. The toys came out with a mini comic attached that gave some backstory that would then explode with the release of the He-Man And The Masters Of The Universe cartoon series which was basically just a glorified toy advertisement but a toy advertisement that was insanely popular and would become a touchstone of 80s kids entertainment. It was the kind of series that was so undeniably huge that it had to be turned into a film at some point, which it was in 1987. That film was something of an infamous bomb, though like a lot of weird 80s movies that were attached to nostalgic properties it became a bit of a cult hit. After that movie it seemed like the Masters of the Universe were relegated to being occasionally rebooted in animated form but wouldn’t get another crack at being a movie until 2026 when Masters of the Universe came out and also bombed… which sucks because it’s actually amazing.

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leebutler Comedy, Crime, Review, Sci-Fi, Thriller

Bugonia (2025) – Bee-Gone-Ia

Released: 30th October 2025
Seen: 22nd February 2026

On December 4th, 2016, a fucking moron – who I won’t bother naming here – went to the Comet Ping Pong pizza shop in DC and fired multiple shots. Thankfully, he didn’t end up hurting anyone. Still, his plan was to go in to investigate the pizza place because he believed, thanks to other fucking idiots, that there was a child trafficking ring being operated out of the basement. One small problem, Comet Ping Pong didn’t have a basement nor was it in any way related to a child trafficking ring, it just happened to be a place where the Clinton campaign would occasionally buy food and a bunch of idiots reading emails decided that the phrases “pizza” or “Hot dogs” was some kind of elaborate code suggesting that they were buying children. This is probably the turning point where conspiracy theories went from curious things that went around the internet into actual real-world problems that caused the stupidest among us to threaten the lives of others, try to overthrow duly elected governments and believe that drinking raw milk is actually good for you. It’s the kind of insane shit that’s ripe for someone to use as the basis for a thriller, and Bugonia takes that mantle and runs with it.

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leebutler Action, Review, Sci-Fi, Thriller

M3GAN 2.0 (2025) – She’ll Be Back

Released: 26th July
Seen: 8th October

In 2023, the world was introduced to a dancing robot who killed people and her name was M3GAN. It’s kind of wild how much of a global phenomenon this little doll became, but she was everywhere. She pretty much instantly gained icon status and became a camp superstar; people dressed like her for Halloween, and everyone was excited for more adventures with this murderbot. All this is especially surprising when you consider that M3GAN was released in January, which is notorious for being a dumping ground for movies, particularly those in the horror genre. It was such a great film that I put it at number 7 on my Best list that year, and I’m not the only one who put it up on that pedestal. M3GAN was pretty much guaranteed a sequel the second opening weekend finished, and now 2 years later, M3GAN 2.0 has graced us with its presence, and while I’m not going to pretend it’s bad, it’s certainly nothing like I expected.

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leebutler Horror, Review, Sci-Fi, Thriller

War Of The Worlds (2025) – War Is Hell!

Released: 30th July
Seen: 30th September

In recent years, a new genre called “Screenlife” has grown in popularity, resulting in films like Missing, Searching and Host where all the action takes place on a computer screen. When done right, it can be a truly fascinating way to tell a story, allowing the viewer to jump from video calls to emails, and even see messages being typed and deleted, giving a glimpse into a character’s mind. It’s simple, effective and genuinely a versatile way of making a film… however, when done badly, you get something like War of the Worlds, a contender for every “Worst of 2025” list that you’ll see in a few months.

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The Superman logo in front of a blurred image of Superman and Krypto looking over the earth
leebutler Action, Adventure, Review, Sci-Fi

Superman (2025) – Doing Good

Released: 10th July
Seen: 16th July

Superman info An image of the Superman poster on the left sidem, on the right the information "Directed and written by James Gunn" and "Starring: David Corenswet, Nicholas Hoult, Rachel Brosnahan"

Now that it’s officially over, we can admit that the DCEU was an interesting experiment that went off the rails almost instantly. A franchise born out of an attempt to play catch-up to Marvel, it tried to be the alternative to the MCU in every way. If Marvel was bright and colourful, the DCEU was dark and dour. If the MCU took its time to build up to major events, the DCEU would do major event films pretty much right away and fill in the blanks afterwards. If the MCU was good, the DCEU was… bad, for the most part. That entire franchise was bad, and one of the elements that will probably age the worst in hindsight was its portrayal of the big Blue Boy Scout, Superman. Don’t get me wrong, Henry Cavill was a pretty great embodiment of what a superhero should look like in terms of physical mass, but there was something that always felt like it was missing from the character, a specific trait that made Superman an icon that has lasted for nearly a century… kindness. The DCEU seemed devoid of the notion of kindness and light, and thus it felt like Superman was just flat out wrong. Well, now DC is under new movie management and to restart the cinematic universe, James Gunn has brought us a brand new Superman and remembered to stop and pick up a little bit of kindness on the way.

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leebutler Horror, Review, Sci-Fi, Thriller

Companion (2025) – Hearty

Released: 30th January
Seen: 21st April

One of the best things in a good horror film is a twist, a moment when the narrative takes a sharp left-hand turn out of seemingly nowhere and takes the audience on a thrill ride. There’s been a few recent horror films that have been spectacular at this, things like Barbarian where it set itself up as a film about two people stuck in an Airbnb overnight and ended up being one of the most demented films of the year or The Perfection which took the concept of a ‘twist” and dialled it up to 11 to see just how many twists it could fit into 90 minutes without the audience losing its mind. Today’s film, Companion, is a terrifically twisted take on the romance film that takes a few big swings and mostly makes them work.

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The Electric State Header Image
leebutler Action, Adventure, Comedy, Drama, Netflix, Review, Sci-Fi

The Electric State (2025) – Shockingly Bland

Released: 14th March
Seen: 16th March 

In the last few decades, filmmaking has gotten more expensive. It was not that long ago that the idea of spending even $50 million on a single film sounded insane, now you’re lucky to find a film that costs under $100 million that isn’t an indie film. According to Wikipedia, there are 89 films that (adjusted for inflation) cost over $200 million and only six of those films are pre-2000. This is a crisis state that’s setting up films to fail and put hardworking filmmakers out of jobs and it doesn’t help when a film that costs $320 million to produce is as meaningless and forgettable and undoubtedly financially devastating as The Electric State.

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leebutler Action, Adventure, Review, Sci-Fi

Captain America: Brave New World (2025) – Brave And The Bold Choice

Released: 13th February
Seen: 16th February

In 2018, Thanos snapped his fingers and destroyed half of the universe. By doing so, he simultaneously created a point we could mark as the peak of the Marvel Cinematic Universe. With the gift of time, we can pretty much state that Phase Three (AKA the era between Captain America: Civil War and Spider-Man: Far From Home) has been the best phase of the MCU, but its absolute peak can pretty much be pinpointed to Infinity War and Endgame, two films that felt like the end of a cinematic crescendo that had been building for a decade up to that point. They were great movies, truly proof of what this genre could be like at its absolute best and probably one of the dumbest moves that Marvel made in terms of story because the problem is that once you hit a high like that, what happens afterwards?

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leebutler Adventure, Animation, Comedy, Family, Netflix, Review, Sci-Fi

Vengeance Most Fowl (2025) – Splendid

Released: 3rd January
Seen: 5th January

Wallace & Gromit Vengeance Most Fowl INformation

In 1989 the world was introduced to a lovable cheese-obsessed inventor named Wallace and his silent sentient super-smart dog named Gromit in the Oscar-nominated short film A Grand Adventure. Little did anyone know at the time that they had created a pair of cultural icons who would go on to be a major part of British pop culture for the next 35 years and counting. The charming little claymation characters and their somehow both subdued and wacky adventures would end up being the stars of a well known trilogy of shorts that included The Wrong Trousers and A Close Shave (the last two getting Oscars) and eventually made their way to the big screen with the 2005 film The Curse Of The Were-Rabbit. It’s been almost 20 years since then and apart from one more short it’s been very quiet for Wallace & Gromit but now they’re back with their new film Vengeance Most Fowl and once again they’ve proven that charm and a little bit of clay is a match made in heaven.

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