Roald Dahl’s Matilda The Musical (2022) – A Miracle

Released: 25th December
Seen: 27th December

In 1988, Roald Dahl released Matilda onto the world and with it his last truly great character (yes he released 3 books after Matilda but chances are good that you couldn’t name a single character from Esio Trot, The Vicar of Nibbleswickle or The Minpins). The character of a book-smart little girl with the power of telekinesis who takes on the ultimate wicked headmaster was absolutely inspired and almost instantly lit up the imaginations of readers everywhere. It was the kind of story that was destined for adaptation, first with a 1996 cult film and eventually with the musical that was the foundation for this Netflix movie. With the musical being insanely popular and well-loved, the question everyone had is if the magic would translate from the stage to the screen… turns out, Matilda has enough magic to work in almost every medium.

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Avatar: The Way Of Water (2022) – Aquatic Boogaloo

Released: 15th December
Seen: 16th December

In 2009, Avatar came out and was genuinely revolutionary. It caused a surge in sales of 3D TVs, becoming a benchmark for what 3D could look like and basically creating a brief 3D revival around the early 2010s, it was one of the most visually astounding films ever to be released and quickly became the highest-grossing film of all time, a title that it would hold up until 2019 when Endgame came out. Then it would take back that title with a re-release in 2021. Avatar absolutely dominates the discussion on the box office, proof that you don’t bet against James Cameron… and no one gives a single damn about the story of the film. 

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The People We Hate At The Wedding (2022) – Needs A Seperation

Released: 18th November
Seen: 12th December

The “Things go wrong at a wedding” rom-com seems to be its own subgenre, one that has recently been putting out dull films that pop up about once a year (or at least, I review one of them every year). From forgettable things like Top End Wedding to objectively awful shit like Love, Weddings and Other Disasters, it seems that if there’s a wedding and things go wrong it’s probably not going to be that good… and yeah, The People We Hate At The Wedding isn’t that good, though it might be the best of a bad bunch.

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Guillermo del Toro’s Pinocchio (2022) – Absolutely Magical

Released: 9th December
Seen: 10th December

Guillermo Del Toro's Pinocchio

It would be fair to say that adaptations of Pinocchio haven’t exactly been spectacular lately. This year alone we had possibly one of the more disappointing entries in the history of Pinocchio adaptations when Disney decided to do another remake of one of their classics and one that had Pauly Shore playing the titular puppet (never reviewed it but it did get memed into oblivion). There was also the strange nightmare one that was released a few years ago that inexplicably was an Oscar contender. 

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The Invitation (2022) – RSVP-lease Stop Immediately

Released: 25th August
Seen: 9th December

The Invitation Info

It’s been said a few times that 2022 has just been a fantastic year for horror. It feels like every few weeks there’s another horror film coming out and a shocking amount of them have been absolutely incredible. From surprising microbudget hits like Terrifier 2 to major releases like Scream, horror this year has been on another level of quality the likes of which we haven’t seen in a long time. However, even in a year full of fantastic horror films there will always be a few major duds and it’s fair to say that The Invitation might be the biggest horror dud of 2022.

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Pearl (2022) – Xtroardinary

Released: 16th September (United States) WHO THE HELL KNOWS!? (Australia)
Seen: 6th December

Earlier this year the film X was released to critical praise and a pretty impressive box office for a super low-budget horror film. It’s easily one of the films that will be used in future when discussing how good 2022 has been for the genre. At the end of screenings of X was something very interesting, a trailer for a prequel called Pearl that had already been shot and would be released at some point in 2022. This is pretty impressive because original films don’t tend to get the ability to film back-to-back movies before the first film has even been seen, it was a gamble and a half but it was certainly exciting to think about. 

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Confess, Fletch (2022) – Good Boy

Released: 18th November
Seen: 4th December

The Fletch series of novels, all written by Gregory McDonald between 1974 and 1986, were a series about an investigative reporter named Irwin Maurice “Fletch” Fletcher who often found himself getting mixed up in murder investigations. The first book in this series got adapted into the 1985 film Fletch starring Chevy Chase which became a pretty sizeable hit, becoming the 12th highest-grossing film of that year. It got a sequel in 1989 with Fletch Lives and ever since then a third film has been stuck in limbo, always being talked about but never actually getting made. For 33 years this series lay dormant, almost sure to never return… and now it’s back with Confess, Fletch and if you’re looking for a funny detective story and missed out on Glass Onion’s limited theatrical run, this should be good enough to keep you going.

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Violent Night (2022) – Painfully Brilliant

Released: 2nd December
Seen: 4th December

Two years ago on this blog, I talked about a little film called Fatman, a half-assed snore-fest that didn’t understand the fun it could’ve had with the idea “What if a bunch of mercenaries tried to kill Santa?”. It was a dull film that tried to actually answer serious questions about Santa like how can he afford to make all the toys and in general, was just not as fun as it could’ve been. It was a shitty edgelord movie made by people who seemed unwilling to commit to the inherent silliness of the idea of a bunch of mercenaries going toe to toe with jolly old Saint Nick… Violent Night, on the other hand, actually seems to understand how much fun that idea could be and goes for broke in the most delightful way.

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Beast (2022) – Not Lion Around

Released: 24th August
Seen: 2nd December

Man VS Beast is possibly the simplest and oldest story type that exists and one that has certainly been a mainstay of cinema for years. From big-time blockbusters like Jaws to smaller-budgeted films like Crawl, putting a human being up against a ravenous animal is a pretty simple and effective way to create some decent horror. In the case of Beast the man is Idris Elba and the creature is a lion, so you pretty much know what the entire film will be from start to finish and it doesn’t really do much to deviate from the exact plot that you have already begun writing in your mind.

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Orphan: First Kill (2022) – Esther Begins

Released: 1st September
Seen: 2nd December

Orphan: First Kill Info

In 2009 the film Orphan was released to an audience who were there to learn the answer to one fateful question… “What’s wrong with Esther?”. The question of just what was going on with the young girl in the poster is the most notable thing about that movie, its shocking third-act reveal (which I have to assume you know if you’re curious about the prequel, but I’ll hold off on stating it explicitly until the third paragraph just in case) being the thing that elevated the original Orphan into something truly unique and memorable for anyone who saw it.

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