Over on Soda & Telepaths I was lucky enough to get to go to a screening of the upcoming whodunnit See How They Run, a brilliantly funny entry into the revived Whodunnit genre
Do Revenge (2022) – Vengeance Is Mine
Released: 16th September
Seen: 25th September
Back in the 90s, there was this strange but glorious trend going on with teen comedies where they would take a classic work and throw it into a high school. The Taming of the Shrew would turn into 10 Things I Hate About You, Dangerous Liaisons turned into Cruel Intentions and Pygmalion became She’s All That just to name a few of the more well-known ones that became high points for that 90s teen movie craze that a lot of people look back on with some genuine fondness. There’s enough fondness that now the people who grew up on that genre of film are getting to have their own chance to revive it and while this can sometimes lead to some bland uninteresting retreads like He’s All That, other times it can create glorious pieces of joyful throwback fun like Do Revenge.
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Pinocchio (2022) – Wooden
Released: 8th September
Seen: 18th September
In 1940, high off the release of the first feature-length animated motion picture, Disney released Pinocchio. While we look back on Pinocchio as an absolute classic that would eventually be a box office success upon its 1945 re-release, the original release was a complete flop thanks to being released during WW2 which cut off several major markets. Since then, Pinocchio has become an absolute staple of the Disney company, Jiminy Cricket was basically a secondary mascot for a period of time considering how many specials he turned up in and the song “When You Wish Upon A Star” not only became the first Disney song to win an Oscar but became the Disney theme song. This film has been a core moment of pop culture that still resonates in some form… and because we are living in a time where Disney must remake every one of their classic films, we have another D-make and it’s just kind of bland.
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Cult Hero (2022) – Worshippable
Seen at the Sydney Underground Film Festival
The world of religion is a wild place even at the best of times, but when religion is at its worst you get a cult. Cults come in all shapes and sizes, from small things like Heaven’s Gate to seemingly large abusive groups like Scientology and they all just pull people into their web and ruin their lives in some way. Sometimes when someone is in a cult you might need to hire someone known as a deprogrammer who will do what they can to pull your loved one out of this toxic environment… and naturally a situation that’s this intense and fraught with danger is just perfect to be the foundation for a comedic action film.
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Bodies Bodies Bodies (2022) – Dead Funny
Seen at the Sydney Underground Film Festival
Every now and then, a horror film will come along and decide to basically just roast the current generation and all their eccentricities. Usually, it’ll do this by having a bunch of characters that are stereotypes from that specific era and then pick them off one by one, it’s effective and it works pretty well. The 90s were perfect for this, notably with films like Scream and Urban Legends that filled their films with irony poisoned teens and made fun of them while also giving us a high body count. It was only a matter of time before the current generation was going to get their own pointed ribbing by the horror genre and finally, Bodies Bodies Bodies delivers the ribbing that is well deserved with a side serving of… well, bodies.
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Me Time (2022) – Lonesome And Dull
Released: 26th August
Seen: 5th September
When it comes to cinematic experiences, there is absolutely nothing worse than an unfunny comedy. Failing at a serious genre is a recipe for potential campiness which can be its own special kind of fun but failing at comedy just leads to annoyance and boredom from anyone who is unlucky enough to watch. If you fail to be serious, at least the viewer can laugh at the failure and get some kind of enjoyment out of it but failure to be funny when that’s your intention will never go well… how the hell Me Time fails this hard at being funny considering its cast is hard to believe.
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Anything’s Possible (2022) – Charming
Released: 22nd July
Seen: 2nd September
Right now we are going through a bit of a golden era for representation in TV and movies, particularly for members of the LGBTQIA+ community. While the numbers still aren’t fantastic, there’s a noted increase in films that feature characters who are from that community actually played by actors from that community, trans actors playing trans characters are a thing that’s happening more frequently and it’s a glorious thing to see.
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Glorious (2022) Is Pretty Good Over There
Guess who has a new review over on Soda & Telepaths? Me, it’s me, for a Shudder original film called Glorious that’s kind of like a comedy mix of Saw and Lovecraft that’s interesting, go read me talk about it.
Not Okay (2022) – More Than Okay
Released: 29th July
Seen: 24th August
As much as we might like to pretend it isn’t, the online world is just as important to us as the offline world. Online bullying, doxing, cyber-stalking, these are things that have a real-world impact on people even though the victim and perpetrator might never even be on the same continent. There used to be a time when the sage wisdom when you were a victim of this online harassment was to just turn the computer off, it’ll all go away if you just turn it off… but that’s not true. An online dogpile can destroy you, can ruin your life and drive you to unthinkable places. This has been the reality that Gen Z has been well aware of as they live in that world, they know its true power and it was inevitable that someone of that generation would use that to influence a great work of art, and in Not Okay we have that.
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13: The Musical (2022) – Child’s Play
Released: 12th August
Seen: 24th August
In September 2008, the Broadway production of 13: The Musical began its run, a run that would last until January of 2009 after 22 previews and 105 performances. It was a truly unique show as the entire cast and band were made up of teenagers, something that as far as we know has never been done on Broadway before or since. It’s also a bit of a milestone as this was the show that featured the professional debut of eventual pop icon Ariana Grande. In its own way, 13: The Musical is kind of special, an original teen-oriented musical that can be performed with a cast made up entirely of 13-year-olds that isn’t just a junior version of a different show. Naturally, a show with this kind of significance would be a prime target for adaptation… with the thing that made it kind of special being removed.
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