Marriage Story (2019) – Love And Divorce

Released: 6th December
Seen: 7th December

This year I don’t think I’ve been that kind to Netflix original movies. As I look back, most of the year I’ve called them anywhere between average to awful with very few bright spots on the way. It almost feels like I was picking on them but I probably wasn’t any meaner to them than any other production company, they just happen to be the one where I have to visit a site labelled with their name so it’s easier to associate them with the bad product. I can’t forget that I saw Sextuplets on Netflix, it started with their logo and the only way to see it is to go to their site. Meanwhile A Dog’s Purpose, my worst film of 2017, has associations with Universal, Amblin, DreamWorks and Walden Media and I don’t even think of it as being a movie by any of those companies, I just see a bad movie.

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Last Christmas (2019) Give It Away

Released: 7th November
Seen: 2nd December

2016, as a year, is generally remembered as a total dumpster fire where all forms of joy and happiness went to die. Entire nations turned on themselves and decided to do objectively stupid things like leave a certain European union or elect a pumpkin man that was assembled in 2013, had already begun to rot and somehow gained racist sentience (with that one sentence, I do believe I’ve gotten rid of the exact kind of reader one would hope to get rid of) and on top of that it seemed like every other day a celebrity that we loved died, culminating in the shocking death of George Michael on Christmas Day. Yes, there were more shocking deaths after him, but I need to save those for when the time comes to talk about the next Star Wars film. Anyway, naturally with a legend like George Michael there was a whole back catalogue of music that someone was inevitably going to take and turn into a tribute to the late performer. You would hope that they would make a film that was as joyful and cheeky as he was, something to celebrate his life… instead, they made a film that is the definition of saccharine and looted George’s pockets for discarded songs.

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Frozen 2 (2019) – Do You Wanna Make A Sequel?

Released: 28th November
Seen: 29th November

In 2013, Frozen came out and destroyed the lives of parents everywhere. While a charming movie, it had the power to make every child under the age of five unable to listen to anything other than the song Let It Go, an earworm so powerful that even typing that simple phrase has popped that song right back into the heads of anyone who saw the movie. It was also one of Disney’s best films, a simple story about two sisters that won the hearts of everyone who saw it. With charming songs sung by Broadway legends and some of the best animation ever seen it was a smashing success, grossing over 400 million at the box office and becoming the third highest-grossing film of the year. Naturally, they were going to end up making a sequel eventually and here we are, 6 years later finally getting a sequel to one of the greatest films of the 2010s. With such a high bar to reach it shouldn’t be a shock that it doesn’t quite make it, but it’s still pretty great.

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Arctic Justice (2019) – There Is No Justice

No Turning Back (2019) – No, Turn Back!

Released: 7th November
Seen: 27th November

So, this year has been kind of bad for animated films, at least in my experience it has. Maybe I’m unique because I’m the idiot who went to see Flying the Nest, Cats, Here Comes The Grump and Wonder Park all in the same year but it feels like there just aren’t really that many great kids films this year. Sure, Toy Story 4 was really good, Missing Link was amazing (though seriously slept on by most audiences) and there were some bright spots but most of the animated films I’ve seen this year have been on the bad side. It’s almost a respite from the badness that Arctic Justice (AKA Arctic Dogs, AKA Polar Squad AKA “Look, if we keep changing the name then eventually people might think we’re actually worthy of getting their ticket money”) is just stupid and boring instead of just outright hateful towards its audience.

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The Addams Family (2019) – *Snap Snap*

Released: 5th December
Seen: 23rd November (Advance Screening)

In 1938 Charles Addams created a cartoon about a strange family for the New Yorker. It was a satirical take on the modern family that ran for 150 single-panel cartoons and gained a following. Enough of a following that in 1964 a TV series was greenlit and that series, though it only lasted for two seasons, would be responsible for giving every member of this family their names and set the tone that people would come to expect from these characters. The series would continue to be adapted into many forms from cartoons to new live-action series to the two 90s Addams Family movies everyone loves (Don’t deny it) and even a stage musical. Now it’s a big bold animated movie, another in the recent trend of “Franchises that refuse to die” and like a lot of films in that trend, you don’t need to see this one.

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Knives Out (2019) – It Murdered Me

Released: 28th November
Seen: 23rd November (Advance Screening)

One of my favourite films of all time is the immortal Clue, the camp murder mystery based on the board game of the same name… in the states, in Australia it was named Cluedo for reasons I don’t understand. Everything about it makes me so happy from its quotable dialogue to the crazy camp characters to the luscious set that just begs you to enjoy every element of it. The film is a cult classic but it contains one massive flaw… no way in hell could you actually solve that thing. It has three different endings and all of them rely on information the audience never gets until the moment Wadsworth starts running around and telling everyone who did it. For years I was waiting for a movie to come around with great dialogue, crazy fun characters and a murder mystery that actually feels solvable as the plot comes out… and Rian Johnson clearly heard my plea because he made that exact film and I love it so much.

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Charlie’s Angels (2019) – Don’t Call Me Average

Released: 14th November
Seen: 18th November

In 1976 the world was introduced to three female private detectives who worked for a mysterious man who they would never actually meet. That man was Charlie and they were his angels, the show Charlie’s Angels would become an instant smash hit, spending the first two seasons in the top 10 most-watched shows of the year and it became iconic almost instantly. 20 million viewers tuned in to watch a trio of strong women kick ass, it was a monster hit that even achieved the rare feat of creating an influential hairstyle trend. It lasted for 5 years and there were multiple attempts to revive the brand, eventually culminating in a pair of films in the early 2000s that did amazing business but badly with critics. Well, time for them to revive the brand again because we are never permitted to allow a brand to die even when no one wants it anymore (and judging by the box office… oh damn this brand should’ve died long ago)

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Kathy Griffin: A Hell of a Story (2019) – Powerful

Released: 13th August
Seen: 13th November

On May 30th 2017, a photo was uploaded on the internet that would change Kathy Griffin’s life forever. The photo was of Kathy in a blue dress holding a mask with piss-yellow hair covered in ketchup, clearly a reference to a certain president whose name I won’t mention because it’s my review and I get to do stuff like that. The photo was immediately condemned on all sides and Kathy went through the standard cancellation procedure where she lost all her current gigs and had to do the apology tour we send comics on when they make a bad joke. None of this was asked of photographer, Tyler Shields, who not only never apologised, but who continues to work to this day (not saying he should’ve gone through it too, just pointing out that he seems to be doing fine while Kathy’s the one dealing with everything). Anyway, for Kathy this went far beyond your standard “Cancel culture” reaction, this was a steroid induced destruction of a life and career because of one photo. I want to state up front that I did not like the photo in question, I thought it went too far and wasn’t funny… I’m also aware that it was a joke referencing a comment the person depicted in it said and that, at least at the time, Kathy was apologetic for it. What followed was a reaction that even literal rapists don’t have to go through, and this year Kathy finally said “ENOUGH” and let the world know what happened in one of the best and most heart stopping concert films I’ve ever seen.

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Zombieland 2: Double Tap (2019) – Filling like a Twinkie

Released: 17th October
Seen: 11th November

Zombieland 2: Double Tap is a film that exists for reasons I don’t quite understand. At least, I don’t understand why it exists right now. In 2009 when the original Zombieland came out in cinemas it was still a good time for Zombie-related media, the hit series The Walking Dead was still a year away so having a comedy film about a bunch of people surviving in a zombie wasteland felt fresh and new. The style choices and tone all felt like something we hadn’t seen before and it was one of the funniest films of the time and still holds up today. It’s not like they didn’t try to get a sequel out right away, but everything languished in development hell so long that now we’re so far past the prime time for Zombie movies that Disney felt like they could do one. So how do you make a comedic take on a topic that’s already been wrung dry? Well… you just do the same stuff you did the last time only with a tiny upgrade in the technology and the zombies.

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Cut (2000) – A Little Dull

A few months ago I talked about a movie called Porno, a comedy movie about a cursed porno film that summons a demon when played. It’s a brilliant idea that was just not quite done right so naturally I wanted to see if someone had done a serious version of this idea and it turns out that back in 2000, someone did the “Character from a film comes to life to kill people” idea in a little Australian slasher film called Cut. The film came out in 2000 and boasts an alarming 11% on Rotten Tomatoes, at the time barely making a half million at the Australian box office. This is partially due to bad marketing and just bad timing since a comedy slasher film in the year 2000 wasn’t exactly rare. This was also the point in the horror genre where we were up to the third Scream movie, self-aware horror had kind of been wrung dry and Cut got lost in the shuffle. It only just recently got re-released in a 4K restoration and that’s what I got to see so… does it get better with age? Not really, but I can appreciate its cheese a lot more.

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