Rebel Moon: Part Two – The Scargiver (2024) – Scarring

Released: 19th April
Seen: 28th April

On the 19th of April an interview with director Zack Snyder dropped where he delivered this quote:

You may love or hate my movies, I’m 100% fine with that but a vote against me is a vote for the focus groups. Know by saying ‘Snyder sucks’ you’re also saying “you know what? give me more focus groups! I want Happy Meals!

As one might expect, the second this phrase hit the internet there was a group of people who took issue with it, myself being one of them. This quote kind of speaks to the arrogance of Zack Snyder, how he seems to believe that his films are something so outside the mainstream and doing something so unique that we have to support him for the love of cinema. It is, truthfully, one of the most pretentious things that has ever been said by a director of mainstream cinema… it’s also absolute bullshit because, having now seen Rebel Moon: Part Two – The Scargiver, there’s truly nothing about it that goes against focus groups because it reeks of the most pandering studio bullshit one could imagine.

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Mission Impossible: Dead Reckoning – Part One (2023) – Mission Possible

Released: 8th July 2023
Seen: 29th January 2024

At this point, the Mission Impossible series exists for one reason and one reason only, to basically make the entire world believe that Tom Cruise is the most badass human being alive. Sure, there’s a story, espionage, action and comedy that appeals to the masses and delivers high-octane thrills as needed but its principal job at the moment is to help launder the image of a man whose entire life is so intertwined with the evil that is Scientology that he needs people to ignore that and focus on the cool stunts that he can perform. It’s kind of a neat trick because normally it works, normally Tom Cruise movies open so big and make such a splash that we talk about how he saved cinema or something like that. So what does it take for a Mission Impossible film to underperform like this one did? I mean, mostly it was just bad luck with the strikes and people not going to the movies as much but it’s also a case of diminishing returns.

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Role Play (2024) – Playtimes Over

Released: 12th January
Seen: 25th January

Role Play Info

A simple concept done well will almost always be a recipe for a great time in a film, at least in terms of a film that can be easily enjoyed by the masses and provides a solid hour and a half of entertainment. You don’t need major stars or fancy locations or anything like that, just a simple idea that can provide a good thrill ride for a few hours. If done well you can make something magical, but if done wrong then it feels like you failed at doing something so incredibly basic that the only rational response is to point and laugh at the failure… but in the case of Role Play, that would imply that there was something funny going on and that just doesn’t seem to happen here.

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Lift (2024) – Drop It

Released: 12th January
Seen: 15th January

Lift Info

It’s become something of a joke lately that Netflix keeps producing so many films that they can’t even properly advertise them all, but it’s also probably for the best that they don’t because a lot of them are strangely forgettable garbage that’s just kind of created so that Netflix has a library of films that will never be taken away from them. What’s weird about this is that Netflix spends an absolutely jaw-dropping amount on films that, at best, will spend an eternity sitting in their digital library where they aren’t really designed to turn a profit. These are blockbusters that are made without the intention of getting blockbuster profits, a strange phenomenon that would maybe be OK if it led to fun enjoyable films… but it doesn’t, it leads to content like Lift

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Rebel Moon: Part One – A Child Of Fire

Released: 22nd December
Seen: 25th December

Here’s the hottest of my hot takes regarding recent trends in cinema. Zack Snyder has changed from being an interesting director who took chances into possibly one of the most boring directors out there. What makes him boring, at least to me, is that he seems to think every film he touches has to be some edgy, dark, gritty adult tale no matter what the context. This works when he does films about Zombies, something where being dark and gritty actually can work, however, when he tried this with goddamn Superman it started the ball rolling on the utter destruction of the DC cinematic universe. Now he’s turned this dark gritty edgy lens to another beloved property that’s primarily aimed at children, Star Wars… and god damn it, Rebel Moon just kind of sucks.

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The Wrath Of Becky (2023) – OH MY GOD!

Released: 16th November
Seen: 23rd November

In 2020 a little film called Becky came out and delivered something that cinema desperately needed, a 14 year old girl who kills a whole assload of Nazi assholes in various wild and wonderful ways. It was an absolute blast of a film, filled with great performances by absolutely everyone involved and created an instantly iconic female character with Becky. It was a film that I enjoyed so much it made the honourable mentions list on my best films list that year and the Kevin James performance was the 11th best performance on my list. When news of a sequel came out you can imagine the genuine excitement that built, more fun time with Becky violently killing a bunch of bastards just sounded like the best thing possible and thank goodness, The Wrath Of Becky absolutely lives up to the standard set by the film that came before it.

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The Killer (2023) – Fincher Strikes Again

Released: 10th November
Seen: 15th November

The Killer Info

David Fincher is arguably one of the greatest directors working today, a man who has made several of the greatest films of the modern era who people revere as a director for good reason. Even when his films aren’t instant classics there’s something interesting going on with them, at bare minimum, his films will give you something to think about and will probably be full of great performances on top of it. His name alone is basically a marker of quality so it should come as no shock that once again Fincher has made a fascinating film about a dark immoral character and asked us to take a closer look at how mundane they actually are and once again it’s strangely fascinating.

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The Marvels (2023) – Marvelous

Released: 9th November
Seen: 8th November

It’s no secret that the Marvel movies are having a difficult time lately, at least a difficult time by the standard of a studio that’s been a cultural juggernaut for over a decade and counting. Basically, ever since Endgame the films and TV series have seemed to be in flux like the studio just realised they did something absolutely massive and are now scrambling to figure out what the hell they do for an encore. Personally, I’ve enjoyed pretty much all of the post-Endgame stuff, I contend that even bad Marvel movies are better than a lot of the other things that are being put out by major studios lately. It’s comfort food but I get that it might be getting stale for some, which is probably why the release of The Marvels is being met with trepidation and anticipation of a bad movie… I don’t know why people think that because The Marvels is one of the best post-Endgame movies to be released but hey, to each their own.

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Transformers: Rise Of The Beasts (2023) – Fun Film In Disguise

IMPORTANT NOTE: This piece was written during the 2023 SAG-AFTRA strike. Without the labor of the actors currently on strike, the movies being covered here wouldn’t exist.

Released: 22nd June
Seen: 6th November

Let’s be honest, the Transformers series as a cinematic universe hasn’t exactly had the best track record. Sure, the original animated film is considered something of a cult classic that had people sobbing over the death of a cartoon robot but then we had almost a half dozen atrocities directed by the luckiest man on earth, Michael Bay and that ended up being a big mistake. Sure, Bay’s films made money but none of them were actually good, they were spectacles that eventually lost their luster through bad filmmaking and uninteresting stories. Now fortunately the franchise was wrestled away from Bay and given to people who seemed to care which led to Bumblebee which is still the high point for the live-action series. It was a movie that actually felt fun and fresh in a way that has clearly impacted how these movies are made because it led directly to Transformers: Rise Of The Beasts, which might not be as great as Bumblebee, but it’s still fun.

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Sisu (2023) – Golden

IMPORTANT NOTE: This piece was written during the 2023 SAG-AFTRA strike. Without the labor of the actors currently on strike, the movies being covered here wouldn’t exist.

Released: 27th July
Seen: 23rd October

Sisu Info

Some films are important art pieces where every little detail needs to be considered in a wider context, some films are prestige pictures that need to be given reference and explored in as careful detail as possible, there are even films that are family affairs that should be questioned on how appropriate they are to be viewed by children and if they can also be enjoyed by a parent who legally has to be at the cinema with their child or risk a charge of child abandonment… and then there’s films like Sisu that say “Hey, Nazi’s fucking suck right? Wanna watch an old guy shove a pickaxe in a Nazi’s piss slit?” and you respond with an enthusiastic and gleeful cry that can be heard from space because Sisu delivers on the pure Nazi-dismembering joy that everyone can and should enjoy.

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