News Of The World (2021) – Nobody Doesn’t Love Tom Hanks!

Released: 28th January
Seen: 12th April

News of the World Info

There are films that rely on a great script, films that rely on their visual prowess and then there are films that rely on the talents of a single actor. A star vehicle can come in many forms and many levels of quality, some of the biggest flops of all time have been films that leaned on the talent of a single actor… and then there are the films that rely on a single actor’s charm that actually end up working, such is the case with News Of The World.

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Godzilla vs Kong (2021) – Lots of Monkey Business

Released: 25th March
Seen: 6th April

Godzilla vs Kong Info

I believe it was the legendary French film analyst Dr Je Plaisante who said “Do you really need me to give you a fancy explanation to begin the review about Godzilla vs Kong, the film where a giant ape punches a giant lizard? Does Godzilla vs Kong look like a film that needs analysing? Do you get how silly it is to think Godzilla vs Kong is anything more than a joyous ode to destruction? I’m not even a real film analyst, my name is literally French for the phrase I’m Joking, that’s how pointless this entire review is!”… or something like that.

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Raya and the Last Dragon (2021) – Not a Drag-on

Released: 19th February
Seen: 17th March

Raya and the Last Dragon Info

Once again Disney has done a weir business thing that only Disney could probably get away with, time once again to deal with the issue of the Premier Access where Disney expects an extra 30 bucks on top of their current streaming price in order to vide a movie, in this case Raya and the Last Dragon. They did this recently with Mulan (interesting how it’s only been the films with mostly Asian casts that get this treatment, not sure what that says but it’s an interesting trend) and back then I couldn’t justify it… I also couldn’t really justify this, but it was also in a local cinema and I genuinely believe that’s the best way to properly enjoy the visual spectacle of Raya and the Last Dragon

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Justice League – The Snyder Cut (2021) – Here We Bloody Go Again

Released: 18th March
Seen: 18th March

Justice League Info

So it has come to this. On March 18th in 2021, as a result of years of campaigning under the hashtag “Release the Snyder Cut”, WB finally decided to release the Snyder Cut of the Justice League film. Now, here’s the funny thing about that, as a critic my opinion means precisely jack shit regarding this film.

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The Marksman (2021) – You’re Taken The Piss

Released: 21st January
Seen: 4th February

The Marksman Info

Can we, as a society, just admit that Liam Neeson action films have become repetitive and stale? Is that a thing that we can collectively do? Hell, let’s be honest, they were getting stale roughly around the third time he played a character who had a member of his family taken. It’s now to the point where you could write a Liam Neeson action film using a madlib form, they all have the same basic plot and only change the minor superficial details. It’s always the same and every time it gets a little bit less interesting and The Marksman is just another one for the pile.

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Hunted (2021) – Little Blood-Red Riding Hood

Released: 14th January
Seen: 19th January

If you were to make a list of locations that horror movies take place in, The Woods would probably be somewhere near the top of that list. Something about being in the great outdoors, surrounded by trees and being far away from modern civilisation lends itself well to a horror scenario. Films like Cabin in the Woods, Evil Dead and Friday the 13th have all shown that surrounding a bunch of young people by a seemingly endless amount of trees and leaving them to deal with some form of serial killer can create a terrifying ordeal… you can also have films like Hunted, that work on some level but not as many as it should.

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Outside the Wire (2021) – Wireless

Released: 15th January
Seen: 17th January

Outside the Wire Info

This year Netflix announced that it plans on releasing one brand new narrative film every single week, a proposal clearly borne out of a need to build up a catalogue of films that can’t be taken away when another movie studio decides to try and make its own streaming service. On the one hand, this is a smart idea, with enough of a catalogue of its own Netflix can justify continuing as a service even if every studio pulls their film.

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We Can Be Heroes (2020) – Just For One Day

Released: 25th December
Seen: 31st December

Robert Rodriguez is one of the most fascinating filmmakers of our time. Known as the one-man film crew, he’s got a reputation for doing everything on set. Not only directing and writing, we’re talking handling the editing and cinematography and score of his films, he’ll even carry the damn Steadicam if that’s what he has to do to get the job done. He’s also very well known for working with a limited budget, preferring to come up with creative solutions to his problems rather than just throw money at it. He’s the kind of director who you always look out for because no matter what he makes, you can guarantee that it’ll be interesting in some way. Well, now Netflix has decided to get this filmmaker on their payroll and let him have some fun and god I hope this is the first of many Netflix funded Rodriguez films to come because the man knows how to make a fun family film, which is the quick description of We Can Be Heroes.

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Wonder Woman 1984 (2020) – A Blast From The Past

Released: 26th December
Seen: 26th December

Last year we were all treated to the most elaborate superhero movie ever made with Avengers: Endgame. For all intents and purposes, that movie was a landmark moment, proof that a cinematic universe could not only be a joy to watch being built but actually climax to something. Now the way things were meant to go was that the Spider-Man movie would act as a coda, then 2020 would come along and basically remove all superheroes from the roster. 

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