In 2019, a fun little horror film called Ready or Not came out and became a major hit, at least among Horror fans. The film itself revolved around a bride being introduced to her new family, who turn out to be Satan worshippers, who need to hunt her down and kill her by sunrise to give their dark lord a tribute to maintain their family’s wealth. It was a truly insane, blood-soaked ride full of dark comedy and some of the most insane action scenes. It was a film that was almost destined to have imitators, and now here comes They Will Kill You that gives a crash course in how to copy from other better films and still make something awesome.
In 2024, a little film called Abigail came out and showed people that the combination of ballerinas and bloodshed could end up making a genuinely fun film if done well. Something about the combination of this glamorous artform that’s largely considered the realm of young women and girls blended with about 50 gallons of the red stuff is a recipe for a good time that the whole family can enjoy (provided your family is suitably fucked up). While Abigail was a ton of fun, it didn’t do quite as wel at the box office as it probably should have, thanks to an ad campaign that gave away the film’s big twist… but hey, at least it got a cinematic release unlike the delightfully fun Pretty Lethal which had to take its blood-soaked ballerinas to enjoy them on streaming instead.
The Ozploitation genre used to be truly great. Back in the 70s and 80s, Australia made absolutely batshit genre films that utilised the outback landscape (and a few stereotypes about Australians) to create some genuinely amazing films. Razorback, Patrick, Long Weekend and a whole bunch more weird horror films set Down Under were a great part of the underground cinema of the day… and then they kind of became rare birds, the truly wild days where we could just throw a few people into the middle of nowhere and make a film are rare to say the least. It’s a film style that really should make a comeback, but until then, I will happily take Apex, Netflix’s high-budget imitation brand version of a cheesy Ozploitation film, even if it does have a lot fewer Aussies involved than one might like.
For better or worse, we live in the era of AI… or at least the era of AI being brute-forced into our daily lives by billionaires who rely on it to turn a profit and make a couple of extra dollars. It’s in everything, it’s in all the apps you use, the very site I post this on offers AI to write a synopsis of what I post (you’ll be happy to know I never use it, I can write shitty unfunny synopsis’ all by myself), and it’s overtaken social media where it does fun things like “makes child sex abuse material” or “endorses white supremacy”. People are now losing jobs and being replaced by AI, which is incredibly faulty and has a high risk of errors… but no error is as big as the error that was made when someone decided to give Mercy a budget and allowed this film to exist because it’s just fucking bad.
Released: 2nd October 2025 Seen: 9th February 2026
Over the last several decades, one of the biggest names in cinema has been The Rock, AKA Dwayne Johnson. His films have grossed billions of dollars; he is currently the 10th-highest-grossing actor of all time, and he did all that without having to appear in a Marvel film or anything involving Avatar. He’s one of the highest paid, most recognisable and most beloved film stars of recent years… but he’s not a great actor. Let’s be honest, no one’s ever accused him of giving a transformative performance in his entire career; the man is a personality who effectively plays himself in every single film he ever appears in. Now this isn’t a bad thing per se, a lot of very famous actors are kind of known for playing themselves in every film that they do (Ryan Reynolds, Jack Black, Will Ferrell just to name the first three that come to mind). With Dwayne Johnson, however, it comes with the fact that he not only plays the same character, but he’s doing it at a time when his wrestler-turned-actor contemporaries John Cena and Dave Bautista are delivering genuinely great, layered acting performances that demonstrate a range that Dwayne just hasn’t been able to do. What Dwayne’s been needing for quite some time is a chance to show off his skills, to stretch himself and prove that he isn’t just a one-trick pony… The Smashing Machine does kind of prove that, but in a way that also really shows off his limitations
As the year draws to a close, the time is soon approaching when we’re going to learn what the big awards contenders are. The ones that will sweep the upcoming ceremonies that will go down in history as one of the few films every year to get the title of “Oscar-nominated”. It’s always a little hard to guess exactly who the nominees are, hence why every single year there are articles printed about a couple of major snubs and surprises that no one saw coming. Other films, however, are pretty much guaranteed to be in the conversation from the second they turn up on the scene, and one such film that’s absolutely dominated any discussion about upcoming awards is the Paul Thomas Anderson film One Battle After Another, and it’s not very hard to see why.
In 1998, Gus Van Sant remade Psycho. He had just come off the monster hit that was Good Will Hunting and used the reputation he had built to get Universal to foot the bill. The remake is infamous, a largely shot-for-shot remake that puts the film in colour and uses modern actors while replicating the original visual style as much as possible. The idea was to basically make fun of remakes, to show how it’s truly impossible to copy a film exactly as it originally was and have the same impact. That film definitely proved Gus Van Sant’s point because his remake of Psycho was a box office bomb and a critical punching bag. One would hope that maybe Gus’ experiment would’ve stopped others from trying to do the same thing again but no, we’ve lately been inundated with remakes of classic Disney films and now How To Train Your Dragon gets the same treatment and while it might be better than Psycho (1998), that doesn’t mean it deserves to exist.
We are officially at the point where the K-pop genre has hit critical mass, probably been there for a while thanks to supergroups like Blackpink or BTS showing how dominant they can be on the pop charts. This is part of an era that, according to my research, is known as the Korean Wave and hopefully when we talk about the absolutely insane rise of K-pop and the Korean wave in general in the future, we need to take the time to mention Kpop Demon Hunters, which feels like the kind of movie that can only exist now that K-pop has become such a massive element of pop culture that it has the incredible mass appeal that this work of art has.
In 2016, Disney released Zootopia, which told the story of a society made entirely of animals (as in lions, tigers, bears, oh my) that was dealing with the disappearance of the predator class of animals. A buddy cop mystery movie told with just a ton of adorable animals in people clothes was basically a license to print money for Disney, which would rake in over a billion dollars from this one movie alone, and that still only made it the 4th highest-grossing movie of the year, which really says a lot about how insane the box office was only a decade ago. In the years since Zootopia has remained a very popular property, even getting a TV show on Disney+ in 2022, but it’s taken until now for Disney to get around to making a sequel, and it was absolutely worth the wait.
In 2022, a little film called Bullet Train came out that asked the logical question, “What would happen if you put Brad Pitt on a Japanese bullet train full of assassins?” The answer was a pretty fun movie with a lot of wild over-the-top cartoon characters, a lot of inventive action scenes with stunts by a guy who did a lot of Marvel work and the director of Atomic Blonde and Deadpool 2. It was the kind of film that was just balls to the wall fun, at times those balls made their way through the wall because they were slammed against it with such velocity. It was also a pretty big hit, and like a lot of big hits, it’s almost required for someone to try and make a knockoff version of it. Enter Fight or Flight, which takes Brad Pitt and replaces him with Josh Hartnett and jams some wings on the train to turn it into a plane. With that, you have another pretty damn fun movie.