Back In Action (2025) – Dull and Lifeless

Released: 17th January
Seen: 22nd April

In 2014, Cameron Diaz did something quite admirable. After the release of Annie, she announced her retirement to spend more time with her kids. Considering this was Cameron Diaz, one of THE major movie stars of the era, for her to stop working on her own accord was a major thing. This was one of those celebrities who could sell a movie just on their name alone being attached. She had a two-decade-long career that was the envy of many others in her generation, and then she just chose to stop acting. People have been hoping she’d make a return for ages, almost since the day she announced her retirement, but she stuck to her guns until this year when she took part in the Netflix film appropriately titled Back in Action, her grand return to the movies… she deserved better.

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Popeye The Slayer Man (2025) – It Is What It Is

Released: 21st March
Seen: 20th April

Over the last few years, a trend has been getting more common, namely that major well well-known works are entering the public domain, meaning that anyone can use them without a problem. For a long time, nothing was entering the public domain thanks to a certain set of laws being adjusted, but now major characters are turning up in the communal toy chest that we can all reach into at any time. What has also become something of a tradition is that people making low-budget horror films have been grabbing these new toys, slathering them with blood and using them to fill digital shelves with their low-budget fare. Most of these haven’t been great (Blood & Honey and The Mouse Trap both ended up on my worst film lists for their respective years) and there’s been some that show improvement (Blood & Honey 2 is still a genuinely fun time) but we’ve yet to have one that just got the joke right off the bat and made something that was enjoyable… until someone ate their spinach and presented us with Popeye The Slayer Man.

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The Day The Earth Blew Up: A Looney Tunes Movie (2025) – What’s Up Doc?

Released: 27th March
Seen: 29th March

The Day The Earth Blew Up

David Zaslav is probably one of the worst executives any movie studio has ever had to suffer under, at least in my opinion. Sure, there are many morally worse than him and some who should probably just die in prison for what they have done. However, in terms of how they have abused their stature in the industry to destroy the art of others, few are as reviled as Zaslav. The man runs Warner Brothers and yet seems to hate anything to do with animation, notably removing large amounts of historic Looney Tunes cartoons from the studio’s streaming service and infamously cancelling the completed film Coyote VS Acme. It honestly has started to feel like the man in charge of one of the most legendary animation IP brands of all time was going to kill it through sheer incompetence as a studio head… but fortunately for us, one slipped through his slimy fingers and made it out into the world and it’s one of the best animated films in recent memory.

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The Electric State Header Image

The Electric State (2025) – Shockingly Bland

Released: 14th March
Seen: 16th March 

In the last few decades, filmmaking has gotten more expensive. It was not that long ago that the idea of spending even $50 million on a single film sounded insane, now you’re lucky to find a film that costs under $100 million that isn’t an indie film. According to Wikipedia, there are 89 films that (adjusted for inflation) cost over $200 million and only six of those films are pre-2000. This is a crisis state that’s setting up films to fail and put hardworking filmmakers out of jobs and it doesn’t help when a film that costs $320 million to produce is as meaningless and forgettable and undoubtedly financially devastating as The Electric State.

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Oscar Predictions – 2025

Every year on this blog I talk about the Oscar nominees and the potential winners in each category. It’s the reason this blog exists and it’s a fun thing to do around this time of year, even when (thanks to a real-world job that takes a lot of my time) I’ve missed a few of the bigger films that got a bunch of nominations. I still can look at some of the bigger trends and have a guess about how the ceremony is going to go… it also doesn’t help that, as usual, some of these films are incredibly hard to find in Australia in a way that I can legally see them at a convenient time. So, here are my predictions for what will win, what should win and the wild card choice that might sneak in at the last minute.

Besides, if the members of the Academy can vote for movies to win the award without ever watching them, I can predict what they’re going to do without seeing everything.

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A Real Pain (2024) – Hauntingly Hilarious

Released: 26th December 2024
Seen: 24th Feburary 2025

“Those who cannot remember the past are condemned to repeat it” is a phrase that we really need to say more often nowadays because it feels like people have chosen to intentionally not remember the past and are actively trying to repeat it. One of the things from our past that it feels like we’re currently getting a bit of a refresher course on is the horrors of Nazi Germany, because for some reason we thought that could only happen in Germany. It was a true horror, one that people have tried to ensure they never forget for nearly 100 years and this includes people making trips to the actual camps so they can get a better sense of what their ancestors went through. This is the kind of trip that should be an emotional one that’s designed to connect people with their history but it’s become something of a commercial venture and that strange feeling is the subject of A Real Pain which is a really fascinating experience.

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Better Man (2024) – A Different Man

Released: 26th December 2024
Seen: 24th February 2025

Biopics in general have never been my thing, mostly because they’re pretty much all the same. A performer gets famous, does a lot of drugs, pisses off a lot of people before finally pulling through and becoming the superstar that was worthy of making a biopic about. It’s all the same and only ever becomes interesting based on the lead actor’s performance. It’s such a predictable formula you can almost guess what song will be performed after each drug-taking montage if you know enough of the main musician’s hit songs. The only biopic in recent memory that was actually good enough to make me enjoy it would be Rocketman which took the life of Elton John and turned it into a lavish musical that ignored the constraints of linear time to present the story of Elton’s life. I’ve been genuinely waiting for someone to look at that movie and steal what made it work to see if it could be replicated, imagine my surprise when Take That bad boy Robbie Williams did that exact thing and threw in a CGI monkey just for the fucking hell of it.

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Captain America: Brave New World (2025) – Brave And The Bold Choice

Released: 13th February
Seen: 16th February

In 2018, Thanos snapped his fingers and destroyed half of the universe. By doing so, he simultaneously created a point we could mark as the peak of the Marvel Cinematic Universe. With the gift of time, we can pretty much state that Phase Three (AKA the era between Captain America: Civil War and Spider-Man: Far From Home) has been the best phase of the MCU, but its absolute peak can pretty much be pinpointed to Infinity War and Endgame, two films that felt like the end of a cinematic crescendo that had been building for a decade up to that point. They were great movies, truly proof of what this genre could be like at its absolute best and probably one of the dumbest moves that Marvel made in terms of story because the problem is that once you hit a high like that, what happens afterwards?

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Alien: Romulus (2024) – Shocker

Released: 16th August 2024
Seen: 9th February 2025

Alien Romulus Info

2017 is the last year that we had a new instalment of the Alien franchise, a film that made about 250 million worldwide but didn’t get the best critical reception. It still made money and still had its fans (I counted myself among them at the time of its release) so it was almost inevitable that we would get another sequel where another group of people would happen upon a xenomorph colony and get their shit fucked up by the iconic acid-blooded creatures. Sure enough last year we got such a film with Alien: Romulus, the 7th entry in the long-running franchise which dared to ask the question “What if a bunch of people found the original ship from Alien and there were still aliens on it who would like to face fuck them all to death?”.., an important question that the film deftly answers.

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Conclave (2025) – Oh Lord

Released: 9th January
Seen: 2nd February

When a pope dies there is a process that has to be done in order to select a new pope known as a Papal Conclave. The basic idea is that all eligible cardinals come to Rome where they are sequestered in a large room and vote on the next pope. They do this repeatedly over and over again until someone has a two-thirds majority and then they become the new pope. The cardinals are not meant to interact with the outside world during this process and each time a vote happens the votes are burned and the colour of the smoke tells the outside world that there’s a new pope. This feels like the kind of thing that was meant to be turned into a political thriller and thanks to Conclave it has been… it’s good, it’s very good, honestly, there’s not much more that can be said than that but I’ll try.

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