Zootopia 2 (2025) – Sssensational

Released: 27th November
Seen: 8th December

In 2016, Disney released Zootopia, which told the story of a society made entirely of animals (as in lions, tigers, bears, oh my) that was dealing with the disappearance of the predator class of animals. A buddy cop mystery movie told with just a ton of adorable animals in people clothes was basically a license to print money for Disney, which would rake in over a billion dollars from this one movie alone, and that still only made it the 4th highest-grossing movie of the year, which really says a lot about how insane the box office was only a decade ago. In the years since Zootopia has remained a very popular property, even getting a TV show on Disney+ in 2022, but it’s taken until now for Disney to get around to making a sequel, and it was absolutely worth the wait.

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Freakier Friday (2025) – On And On And On

Released: 7th August
Seen: 20th September

In the year 2003, Disney did something absolutely unheard of by the company… They released a remake of one of their previous films. The film being remade was 1976’s Freaky Friday, which was a fairly decent success with several Golden Globe nominations and featured a young Jodie Foster (who would also be in Taxi Driver that same year, 1976 was a wild year to be Jodie Foster) so remaking it probably seemed like a foolish idea, but it went ahead. The film would star Lindsay Lohan in one of the roles that would go on to define her career and Jamie Lee Curtis in probably one of her most beloved performances outside of a slasher film. Together, they made a little piece of millennial magic. Anyone who was a teenager in 2003 knew this film and loved it on some level. Hell, just play a few notes of Take Me Away and anyone of that specific generation will have flashbacks to Jamie Lee Curtis shredding the guitar solo like she’d been a rockstar for her entire life. It was an undeniable sensation, it was the 20th highest-grossing film of 2003 and is a real fan favourite live action Disney film. It’s actually shocking that it took 22 years for them to make a sequel to it, but now they have… It’s fine.

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Snow White (2025) – Rotting Apple

Released: 20th March
Seen: 26th June

It’s hard to describe how much the world changed on December 21st, 1937, when Walt Disney premiered his feature-length animated film Snow White and the Seven Dwarfs. Up to that point, no one thought it was possible; movies were still a young medium at that point, but animated cartoons were meant to just be small things put at the front of the proper movie, never the actual main event. Disney changed all that and created an entire genre of cinema. The original Snow White and the Seven Dwarfs is an undeniable classic, even without the historical relevance that comes with being the first of its kind; it’s also just a fantastic film with songs that we still hum to this day and some of the most iconic characters in the animated medium. It’s one of those retellings that redefined the original story. When you think of the story of Snow White there’s a good chance you think of the Disney version, you almost certainly revert to the names Doc, Sneezy, Grumpy, Bashful, Happy, Sleepy and Dopey for the dwarfs. It’s a piece of cinematic history that we should respect… and by “We” I mean “Disney” because based on what they did with the 2025 remake, I don’t think they respect their own history at all.

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Elio (2025) – Space!

Released: 19th June
Seen: 23rd June

Original movies are becoming something of a rarity these days, either relegated to the indie circuit or they have to be made by some well-known auteur who has enough cache to get his weird original concepts past the studio system. Look at the top 10 highest-grossing films of this year, with the notable exception of Sinners, they’re all either sequels, remakes or based on a very well-known piece of IP. It’s a sad reality that audiences just aren’t going to see original films at the rate that they used to. There could be many reasons for this, a run on effect of higher theatre ticket prices meaning people want as close to a sure bet as they can get, part of the post-Covid era issues, it could be related to the rise of streaming or the saturation of the market or it could even just be a horrible self fulfilling prophecy where the big studios don’t advertise their original films that well so people don’t know about them. Case in point, did you know there was a brand new original Pixar film in cinemas right now that’s not a sequel to Toy Story or any of their other classics and that it’s also deliriously charming? Well, now you do.

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The Mouse Trap (2024) – ARRRRRRRRRRRRRGH

Released: 31st October
Seen: 28th December

This year, the leader of the club that’s made for you and me entered into the public domain. That’s right, Mickey Mouse is now officially available for use by anyone for any reason that they want as long as they only use things associated with the version of Mickey Mouse that can be found in the Steamboat Willie short (or in the two other shorts that came out that year, but the version you know is the Steamboat Willie version). This is a huge deal in terms of copyright laws, the reason that the public domain has been so empty for so many years can pretty much be explained by the reality that Disney never wanted Mickey to be in the public domain so they fought hard to keep him out of it but eventually, it had to happen, Mickey can now be put into any film or video game that you would dare to put him. As is tradition when big things like this enter the public domain, someone has to take it and turn it into a horror film as a symbolic gesture to show that no one owns this toy anymore, no one can stop you… someone should’ve stopped this, what the fuck did I just sit through?

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Wish (2023) – …well

Released: 26th December
Seen: 17th December (Advanced Screening)

Wish Info

In 1923, Walt and Roy Disney founded a little company called the Disney Brothers Studio to produce a small series of Alice in Wonderland cartoons. A few years later the company would be renamed Walt Disney Studios and a little cartoon called Steamboat Willie (which is soon gonna be public domain… so look forward to how that’ll be used!) would not only become the first cartoon with synchronized sound but essentially transform the company into a household name. They would go on to make Snow White and the Seven Dwarves, the first animated feature-length film which would begin a long several decades as the most well-known and influential animation company on the planet. 

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Pinocchio (2022) – Wooden

Released: 8th September
Seen: 18th September

Pinocchio Info

In 1940, high off the release of the first feature-length animated motion picture, Disney released Pinocchio. While we look back on Pinocchio as an absolute classic that would eventually be a box office success upon its 1945 re-release, the original release was a complete flop thanks to being released during WW2 which cut off several major markets. Since then, Pinocchio has become an absolute staple of the Disney company, Jiminy Cricket was basically a secondary mascot for a period of time considering how many specials he turned up in and the song “When You Wish Upon A Star” not only became the first Disney song to win an Oscar but became the Disney theme song. This film has been a core moment of pop culture that still resonates in some form… and because we are living in a time where Disney must remake every one of their classic films, we have another D-make and it’s just kind of bland.

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Raya and the Last Dragon (2021) – Not a Drag-on

Released: 19th February
Seen: 17th March

Raya and the Last Dragon Info

Once again Disney has done a weir business thing that only Disney could probably get away with, time once again to deal with the issue of the Premier Access where Disney expects an extra 30 bucks on top of their current streaming price in order to vide a movie, in this case Raya and the Last Dragon. They did this recently with Mulan (interesting how it’s only been the films with mostly Asian casts that get this treatment, not sure what that says but it’s an interesting trend) and back then I couldn’t justify it… I also couldn’t really justify this, but it was also in a local cinema and I genuinely believe that’s the best way to properly enjoy the visual spectacle of Raya and the Last Dragon

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Soul (2020) – Soulful

Released: 25th December
Seen: 25th December

Sometimes I wonder exactly what devil Pixar made a deal with in order to produce its films, because it’s getting to the point where their output is just consistently great. Even their worst film (The Good Dinosaur, I will not be taking arguments at this time) is better than what a lot of their competitors make and when they hit something out of the park it turns into one of the best films of all time. This year they already made one great film with Onward, which got shafted due to the pandemic, and were meant to release Soul in June. That pandemic made them pull Soul and then they had to rethink its release… enter Disney+, which now houses the best Pixar film of the year in Soul.

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Mulan (2020) – I’ll Make A Film Out Of You

Released: 4th September
Seen: 23rd December

Mulan Info

I’ve made it no secret how I feel about Disney remakes, I hate them, I hate them on a fundamental “These have no reason to exist beyond capitalism gone amuck” level. Sure, in a very real sense every remake is kind of pointless in some way, but the recent batch of Disney remakes seem to be extra pointless since they’ve taken to remaking some of their absolute classics. They don’t bother remaking things like The Black Cauldron or Oliver and Company, films that didn’t exactly do well. No, instead let’s remake classics like Dumbo, Aladdin and The Lion King… you know, that trilogy of remakes was so awful that I gave them all a joint place on my worst of 2019 list. Well, this year we add another film to the list of remakes… Mulan.

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