leebutler Drama, Horror, Review

The Substance (2024) – Substantially Brilliant

Released: 19th September
Seen: 19th October

In April 2015, the show Inside Amy Schumer aired an episode titled “Last Fuckable Day” which contained a sketch featuring Amy alongside iconic actresses Tina Fey, Julia-Louis Dreyfus and Patricia Arquette. In the sketch Amy comes upon Tina, Julia and Patricia celebrating Julia’s Last Fuckable Day, the day that an actress goes from being considered fuckable to just being considered an elderly woman reserved for mother roles. It’s a hilarious and scathing indictment of the very real agist sexism that pervades the entertainment industry and how it treats women. Over the years there’s been several ways to talk about the culture’s obsession with looks, youth and fuckability in the media. Still, for the longest time the strongest indictment I saw came from this silly mid-2010’s sketch comedy series… and now we have The Substance, proving that horror is still the best genre for exploring complex concepts like this.

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leebutler Horror, Review

Terrifier 3 (2024) – Merry Christ-mass Murder

Released: 11th October
Seen: 12th October

Two years ago something insane happened (in the world of cinema, something insane happens in the real world every other week lately). To the shock of almost everyone, a gonzo gorefest horror film was released worldwide in major cinemas and made over 15 million at the box office. Sure 15 million might not sound like a lot but when you’re made on a budget of 250K and are the sequel to an underground horror film that’s so extreme that even horror fans might wonder if it’s going too far, that’s wildly impressive. Terrifier 2 was an undeniable moment for horror, the moment we had to enter Art the Clown into the pantheon of great horror icons (and in general deliver one of the best performances of 2022. Since then, he’s only grown in popularity. He’s appeared in sitcoms, there’s merchandise with his horrific face all over it, and he’s a character in the latest Call of Duty game, it’s fair to say that he’s broken out of the underground and into the mainstream so it’s no shock that he would come back to the cinemas to remind us why Art the Clown is horror royalty.

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leebutler Drama, Horror, Review, Thriller

In A Violent Nature (2024) – Follow Friday

Released: 1st August
Seen: 3rd August

2009 is the last year that we got a Friday the 13th film in theaters. This franchise dominated the 80s and created an icon of horror cinema but has been dormant for 15 years. 15 years without an entry in a franchise known for being cheap to make and an almost certain bet at the box office is insane. The only thing that we’ve had from this franchise in that time has been a couple of fan films and a video game in 2017. That video game was an asymmetrical game where one player got to be Jason while everyone else played counselors and that design choice left the people making the game with a bit of a dilemma. 

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leebutler Action, Adventure, Comedy, Review, Sci-Fi

Deadpool & Wolverine (2024) – Timely

Released: 25th July
Seen: 27th July

Six years ago, a little independent film called Deadpool 2 was released to cinemas, doing incredible business and cementing the legendary Merc with the Mouth as an iconic addition to the superhero genre. I know it feels like an absolute eternity since 2018, it was a different time before a plague basically upended our world and changed absolutely everything but you have to remember that 2018-2019 was probably the peak era of the modern Superhero genre, culminating in the cataclysmic cinematic event known as Avengers: Infinity War, followed a year later by Avengers: Endgame. Looking back with the gift of hindsight, Endgame marked the point where the superhero genre peaked and it’s probably never going to be that great again but at the time it felt like there would be no end and surely the next big thing would be another Deadpool movie. Surely it would be, Deadpool 2 was the 5th highest-grossing movie at the domestic box office, it was so popular they re-released it with new footage to make a Christmas movie, surely this meant that we’d get another run around with the funny red menace.

…then the plague happened, no one wanted to go to the movies anymore and Superhero films entered a slump. 

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leebutler Crime, Horror, Review

Maxxxine (2024) – I’m A Star…?

Released: 11th July
Seen: 14th July

In March of 2022, the world was introduced to Maxine Minx in a little horror film called X. The film revolved around a group of people making a porno film on a farm that they were renting from an elderly couple – an elderly couple that would go on to murder most of the people making that film except for final girl Maxine Minx. X was a fascinating film, combining a classic 1970s-era slasher film with the rise of Porno-Chic that was occurring around that era thanks to films like Deep Throat or The Devil in Miss Jones and contained one of the most fascinating slasher villains in the form of Pearl, an elderly woman who resented the sexual freedom of the young people who were on her farm. Something else that set X apart was a post-credits scene that revealed that not only would there be another film in this setting, but that it had already been filmed and would be released 6 months later. 

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leebutler Adventure, Animation, Comedy, Drama, Family, Fantasy, Review

Inside Out 2 (2024) – Deep Thoughts

Released: 13th June
Seen: 30th June

In 2015 Pixar released Inside Out, a fascinating film that explained the complex concept of emotions in a funny, heartwarming way and was incredibly accessible for people to understand. In my humble opinion, it’s also the best thing that Pixar has put out that didn’t include Woody or Buzz Lightyear. It was truly a miracle of a film that has some of the most beautiful imagery and emotional beats (Seriously, you want to make me cry like a baby in under 10 seconds? Just start singing “Who’s your friend who likes to play?” and I’ll lose my damn mind). It was about as close to perfect as you could get from the Pixar people and it made so much money that it was inevitable a sequel would happen. It took almost a full decade for them to make it happen but now we finally have our follow-up to the emotional rollercoaster that was Inside Out and fortunately, Inside Out 2 manages to live up to the expectations that were set for it.

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leebutler Adventure, Animation, Comedy, Family, Fantasy, Review

The Garfield Movie (2022) – Here Comes Garfield!

Released: 30th May
Seen: 30th June

In 1977, Jim Davis was working on a comic strip called “Jon” about a cartoonist named Jon Arbuckle and his cat Garfield. The strip had been called Jon for a year already but Jim smartly changed it to Garfield just before the strip would get printed nationally. It soon became an undeniable phenomenon, with the kind of merchandising that’s normally reserved for Sci-Fi epics and superheroes. It would go on to create a long-running beloved animated comedy called Garfield and Friends, a dozen animated specials, a second series that only finished airing in 2016 and two live-action movies that we try our best to forget. What hasn’t been tried yet is a full-length animated motion picture released in cinemas and now we have one… it’s fine.

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leebutler Action, Adventure, Review, Sci-Fi, Thriller

Furiosa: A Mad Max Saga (2024) – Action Packed Glory

Released: 11th January
Seen: 26th April

In 2015 George Miller returned to the franchise that began his career after a 30-year break and gave us Mad Max: Fury Road, a film that many would argue (and be completely right to do so) was the best action film of the 2010s. A high-octane explosion-filled joyride through the desert, Mad Max: Fury Road revived a long-dead Ozploitation franchise and took it to Hollywood where it reminded the world that the guy who made the two Happy Feet movies used to be an absolute madman who made films where cars explode just for the fucking fun of it. What was a big surprise back then was that the standout character in the Mad Max movie wasn’t Max but a side character named Furiosa who became an instant classic character who people wanted to know more about. It might’ve taken nearly a decade but Miller has heard our cries and given us the glory that is Furiosa: A Mad Max Saga.

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leebutler Horror, Review, Thriller

Abigail (2024) – Biting

Released: 22nd March
Seen: 11th May

Radio Silence is the name given to a group of filmmakers, Matt Bettinelli-Olpin, Tyler Gillett, Justin Martinez and Chad Villella who have become power players in the modern Horror genre. They were introduced to the world through their segment of the original V/H/S movie titles 10/31/98, AKA the one where a bunch of friends in Halloween costumes visit a haunted house. Since then they’ve made several smaller films and taken part in other anthologies but got their big break when they released the 2019 gem Ready or Not which got massive critical praise and was probably the film that got them their biggest jobs yet, taking over the Scream franchise after the passing of Wes Craven. It’s safe to say that this little troupe of filmmakers could do anything that they want to do and clearly what they love doing is making big silly fun horror films intended to just be pure over-the-top entertainment and by god that’s exactly what Abigail is.

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leebutler Horror, Uncategorized

Stopmotion (2024) – Unnerving

Released: 15th March
Seen: 5th May

Stopmotion Info

In 2022 the legendary animator Phil Tippett released a little stop-motion film called Mad God which showed that stop-motion animation could be used pretty effectively to create a feature-length horror film. The weird jerky motions of the animation and otherworldly designs blended to create nightmare fuel that lives on in the minds of anyone who saw that film. Well now it’s 2024 and another director has taken on the idea of stop motion being used to tell a horror story, only they’re going to be more direct and use the idea of making a stop motion film to help create the horror… they’re going to be so direct that the film is literally called Stopmotion, you can’t get more direct than that.

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