The Ugly Stepsister (2025) – Cinder-hell-a

Released: 9th May
Seen: 11th May

The story of Cinderella is one that’s been told more times than anyone would be insane enough to count. It’s been animated, it’s been turned into multiple musicals, it’s been parodied and referenced and put in every position that the insane creative mind can consider. It’s even been the subject of many horror films over the years, which makes sense considering the Brothers Grimm iteration of the story is particularly brutal. Indeed several major versions of the story lean into some pretty violent imagery, the Into The Woods version of the story has the stepsisters cutting off their heels in a direct reference to the Brothers Grimm while the Revolting Rhymes version by Roald Dahl had the prince lopping off heads, so this is a story that’s perfect for a horror retelling. The Ugly Stepsister tackles the story from the genre of Body Horror and does a beautiful job at it.

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Sinners (2025) – Hellishly Great

Released: 17th April
Seen: 10th May

Ryan Coogler is one of the most surprising directors in recent years. After breaking onto the scene with Fruitvale Station, Ryan was handed the keys to two important pieces of cinematic IP. The first was Creed, a spin-off from the Rocky franchise that absolutely made him into a mainstream figure, which he then was able to use to helm Black Panther and Wakanda Forever, cementing him as a masterful blockbuster director that should not be underestimated. Of course most of his work is in known IP, in franchises people previously knew but hadn’t yet been able to actually go for broke with something original… until now, thanks to his absolute barn burner of a horror film Sinners which should cement Ryan Coogler as one of the best directors of this generation.

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Thunderbolts* (2025) – THUNDER!!

Released: 1st May
Seen: 9th May

The Marvel Cinematic Universe will forever be a legendary moment in cinema, a franchise like this going for almost 2 decades with film and TV series creating this wide interconnected universe is almost unheard of and has rarely been as well executed as it has been here. Lately though, it feels like the MCU has been in a slump since the insane high of Endgame. Sure, there’ve been some bright spots, but nothing rose to the level of the MCU before Thanos snapped his fingers. It felt like everything was so spread out that it was hard to return to what made this franchise special. So here we find ourselves with another entry in the long-running franchise… and it might be the best one since Endgame and possibly in the top 10 of the entire MCU experiment, it’s that good.

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Kinda Pregnant (2025) – Pregnant Pause

Released: 21st March
Seen: 26th April

Amy Schumer is one of those comics who always gets a bad rap and is a common target of some pretty intense online vitriol. If you ever hear some online douchebag proclaim that women aren’t funny, her name will be one of the first ones to come out of their shithole mouths. Now I believe that Amy can be a pretty funny comic performer when she has the right material, her work on the Comedy Central Roasts was universally great, her first film Trainwreck was hilarious, her TV series Inside Amy Schumer had some brilliant sketches that still hold up to this day and I’ll even say she was a good co-host of the Oscars a few years ago. She has her problems as a performer, but she is capable of being very funny… just not in Kinda Pregnant, but that’s because there’s not much about that film in general that would be considered funny.

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Wolf Man (2025) – Hairy

Released: 16th January
Seen: 25th April

On May 22nd 2017, Universal announced that it was launching a new franchise that would feature all of their legendary movie monsters in a shared universe. It was intended to culminate in a grand team-up, The Avengers of horror to be combined into a little franchise known as the Dark Universe. Their inaugural movie was 2017’s The Mummy starring Tom Cruise, and it bombed so hard that the Dark Universe as a concept was dead by June 10th (the day after the release). No one wanted to touch this franchise, it had so royally fucked itself that the entire concept of these legendary horror creatures was gone… right up until someone thought to try again but without the gimmick of a team up, just make some good films with these characters.

The first one off the line was The Invisible Man in 2020, which is still one of the best horror films of the last decade. Its writer/director, Leigh Whannell, had managed to modernise the horror legend and make it something special so when the announcement came out that Leigh was going to try it again with Wolf Man, it was hard not to be excited. Now, this isn’t a failure on the level of The Mummy, but it’s not an undeniable legend like Invisible Man either.

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Back In Action (2025) – Dull and Lifeless

Released: 17th January
Seen: 22nd April

In 2014, Cameron Diaz did something quite admirable. After the release of Annie, she announced her retirement to spend more time with her kids. Considering this was Cameron Diaz, one of THE major movie stars of the era, for her to stop working on her own accord was a major thing. This was one of those celebrities who could sell a movie just on their name alone being attached. She had a two-decade-long career that was the envy of many others in her generation, and then she just chose to stop acting. People have been hoping she’d make a return for ages, almost since the day she announced her retirement, but she stuck to her guns until this year when she took part in the Netflix film appropriately titled Back in Action, her grand return to the movies… she deserved better.

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Companion (2025) – Hearty

Released: 30th January
Seen: 21st April

One of the best things in a good horror film is a twist, a moment when the narrative takes a sharp left-hand turn out of seemingly nowhere and takes the audience on a thrill ride. There’s been a few recent horror films that have been spectacular at this, things like Barbarian where it set itself up as a film about two people stuck in an Airbnb overnight and ended up being one of the most demented films of the year or The Perfection which took the concept of a ‘twist” and dialled it up to 11 to see just how many twists it could fit into 90 minutes without the audience losing its mind. Today’s film, Companion, is a terrifically twisted take on the romance film that takes a few big swings and mostly makes them work.

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Popeye The Slayer Man (2025) – It Is What It Is

Released: 21st March
Seen: 20th April

Over the last few years, a trend has been getting more common, namely that major well well-known works are entering the public domain, meaning that anyone can use them without a problem. For a long time, nothing was entering the public domain thanks to a certain set of laws being adjusted, but now major characters are turning up in the communal toy chest that we can all reach into at any time. What has also become something of a tradition is that people making low-budget horror films have been grabbing these new toys, slathering them with blood and using them to fill digital shelves with their low-budget fare. Most of these haven’t been great (Blood & Honey and The Mouse Trap both ended up on my worst film lists for their respective years) and there’s been some that show improvement (Blood & Honey 2 is still a genuinely fun time) but we’ve yet to have one that just got the joke right off the bat and made something that was enjoyable… until someone ate their spinach and presented us with Popeye The Slayer Man.

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The Day The Earth Blew Up: A Looney Tunes Movie (2025) – What’s Up Doc?

Released: 27th March
Seen: 29th March

The Day The Earth Blew Up

David Zaslav is probably one of the worst executives any movie studio has ever had to suffer under, at least in my opinion. Sure, there are many morally worse than him and some who should probably just die in prison for what they have done. However, in terms of how they have abused their stature in the industry to destroy the art of others, few are as reviled as Zaslav. The man runs Warner Brothers and yet seems to hate anything to do with animation, notably removing large amounts of historic Looney Tunes cartoons from the studio’s streaming service and infamously cancelling the completed film Coyote VS Acme. It honestly has started to feel like the man in charge of one of the most legendary animation IP brands of all time was going to kill it through sheer incompetence as a studio head… but fortunately for us, one slipped through his slimy fingers and made it out into the world and it’s one of the best animated films in recent memory.

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Mickey 17 (2025) – Hey Mickey

Released: 6th March
Seen: 23rd March

Mickey 17 Info Image

Directed and Written By - Bong Joon Ho

Starring - Robert Pattinson, Naomi Ackie, Mark Ruffalo, Toni Collette, Steven Yeun

In 2020, the Oscars did something genuinely cool. For the first time in the history of the ceremony, a non-English language film won Best Picture, a moment that might be the last actually good thing to happen in 2020. The film in question, Parasite, took home four awards that night for Screenplay, Directing, International film and Best Picture. The director, Bong Joon ho, instantly became a major player and whatever film he made after Parasite was going to be a big deal so we all waited for over half a decade for his next big feature film. That film has finally come out after half a decade and as expected, Bong Joon Ho has delivered something truly spectacular in his latest work, Mickey 17.

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