leebutler Adventure, Animation, Comedy, Drama, Family, Fantasy, Review, Sci-Fi

Elio (2025) – Space!

Released: 19th June
Seen: 23rd June

Original movies are becoming something of a rarity these days, either relegated to the indie circuit or they have to be made by some well-known auteur who has enough cache to get his weird original concepts past the studio system. Look at the top 10 highest-grossing films of this year, with the notable exception of Sinners, they’re all either sequels, remakes or based on a very well-known piece of IP. It’s a sad reality that audiences just aren’t going to see original films at the rate that they used to. There could be many reasons for this, a run on effect of higher theatre ticket prices meaning people want as close to a sure bet as they can get, part of the post-Covid era issues, it could be related to the rise of streaming or the saturation of the market or it could even just be a horrible self fulfilling prophecy where the big studios don’t advertise their original films that well so people don’t know about them. Case in point, did you know there was a brand new original Pixar film in cinemas right now that’s not a sequel to Toy Story or any of their other classics and that it’s also deliriously charming? Well, now you do.

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leebutler Drama, Review, Romance

We Live In Time (2025) – Pause

Released: 16th January
Seen: 17th June

Sometimes a film doesn’t really need a great script, fancy camera tricks or an insane amount of special effects in order to be enjoyable. Sometimes, all a film needs in order to captivate an audience is a good central cast who can carry it through. Throughout history, there are endless numbers of films made almost entirely because one or two lead actors signed on and used their star power to push it into creation, one such example is What Ever Happened to Baby Jane? which basically exists because Bette Davis knew a film with her and Joan Crawford would be amazing. The combination of leads can create a truly special thing that will stand the test of time… and sometimes it can just be a pretty decent experience with a great pair of lead performances. 

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leebutler Comedy, Drama, Horror, Review

The Ugly Stepsister (2025) – Cinder-hell-a

Released: 9th May
Seen: 11th May

The story of Cinderella is one that’s been told more times than anyone would be insane enough to count. It’s been animated, it’s been turned into multiple musicals, it’s been parodied and referenced and put in every position that the insane creative mind can consider. It’s even been the subject of many horror films over the years, which makes sense considering the Brothers Grimm iteration of the story is particularly brutal. Indeed several major versions of the story lean into some pretty violent imagery, the Into The Woods version of the story has the stepsisters cutting off their heels in a direct reference to the Brothers Grimm while the Revolting Rhymes version by Roald Dahl had the prince lopping off heads, so this is a story that’s perfect for a horror retelling. The Ugly Stepsister tackles the story from the genre of Body Horror and does a beautiful job at it.

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leebutler Action, Drama, Horror, Review, Thriller

Sinners (2025) – Hellishly Great

Released: 17th April
Seen: 10th May

Ryan Coogler is one of the most surprising directors in recent years. After breaking onto the scene with Fruitvale Station, Ryan was handed the keys to two important pieces of cinematic IP. The first was Creed, a spin-off from the Rocky franchise that absolutely made him into a mainstream figure, which he then was able to use to helm Black Panther and Wakanda Forever, cementing him as a masterful blockbuster director that should not be underestimated. Of course most of his work is in known IP, in franchises people previously knew but hadn’t yet been able to actually go for broke with something original… until now, thanks to his absolute barn burner of a horror film Sinners which should cement Ryan Coogler as one of the best directors of this generation.

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leebutler Action, Adventure, Crime, Drama, Fantasy, Review, Sci-Fi

Thunderbolts* (2025) – THUNDER!!

Released: 1st May
Seen: 9th May

The Marvel Cinematic Universe will forever be a legendary moment in cinema, a franchise like this going for almost 2 decades with film and TV series creating this wide interconnected universe is almost unheard of and has rarely been as well executed as it has been here. Lately though, it feels like the MCU has been in a slump since the insane high of Endgame. Sure, there’ve been some bright spots, but nothing rose to the level of the MCU before Thanos snapped his fingers. It felt like everything was so spread out that it was hard to return to what made this franchise special. So here we find ourselves with another entry in the long-running franchise… and it might be the best one since Endgame and possibly in the top 10 of the entire MCU experiment, it’s that good.

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leebutler Netflix, Drama, Comedy, Review

Kinda Pregnant (2025) – Pregnant Pause

Released: 21st March
Seen: 26th April

Amy Schumer is one of those comics who always gets a bad rap and is a common target of some pretty intense online vitriol. If you ever hear some online douchebag proclaim that women aren’t funny, her name will be one of the first ones to come out of their shithole mouths. Now I believe that Amy can be a pretty funny comic performer when she has the right material, her work on the Comedy Central Roasts was universally great, her first film Trainwreck was hilarious, her TV series Inside Amy Schumer had some brilliant sketches that still hold up to this day and I’ll even say she was a good co-host of the Oscars a few years ago. She has her problems as a performer, but she is capable of being very funny… just not in Kinda Pregnant, but that’s because there’s not much about that film in general that would be considered funny.

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The Electric State Header Image
leebutler Action, Adventure, Comedy, Drama, Netflix, Review, Sci-Fi

The Electric State (2025) – Shockingly Bland

Released: 14th March
Seen: 16th March 

In the last few decades, filmmaking has gotten more expensive. It was not that long ago that the idea of spending even $50 million on a single film sounded insane, now you’re lucky to find a film that costs under $100 million that isn’t an indie film. According to Wikipedia, there are 89 films that (adjusted for inflation) cost over $200 million and only six of those films are pre-2000. This is a crisis state that’s setting up films to fail and put hardworking filmmakers out of jobs and it doesn’t help when a film that costs $320 million to produce is as meaningless and forgettable and undoubtedly financially devastating as The Electric State.

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leebutler Comedy, Drama, Review

A Real Pain (2024) – Hauntingly Hilarious

Released: 26th December 2024
Seen: 24th Feburary 2025

“Those who cannot remember the past are condemned to repeat it” is a phrase that we really need to say more often nowadays because it feels like people have chosen to intentionally not remember the past and are actively trying to repeat it. One of the things from our past that it feels like we’re currently getting a bit of a refresher course on is the horrors of Nazi Germany, because for some reason we thought that could only happen in Germany. It was a true horror, one that people have tried to ensure they never forget for nearly 100 years and this includes people making trips to the actual camps so they can get a better sense of what their ancestors went through. This is the kind of trip that should be an emotional one that’s designed to connect people with their history but it’s become something of a commercial venture and that strange feeling is the subject of A Real Pain which is a really fascinating experience.

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leebutler Comedy, Drama, Review, Romance

Anora (2024) – Anora-ble

Released: 26th December 2024
Seen: 22nd February 2025

When it comes to film, stories about sex workers are often played badly. Be they stories about strippers, porn stars or escorts there’s always this vibe that the person doing the sex work (usually a woman, let’s be honest) requires saving from the industry. She might be tough but she’s also a damsel in distress who is only doing this job because she has no choice. Recently there have been some films that are at least trying to improve how they portray people in that industry, films like Hustlers make them into a charming gaggle of powerful women who control their destinies, films like X or Maxxxine present porn stars as whole beings (albeit beings that end up being victims of killers but still, they’re people who deserve dignity) and then there’s Anora. One of the big Oscar darlings of the year with 6 nominations, Anora presents a sex worker with rough edges who is still a human being that doesn’t deserve the shit she’s put through and it’s a wildly fascinating time.

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leebutler Biography, Drama, Music, Review

Maria (2025) – Ave Maria

Released: 30th January
Seen: 15th February

The world of opera is one that this reviewer is not exactly well versed in, to put it mildly. The number of operas that I’ve seen could be counted on one hand and it’s literally only the Jerry Springer Opera so it’s not like that counts for anything. This is to say that I, and possibly most non-Opera fans, have no idea who Maria Callas is or what about her would make her such an important figure to be worthy of a biopic. Sure you can take a look at her Wikipedia and see her referred to as “The Bible of Opera” but without knowing her it means you effectively have to go in blind and learn about her as the film progresses… on some levels, Maria is a fascinating way to get to know this performer and makes you want to know even more. On other levels, it makes it hard to get to know this woman.

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