Companion (2025) – Hearty

Released: 30th January
Seen: 21st April

One of the best things in a good horror film is a twist, a moment when the narrative takes a sharp left-hand turn out of seemingly nowhere and takes the audience on a thrill ride. There’s been a few recent horror films that have been spectacular at this, things like Barbarian where it set itself up as a film about two people stuck in an Airbnb overnight and ended up being one of the most demented films of the year or The Perfection which took the concept of a ‘twist” and dialled it up to 11 to see just how many twists it could fit into 90 minutes without the audience losing its mind. Today’s film, Companion, is a terrifically twisted take on the romance film that takes a few big swings and mostly makes them work.

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Alien: Romulus (2024) – Shocker

Released: 16th August 2024
Seen: 9th February 2025

Alien Romulus Info

2017 is the last year that we had a new instalment of the Alien franchise, a film that made about 250 million worldwide but didn’t get the best critical reception. It still made money and still had its fans (I counted myself among them at the time of its release) so it was almost inevitable that we would get another sequel where another group of people would happen upon a xenomorph colony and get their shit fucked up by the iconic acid-blooded creatures. Sure enough last year we got such a film with Alien: Romulus, the 7th entry in the long-running franchise which dared to ask the question “What if a bunch of people found the original ship from Alien and there were still aliens on it who would like to face fuck them all to death?”.., an important question that the film deftly answers.

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A Different Man (2024) – A Better Man

Released: 24th October 2024
Seen: 2nd Feburary 2025

Every year that I’ve done this blog, there’s this weird little period around February-March where I go back to the year before and review a few films I missed just because they got nominated for Oscars. It’s always a little odd because sometimes I’ll stumble on a movie that should’ve been on the best list or maybe get some context for a cinematic trend that wasn’t quite making sense or even just have to ask “Why is this film only nominated in one category”. A Different Man was only nominated for a single Oscar this year – for Makeup and Hairstyling – but having gotten the chance to watch it, it feels genuinely stunning that it wasn’t in more though it’s also probably going to play a role in its lead actor’s chances of an award this year.

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Conclave (2025) – Oh Lord

Released: 9th January
Seen: 2nd February

When a pope dies there is a process that has to be done in order to select a new pope known as a Papal Conclave. The basic idea is that all eligible cardinals come to Rome where they are sequestered in a large room and vote on the next pope. They do this repeatedly over and over again until someone has a two-thirds majority and then they become the new pope. The cardinals are not meant to interact with the outside world during this process and each time a vote happens the votes are burned and the colour of the smoke tells the outside world that there’s a new pope. This feels like the kind of thing that was meant to be turned into a political thriller and thanks to Conclave it has been… it’s good, it’s very good, honestly, there’s not much more that can be said than that but I’ll try.

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Emilia Pérez (2025) – Oscar Bait

Released: 16th January
Seen: 26th January

Throughout my time writing this blog, I have made a point to champion when a film presents a minority group in its narrative – even if the film itself is not particularly great, it still deserves praise for breaking the mould and showing people as they are. This has been particularly notable when it comes to a film that presents members of the LGBTQ+ community since, as a member of the G part of that acronym, it’s nice to see those in your social group represented. Even subpar representation is still, on some level, representation and deserves to be brought up. It also feels important to bring this up in regards to films that are getting Awards nominations, particularly at the Oscars who have a bad history related to this. Enter this year’s biggest Oscar nominee Emilia Pérez which might be the most high-profile story about a trans woman in cinema this year… and sadly it’s just not a good film, to the point that it’s baffling that it’s become this awards darling.

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The Mouse Trap (2024) – ARRRRRRRRRRRRRGH

Released: 31st October
Seen: 28th December

This year, the leader of the club that’s made for you and me entered into the public domain. That’s right, Mickey Mouse is now officially available for use by anyone for any reason that they want as long as they only use things associated with the version of Mickey Mouse that can be found in the Steamboat Willie short (or in the two other shorts that came out that year, but the version you know is the Steamboat Willie version). This is a huge deal in terms of copyright laws, the reason that the public domain has been so empty for so many years can pretty much be explained by the reality that Disney never wanted Mickey to be in the public domain so they fought hard to keep him out of it but eventually, it had to happen, Mickey can now be put into any film or video game that you would dare to put him. As is tradition when big things like this enter the public domain, someone has to take it and turn it into a horror film as a symbolic gesture to show that no one owns this toy anymore, no one can stop you… someone should’ve stopped this, what the fuck did I just sit through?

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Heretic (2024) – GOD DAMN!

Released: 11th October
Seen: 21st November

“The only thing less trustworthy than a man who questions his faith is a man who does not”

Pope Leo XIV

The question of faith is perhaps the most personal question that one could ever be asked. What you believe happens when you shuffle off the great perch that is life is something that has puzzled people for centuries and has inspired art since the moment we worked out that if you mixed some dirt and water you could make a pretty picture out of it. Faith is also incredibly powerful when used in Horror films, as evidenced by the classic horror film The Exorcist. Of course, the Exorcist looked at the ideas of religion and faith and came down pretty hard on the side of “Yes there is a God and a Devil and you need God to help kick the Devil in the dick”. What about the idea of questioning faith? What about using doubt to help create horror… well, Heretic is here to do exactly that and it does so with glorious aplomb. 

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Smile 2 (2024) – What’s The Use of Crying?

Released: 25th July
Seen: 9th November

So… how was your week?

For people who might stumble upon this in the future, this review is being written in the direct aftermath of America looking at a female prosecutor and a convicted felon who a court has determined to be a literal rapist who also has people who study the rise of Adolf Hitler going “Hey, this guy feels familiar” and decided to give the fascist the practically endless power of the United States presidency so I’ve been a little depressed lately (and I’m not even from the US so god knows how I’d feel if I had to live in the same country that did that). It’s been a hard week full of intense emotions with a lot of people just feeling like the world is crumbling around them… seems like a perfect time to go watch the sequel to a movie about how mental illness can drive you to the brink of suicide and beyond, because it seemed like a more fitting option than that cute looking movie about round robots who raise ducks.

Content warning, this film deals heavily with ideas of suicide and mental illness and those will need to be discussed in order to properly discuss this movie. If that is too much for you… this movie will be too much for you, there’s your review. If even reading this far has stirred up emotions, please call Lifeline on 13 11 14, or the service in your country.

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In A Violent Nature (2024) – Follow Friday

Released: 1st August
Seen: 3rd August

2009 is the last year that we got a Friday the 13th film in theaters. This franchise dominated the 80s and created an icon of horror cinema but has been dormant for 15 years. 15 years without an entry in a franchise known for being cheap to make and an almost certain bet at the box office is insane. The only thing that we’ve had from this franchise in that time has been a couple of fan films and a video game in 2017. That video game was an asymmetrical game where one player got to be Jason while everyone else played counselors and that design choice left the people making the game with a bit of a dilemma. 

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Furiosa: A Mad Max Saga (2024) – Action Packed Glory

Released: 11th January
Seen: 26th April

In 2015 George Miller returned to the franchise that began his career after a 30-year break and gave us Mad Max: Fury Road, a film that many would argue (and be completely right to do so) was the best action film of the 2010s. A high-octane explosion-filled joyride through the desert, Mad Max: Fury Road revived a long-dead Ozploitation franchise and took it to Hollywood where it reminded the world that the guy who made the two Happy Feet movies used to be an absolute madman who made films where cars explode just for the fucking fun of it. What was a big surprise back then was that the standout character in the Mad Max movie wasn’t Max but a side character named Furiosa who became an instant classic character who people wanted to know more about. It might’ve taken nearly a decade but Miller has heard our cries and given us the glory that is Furiosa: A Mad Max Saga.

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