leebutler Comedy, Review, Romance

Red, White & Royal Blue (2023) – Charming

IMPORTANT NOTE: This piece was written during the 2023 WGA and SAG-AFTRA strikes. Without the labor of the writers and actors currently on strike, the movies being covered here wouldn’t exist.

Released: 11th August
Seen: 28th August

Not too long ago, I started making a spreadsheet. Not the most exciting thing in the world to begin a review with I’ll admit but I promise this is relevant because the spreadsheet takes every single film that has been reviewed on this blog and keeps track of how many LGBT characters are in it. Over the course of the last 6-7 years of writing reviews I have seen about 966 films, most of them fairly mainstream. Now obviously each year there has been some fluctuation but in total since the start of this blog, 36 of those films have featured a lesbian woman, 86 have featured a gay man, 23 had a bisexual in them and a whopping 24 had a trans person in them at some point.

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leebutler Comedy, Drama, Horror, Review

Beau Is Afraid (2023) – Creepy and Kooky

IMPORTANT NOTE: This piece was written during the 2023 WGA and SAG-AFTRA strikes. Without the labor of the writers and actors currently on strike, the movies being covered here wouldn’t exist.

Released: 20th April
Seen: 27th August

Ari Aster is one of the most fascinating filmmakers in the horror genre today, one of the people who rode the wave of the recent trend of “Elevate horror” with his fascinating films Hereditary and Midsommar. His films are known for being strange, dark, twisted nightmares with leading performances that get horrifically snubbed whenever award season comes around (The fact that Toni Collette didn’t get an Oscar for Hereditary is a crime that will be dealt with by the Hague when the time comes). With two hit films under his belt and being somewhat of a darling at A24, it stands to reason that Ari has built up more than enough clout to get away with a film that would normally never get made because it was too weird, even for A24. Ari seems to have used that clout to get Beau Is Afraid made and no matter what you might think about it, the fact it got made at all is something special.

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leebutler Action, Comedy, Review, Thriller

Operation Fortune: Ruse de Guerre (2023) – Ruse of Ritchie

IMPORTANT NOTE: This piece was written during the 2023 WGA and SAG-AFTRA strikes. Without the labor of the writers and actors currently on strike, the movies being covered here wouldn’t exist.

Released: 12th January
Seen: 26th August

A few years ago, Guy Ritchie released a film called Wrath of Man which I may have called the most average Guy Ritchie film ever made, a film that just takes all the tropes one thinks of when they think of a Guy Ritchie film and does them as casually as possible. It felt especially average since it was the first film that the director made after The Gentlemen, which is still one of the most enjoyable films in his filmography. Well turns out there might be some competition for the title of “Most average Guy Ritchie film” with Operation Fortune: Ruse De Guerre… though it absolutely wins the award for stupidest film title, so there’s that.

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leebutler Action, Adventure, Drama, Review

65 (2023) – Bleh!

IMPORTANT NOTE: This piece was written during the 2023 WGA and SAG-AFTRA strikes. Without the labor of the writers and actors currently on strike, the movies being covered here wouldn’t exist.

Released: 27th July
Seen: 24th August

The writing team of Scott Beck and Bryan Woods earned a special place in modern horror history when they wrote the script for the incredible film The Quiet Place, to this date still one of the tensest films this reviewer has had the delight of seeing. While the finished film shares that credit with John Krasinski (who did a rewrite of Beck and Woods’ script), the core concept came from this dynamic duo who would follow it up with a pretty enjoyable horror film called Haunt, proving they had some pretty great ideas in their back pockets ready to go. So with those two men behind the script and directorial duties for 65, along with a lead performance by Adam Driver and a concept involving space travel and dinosaurs you would think this would lead to something of a fun time… you would be wrong, fun implies feeling and that’s not something 65 elicits easily.

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leebutler Fantasy, Horror, Review

The Last Voyage Of The Demeter (2023) – Ship Shape

IMPORTANT NOTE: This piece was written during the 2023 WGA and SAG-AFTRA strikes. Without the labor of the writers and actors currently on strike, the movies being covered here wouldn’t exist.

Released: 10th August
Seen: 23rd August

In the 1897 novel Dracula, chapter 7 spends most of its time presenting pages from a log from a ship known as the Demeter. The pages from the log show the events that took place on a ship carrying a large quantity of goods from Varna, Bulgaria all the way to Whitby, England. As the journal goes on it becomes apparent that the trip was hijacked by the titular Dracula who slowly picked off the crew. It’s a single chapter, barely even 3000 words long and basically just meant to explain how the titular vampire managed to make it from his home in Bulgaria to England in a time when the only way to do so would’ve been by boat. It’s the kind of thing that most adaptations might make into a quick 2-minute scene, maybe not even fully delve into all the details but the people behind The Last Voyage Of The Demeter looked at that 3000 words and realised that could make for a pretty fun horror flick and thus, we got this enjoyable little treat.

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leebutler Comedy, Drama, Review

Magic Mike’s Last Dance (2023) – Last Chance

IMPORTANT NOTE: This piece was written during the 2023 WGA and SAG-AFTRA strikes. Without the labor of the writers and actors currently on strike, the movies being covered here wouldn’t exist.

Released: 9th February
Seen: 22nd August

In 2012 the movie Magic Mike came out, loosely based on Channing Tatum’s real-life history as a stripper. It was a massive hit that showed that a film about strippers could actually be something of a mainstream movie (though this reviewer would argue that it takes itself far too seriously and the only fun bits are the parts happening in the club, the film spends a little too much time talking about furniture repair and drugs to actually be fun) which naturally led to a sequel in 2015, Magic Mike XXL, a film that seemed to get that part of the enjoyment of stripper movies is that they’re cheesy and fun and mostly an excuse to get a bunch of very attractive people to dance in suggestive outfits (and this reviewer would argue it’s better than the original, certainly utilizes the talented ensemble cast’s comedic skills in ways that the first film didn’t). The sequel made so much money that it was inevitable that another sequel was going to happen, it’s just a little sad that it took about 8 years to get Magic Mike’s Last Dance and it ended up being kind of a dud.

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leebutler Comedy, Review, Romance

What’s Love Got To Do With It (2023) – Fine

IMPORTANT NOTE: This piece was written during the 2023 WGA and SAG-AFTRA strikes. Without the labor of the writers and actors currently on strike, the movies being covered here wouldn’t exist.

Released: 26th January
Seen: 11th August

Sometimes a film title is so strongly tied to the content of the film that the title enters a list of titles that probably should never be used again. Some titles just draw certain images to your mind, for example, a film could never reasonably be called “Philadelphia” again because everyone’s going to make a horrific AIDS joke about it. Some titles just have a link to a topic to them that can’t be ignored… this was the thought process I had when I heard that a film was coming out called What’s Love Got To Do With It? because that is the title of the legendary 1993 Tina Turner biopic and using that title for a silly little romcom felt like an insane choice. Having seen the film, it turns out that it’s not a big deal because something tells me that no one’s going to really remember that this one exists in a few years so there shouldn’t be any confusion happening.

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leebutler Comedy, Review

80 For Brady (2023) – Legendarily Average

IMPORTANT NOTE: This piece was written during the 2023 WGA and SAG-AFTRA strikes. Without the labor of the writers and actors currently on strike, the movies being covered here wouldn’t exist.

Released: 27th July
Seen: 5th August

A sad truth about Hollywood is that older actresses tend to get nowhere near as many good roles as they deserve. It’s certainly getting better, last year alone had several great legendary older women turning out some great performances and even getting awards love for it but most of them are being relegated to either side characters or underwhelming grandma roles. Fortunately, there is a slowly growing subgenre of films that video essayist Be Kind Rewind has effectively dubbed Book Club films, which tend to include a group of assorted iconic actresses on a simple little adventure. The downside is that these films don’t really give these legendary actresses much to do beyond just hanging out together and getting a cheque – and in the case of 80 for Brady, four icons are relegated to a barely watchable Super Bowl advertisement.

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leebutler Horror, Review, Thriller

Talk To Me (2023) – Give Them A Hand

IMPORTANT NOTE: This piece was written during the 2023 WGA and SAG-AFTRA strikes. Without the labor of the writers and actors currently on strike, the movies being covered here wouldn’t exist.

Released: 27th July
Seen: 5th August

It’s a sad truth that Australian cinema isn’t as popular as it used to be. Sure we had our heyday with films like Priscilla, Strictly Ballroom and Razorback but lately it feels like we’re mostly just a cheap backlot for American films with very few serious hits of our own. So when an Australian film not only manages to score a great opening week at the box office (especially against juggernauts like Barbie) but gets rave reviews that’s cause for celebration, especially because Talk To Me manages to live up to the insane hype that surrounds it.

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leebutler Horror, Review, Thriller

The Pope’s Exorcist (2023) – Holy Hell

IMPORTANT NOTE: This piece was written during the 2023 WGA and SAG-AFTRA strikes. Without the labor of the writers and actors currently on strike, the movies being covered here wouldn’t exist.

Released: 6th April
Seen: 24th July

It’s almost a cliche at this point to bring up The Exorcist when talking about a movie featuring exorcism but it’s kind of impossible, some movies are just such a massive part of the cinematic landscape that anyone else touching that subgenre is inevitably going to be compared to them. Horror in particular has this problem a lot, all slasher movies tend to be leaning into templates made by Halloween or Friday the 13th, all Zombie movies are just riffing on Dawn of the Dead and all exorcism movies are basically just The Exorcist with a fresh coat of paint. You can absolutely do new interesting things with the genre, films like The Exorcism of Emily Rose throwing the genre into the courtroom create an interesting take on the genre… or you can just go “Oh but here’s a real person who actually did this job” and then do another version of The Exorcist but without the brilliance that made the 1977 film an absolute legend.

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