leebutler Horror, Mystery, Review, Sci-Fi

Nope (2022) – Maybe

Released: 11th August
Seen: 14th August

Nope Info

In 2017 Jordan Peele staked his claim as a modern horror master with his directorial debut Get Out. To this day that film is one of the best films that this reviewer has had the pleasure of watching. It was terrifying and had something important to say and did it flawlessly. It’s a go-to example of a perfect film and very little has beaten it. It’s the kind of film that makes you excited to see what a director does next, and sure enough, when Peele dropped Us onto an unsuspecting public it was proof that he had something special. 

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leebutler Review

Deep Water (2022) – It’s Drowning

Released: 18th March
Seen: 1st April

The name Adrian Lynne might not be one of the most well-known directors but his impact on the film industry is undeniable. Adrian Lynne was the director of such films as 9 ½ Weeks, Indecent Proposal and Fatal Attraction, three of the biggest erotic drama/thrillers of the late 80s and early 90s. This was the period of film history when making sexy adult dramas was big business.

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leebutler Review

The Night (2021) – A Blatant ‘The Shining’ Double

NOTE: Here is my review from Soda & Telepaths that was posted back on February 2nd, 2020

Driving home from a night with some friends, Babak (Shahab Hosseini) and Neda (Niousha Noor) become too tired to finish the trip home and so, with their young infant in tow, the couple decides to take a room at the Hotel Normandie for the night so they can sleep off the exhaustion and alcohol. However, the Hotel Normandie is not as peaceful as they would hope and soon their night becomes overrun by assorted strange things that seek to drive them apart and force them to reveal the dark secrets that have caused a rift in their relationship to begin with. 

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leebutler Review

Brazen (2022) – Lifeless

Released: 13th January
Seen: 23rd January

Brazen Info

Normally I wouldn’t expect to be dealing with this until June, that’s the pattern that Netflix has created with their release of Lifetime Wannabes like Hostage House, Dangerous Lies and Secret Obsession. I was meant to have a few months before I had to deal with this bullshit, there was meant to be time to mentally prepare for the onslaught of bad plotting and bad acting one expects from this “midday movie made on a budget of couch cushion change by a writer who had 5 hours to complete the entire script” but nope, 2022 sucks and therefore we have to deal with Brazen now because why not?

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leebutler Review

Old (2021) – Aged Badly Already

Released: 22nd July
Seen: 2nd December

Old Info

The career of M. Night Shyamalan is certainly an interesting one, to say the least. He started with absolute bonafide smash hit The Sixth Sense and then onto critical acclaim with Unbreakable and Signs. He was heralded as a visionary, someone who would have a career worthy of envy… and then he had a decade straight of critical bombs. He’s never really made an actual financial bomb (except maybe Lady in the Water) but his name went from being a sign of potential to a red flag that you’re about to be greatly disappointed. Even when he had a mild comeback with The Visit and Split, people thought he would return to his form… and now after Glass and the film we’re talking about today, Old, I have to wonder if M. Night Shyamalan was ever actually the visionary that people claimed him to be or if he’s just a bad writer/director who got lucky with his early films.

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leebutler Review

Paranormal Activity: Next Of Kin (2021) – Dead Boring

Released: 29th October
Seen: 23rd November

In 2009, the movie Paranormal Activity was given a wide release and signalled a change in Horror movies that would almost dictate what the upcoming decade would look like. Before Paranormal Activity, the Horror genre was knee deep in so-called “Torture Porn” films that relied heavily on shock and incredibly over the top violence and gore. 

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The Night House Promo Image
leebutler Review

The Night House (2021) – Good Night

Released: 19th August
Seen: 18th November

Haunting movies are always a tough one to pull off. They tend to be a little slower to start with and at times just get a little silly because of what’s needed visually to impart the idea of a ghost moving things around. It takes something pretty special to make this genre rise above just a bunch of loud noises and slamming doors… enter The Night House, something special that rises above loud noises and slamming doors.

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leebutler Review

Don’t Breathe 2 (2021) – Take My Breath Away

Released: 12th August
Seen: 11th November

Don't Breathe 2 Info

The 2016 film Don’t Breathe was one of the best horror films of the 2010s, certainly one of the most fascinating. It was dark, unapologetically so, with a creative set of visuals (That I have talked about in a previous article) and a truly fascinating antagonist in the form of The Blind Man. It was a film that let every character live in the grey area, no one was perfectly good and no one was perfectly evil. It was a fascinating little film that really pushed some buttons… so the sequel decides to play it safe and just turn The Blind Man into a hero, because we can’t have nice things.

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leebutler Review

Antlers (2021) – Prickly

Released: 28th October
Seen: 9th November

Horror has always been a great genre for talking about the more difficult, darker topics that might be a little too much for other genres. The use of allegory and metaphor can be even more powerful than just discussing a certain topic outright, look at recent hits like Get Out which was just a 2 hour allegory for racism but touched on more elements of the subject than any drama could ever hope for. It’s a powerful tool when used well and Antlers certainly tries to use it and gets a lot out of it, but there’s something kind of off here that makes it fail to live up to its full potential.

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