Clyde Cooper (2018) – Oh Noir He Betta Don’t

Released: 22nd November 2018
Seen: 11th January 2019

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I’ve now been writing reviews for a little over the year and in that time I’ve had some interesting experiences when it comes to picking what to cover, like when I was just starting out and did a run at a film festival or covering a film I supported on Kickstarter, but I think my favorites have been when someone has messaged me asking me to do a review of a movie for them. This has only happened a few times, most notably when a friend of mine asked me to take part in a 70’s 80’s & 90’s review set and I reviewed the horror classic Friday the 13th. Well today we have another case of this happening. I received a message on my Facebook page asking me to review the movie Clyde Cooper, a film that I’d never heard of before but the trailer alone made my eyebrow go up out of curiosity. This is something I’m always happy to do, especially with films that are more on the indie side. If you know of any you think I might enjoy or that I might hate and want to enjoy my suffering, feel free to send me the name and a legal way to view it in Australia (Because, as I’ve mentioned on some of my end of year lists, Australia is dumb and bad when it comes to release schedules) and I’m happy to do it when I have a break from the mainstream release schedule and Netflix.

SO, is this film going to be one I enjoy or one that ends with me suffering?

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Summer Of 84 (2018) – Way WAY Before Nirvana

Released: 10th August
Seen: 28th November

Official Trailer for Summer of 84

One of the fascinating things about pop-culture, particularly the impact nostalgia plays on it, is something known as the 30-year cycle. To get a good explanation of this you need to look at Lindsay Ellis’ video essay Stranger Things, IT and the Upside Down of Nostalgia but basically, this cycle is why we’re seeing so many 80’s style content in pop culture recently. Not only is it why shows and movies like, well, Stranger Things and It are getting such buzz and are hitting something special in the audience, it also explains things like the stylistic choices of Thor: Ragnarok or the throwback nature of Mandy. The nature of the 30-year cycle lends itself really well to the horror genre, especially now since that 30-year cycle means we’re seeing echoes of one of the golden ages in horror. Summer of 84 capitalises on that and its echoes of a distant cinematic past are loud, vibrant and engaging.

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Bad Times At The El Royale (2018) – The Royale Without Cheese

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Released: 11th October
Seen: 12th October

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Right on the borderline between California and Nevada, there stands a hotel that’s perfectly divided between the two states. That hotel is called the El Royale and it has one heck of a bad history, a history that’s been meticulously recorded on orders from the Management. One particularly dreary night, a bunch of strangers walk into the hotel. Each one hiding a secret that they are unwilling to share with anyone, but the night is young and there is no telling just what secrets will be revealed at the El Royale tonight.

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The Nun

Released: 6th September
Seen: 19th September

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The Conjuring cinematic universe started as a 2013 low budget horror film about Ed and Lorraine Warren, a pair of paranormal investigators who were basically highly effective charlatans (in my opinion) and from there the franchise has exploded to include a sequel and two spin-offs, one of which also got a sequel of its own. There’s no sign that this series is going to stop any time soon, with a third Conjuring film on the way, another Annabelle film being released next year and even a film called The Crooked Man being planned which will follow another monster from the movies. The marketing behind these movies is genius, just slip a monster into one of the main movies in the franchise and then let the spin-off movies explain it’s origin story. That’s how we got The Nun because that was the big bad of Conjuring 2 so therefore we need to know how The Nun became The Nun… apparently.

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