Dario Argento: Panico (2024) – Opera-tic

Released: 2nd February
Seen: 26th February

In the history of the Horror genre, there are a few iconic directors whose work is so distinctive that their last name becomes a descriptive term. Hitchcock, Carpenter, Raimi, these names have all been used to conjure a specific style of filmmaking that people still mimic to this day. One name particularly powerful name that managed to define a certain kind of horror film is Argento, as in Dario Argento the legendary Italian director who made his name synonymous with a major element of the Italian horror of the 1970s and 80s with his works The Bird With The Crystal Plumage, Inferno, Deep Red, Opera and probably his most famous work, Suspiria. During one of the biggest periods in horror cinema, Argento was one of the biggest names in the industry who was making funky fascinating fright films that fucked with the audience’s heads and with what cinema could look like. He is on the shortlist of directors whose careers warrant a documentary retrospective and Dario Argento: Panico is pretty much exactly what his work deserves… as a first documentary, anyway.

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Past Lives (2023) – Living

Released: 31st August 2023
Seen: 25th February 2024

There’s a pretty standard formula when it comes to romantic dramas about childhood sweethearts who split apart and then bump into each other as adults. The cute childhood couple ends up blowing up their adult lives because the connection they had decades ago is still so strong and it’s cute, it’s romantic, it’s a cliche story choice for a reason because it’s got a feel-good charm to it, but it’s also not realistic. Being willing to blow up your life to be with someone you knew as a kid is not something people really do that often, but it happens all the time in movies. You never see a story of people who used to have a relationship, reuniting and realising that things actually turned out kind of OK in the long run… at least, you didn’t until Celine Song came along and created a realistic and truly touching romantic drama called Past Lives

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May December (2024) – Once Upon A December

Released: 1st February
Seen: 13th February

In 1997, Mary Kay Letourneau pleaded guilty to 2 counts of second-degree rape of a child. The child in question was 12-year-old Vili Fualaau and what made this case turn into the stuff of tabloid legend was that not only would Mary Kay go on to give birth to Fualaau’s child while in prison (two of them throughout the relationship, but one specifically was born during her initial prison sentence) but they would eventually get married and remain married for 14 years, until 2019. The entire story was everything that the tabloids love, it had sex, intrigue, lying, and a hint of a taboo romance that created an epic drama that people could follow. Everyone who was around then heard at least one or two comics making jokes about how lucky Vili in particular was to be in a situation where an older woman had sex with him, it was the ultimate water cooler topic for ages… and in the center of it all were two people, one of whom was a victim who didn’t get his story told. Sadly, May December doesn’t tell his story as it probably could’ve, but using the Letourneau/Fualaau story as a springboard it weaves a darkly fascinating tale of its own.

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Nyad (2023) – Goes Swimmingly

Released: 3rd November 2023
Seen: 7th February 2024

In 2013 at the age of 63, Diana Nyad did something borderline impossible. She swam from the shores of Havana, Cuba to the beaches of Key West, Florida. The journey was 110 miles long and involved her staying in the water for 53 hours to complete it… it also took her 5 tries, four of those happening while she was in her 60s. Along with her team in a nearby boat and her coach Bonnie Stoll, Diana pulled off something truly staggering that’s only been accomplished by 2 other people before her (That we know of). Now sure, the Guinness World Record people and the World Open Water Swimming Association have not certified the swim (short version, they claim it counts as assisted because she wore a protective suit to avoid being stung by jellyfish and may have been touched every now and then by crew members who were trying to help her every now and then during the 2 and a half days she was swimming in the freezing ocean) but fortunately the biopic Nyad gives us a version of the story worth hearing.

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The Color Purple (2024) – Hell Yes

Released: 25th January
Seen: 1st February

In 1982, Alice Walker released her Pulitzer Prize winning novel The Color Purple which received rave reviews and massive sales. That book caught the eye of one Steven Spielberg who turned it into the beloved 1985 film that’s not only gone on to be a beloved cinematic classic but essentially jumpstarted the careers of Whoopi Goldberg and Oprah Winfrey, so it’s hard to deny its importance as a piece of cinema. Twenty years after the film was released, somebody got the bright idea to turn this dramatic tale into a musical where it would initially get poor reviews but, upon being revived in 2015, got the recognition it deserved as a truly great work. Now it can have that recognition forever since we have The Color Purple musical on film and it’s truly something worth singing some praises about.

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Mission Impossible: Dead Reckoning – Part One (2023) – Mission Possible

Released: 8th July 2023
Seen: 29th January 2024

At this point, the Mission Impossible series exists for one reason and one reason only, to basically make the entire world believe that Tom Cruise is the most badass human being alive. Sure, there’s a story, espionage, action and comedy that appeals to the masses and delivers high-octane thrills as needed but its principal job at the moment is to help launder the image of a man whose entire life is so intertwined with the evil that is Scientology that he needs people to ignore that and focus on the cool stunts that he can perform. It’s kind of a neat trick because normally it works, normally Tom Cruise movies open so big and make such a splash that we talk about how he saved cinema or something like that. So what does it take for a Mission Impossible film to underperform like this one did? I mean, mostly it was just bad luck with the strikes and people not going to the movies as much but it’s also a case of diminishing returns.

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The Greatest Night In Pop (2023) – We Are In Awe

Released: 29th January
Seen: 29th January

In 1985, one of the most undeniably iconic images in pop culture was created in the middle of the night, just after the American Music Awards. That image was of the inside of a small recording studio in LA where 45 of the greatest musicians of the day (and also Dan Akroyd, for some reason) stood around a collection of microphones to sing a song to try and help world hunger. The image of these legends together is iconic, it’s been parodied dozens of times and earnestly recreated almost as many. The song that came from that legendary night is one of the highest-selling songs of all time, taking in millions to try and help those in need, while also being truly inescapable for decades to go. There was never anything quite like We Are The World and there will probably never be anything like it again, and the documentary The Greatest Night In Pop makes it clear how the song’s existence is something of a minor miracle.

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Role Play (2024) – Playtimes Over

Released: 12th January
Seen: 25th January

Role Play Info

A simple concept done well will almost always be a recipe for a great time in a film, at least in terms of a film that can be easily enjoyed by the masses and provides a solid hour and a half of entertainment. You don’t need major stars or fancy locations or anything like that, just a simple idea that can provide a good thrill ride for a few hours. If done well you can make something magical, but if done wrong then it feels like you failed at doing something so incredibly basic that the only rational response is to point and laugh at the failure… but in the case of Role Play, that would imply that there was something funny going on and that just doesn’t seem to happen here.

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Maestro (2023) – Play Me Off

Released: 20th December 2023
Seen: 15th January 2024

With the Oscar nominations being announced just a few days ago, the time has come to tackle the annual tradition of playing catch-up on every nominated film that I somehow managed to miss throughout the year. Sometimes a film just isn’t released down here before the nominations (That’s happening with over a dozen films that I could see), sometimes a film is released but falls past the radar of must-see (how the hell was I meant to know that The Creator would be an Oscar nominee) and sometimes a film just seems like it’s going to be something I’m going to hate trying to review and because this is an unpaid hobby I avoid it until absolutely required… my dislike of biopics put Maestro firmly in that category and while I can admit it’s great, it’s still not my cup of tea.

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Poor Things (2024) – RICH!

Released: 18th January
Seen: 23rd January

Yorgos Lanthimos is one of those directors who you can guarantee will deliver a film that’s so different from everything else in the cinema that it’s hard to describe it as anything other than “A Yorgos Lanthimos Film”. Even when he does something close to a regular period piece like in his last film The Favourite there is something just beneath the surface that creates a strange experience. He’s one of those filmmakers that we’re lucky to have because he keeps things interesting and allows the audiences who see his work to experience something truly unique. Once again, with his latest film Poor Things, Yorgos has delivered something truly fascinating to behold.

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