Three Thousand Years Of Longing (2022) – Longing For More

Released: 1st September
Seen: 4th September

George Miller is one of those directors who came on the scene with a film that changed cinema and has almost constantly delivered truly fascinating work. His film Mad Max is, without hyperbole, one of the most important features to come out during the Australian New Wave period that lasted from the start of the 70s to the end of the 80s. He has the distinction of being one of a handful of directors to handle every entry into a long-running franchise, and then we go outside that to see his work on such legendary films as Witches of Eastwick, Happy Feet and the absolutely perfect Babe 2: Pig In The City. He’s the kind of director who you can completely trust to give you a good time in the cinema… usually. With Three Thousand Years of Longing he delivered something else.

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Anything’s Possible (2022) – Charming

Released: 22nd July
Seen: 2nd September

Anything's Possible Info

Right now we are going through a bit of a golden era for representation in TV and movies, particularly for members of the LGBTQIA+ community. While the numbers still aren’t fantastic, there’s a noted increase in films that feature characters who are from that community actually played by actors from that community, trans actors playing trans characters are a thing that’s happening more frequently and it’s a glorious thing to see. 

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The Next 365 Days (2022) – Let The Pain End

Released: 19th August
Seen: 20th August

The Next 365 Days Info

Two years ago the world stared in genuine shock and awe as the atrocious rape-romanticisation known as 365 Days was unleashed onto an unsuspecting public. It was, and remains, one of the worst films of the last 10 years with atrocious dialogue, performances, plot and just about everything else that one could imagine. 

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Purple Hearts (2022) – Dishonourable Discharge

Released: 29th July
Seen: 17th August

Recently one of the big discourses around cinema has been the idea that superhero movies are destroying cinema. The idea is that they’re all the same and overwhelming the market, every movie nowadays wants to be just like them so we don’t get anything new or exciting. Respectfully, that feels like a case of hating the popular thing just because it’s popular. As someone who sits through hundreds of films a year for this blog, maybe half a dozen of them are superhero films and if anything, they’re a nice respite because they’re usually at least entertaining enough that it’s a few hours enjoyably spent.

No, you want to know what the real death of cinema looks like? It looks like yet another bland boring romance movie starring a pair of attractive people who can just barely get lines of dialogue out playing boring cliche characters with minimal chemistry (if any) who regurgitate the exact same romance plot we’ve seen a thousand times over… anyway, let’s talk about Purple Hearts

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Beauty & The Beast

Seen May 7th

onesheet

In 1991 Disney released Beauty and the Beast, a film that practically saved the studio and pushed it into the renaissance period of the studio. That period was hinted at with Little Mermaid but it’s Beauty and the Beast that reminded everyone that Disney still had it, soon followed by Aladdin and Lion King, it was a period in time when Disney was on top again and holds the distinction of being the first animated film to be nominated for Best Picture. It’s a goddamn iconic movie… so why the actual hell would anyone remake it?

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