Men (2022) – Uggh, Men

Released: 18th August
Seen: 20th November

There’s been a strange trend recently of people pretending that horror films have never been political before roughly 2016. It might seem harsh to say they’re pretending but the alternative is to assume they’re just incredibly media illiterate. Horror as a genre has been political since the start and horror in film is regularly political, even if it’s incredibly subtle about it. 

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Hocus Pocus 2 (2022) – Wonderful Witchcraft

Released: 30th September
Seen: 30th September

In 1993 the film Hocus Pocus was released to an audience that really didn’t want anything to do with it. At the time it was critically thrashed and the box office wasn’t exactly glowing which is a little understandable when you consider it was released on the same day as the juggernaut that was Free Willy and not too long after Jurassic Park, so audiences were somewhat distracted. Of course, as time went on, thanks to regular screenings around Halloween and the home video market, Hocus Pocus eventually found its audience and became a massive cult hit and has been subsequently reevaluated by many as a pretty damn good family movie with more than enough charm to delight most audiences, along with possibly the best cover version of I Put A Spell On You to ever be recorded. 

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Three Thousand Years Of Longing (2022) – Longing For More

Released: 1st September
Seen: 4th September

George Miller is one of those directors who came on the scene with a film that changed cinema and has almost constantly delivered truly fascinating work. His film Mad Max is, without hyperbole, one of the most important features to come out during the Australian New Wave period that lasted from the start of the 70s to the end of the 80s. He has the distinction of being one of a handful of directors to handle every entry into a long-running franchise, and then we go outside that to see his work on such legendary films as Witches of Eastwick, Happy Feet and the absolutely perfect Babe 2: Pig In The City. He’s the kind of director who you can completely trust to give you a good time in the cinema… usually. With Three Thousand Years of Longing he delivered something else.

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Samaritan (2022) – Super-meh-ro

Released: 26th August
Seen: 28th August

For a while now we’ve been living in the era of the Superhero. From the moment that Iron Man built a mech suit in a cave with a box of scraps, one of the dominating elements of pop culture has been the superhero story. Everyone has had a go at trying to make their own version of it in order to ride the trend, some have tried to deconstruct it (like Netflix’s Project Power or the horror film Brightburn) but everyone has at least tried to have a go at the concept of a superhero saving the day. 

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The LEGO NINJAGO Movie

Seen September 23rd

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First there was the Lego Movie, and it showed everyone that you could create a piece of art using a licenced toy that was actually good. Then came Lego Batman, which showed you coulde play around in multiple established universes and still tell your own story. Then there was Ninjago… it was a movie.

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Valerian And The City Of A Thousand Planets

Seen 13th August

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For years now, Luc Besson has been known for his visual aesthetic. The man knows how to create a world and breathe life into it, his film The Fifth Element is proof that he knows how to paint a glorious picture with his camera… Valerian And The City Of A Thousand Planets is proof that he needs to work more on his stories and casting because he’s losing his touch.

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The Mummy (2017)

Seen June 26th

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In 1932, Boris Karloff brought us “The Mummy”, one of the classic Universal movie monsters that reigned for a large part of the early period of cinema between the 20’s and the 50’s

In 1999, Brendan Fraser appeared in “The Mummy”, one of the most enjoyable films of the 90’s and one of the few remakes that is at least as enjoyable at the original.

Then in 2017 Tom Cruise appeared in “The Mummy”… it was a movie.

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Wonder Woman

Seen June 15th

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For as long as I can remember, there have been talks about a Wonder Woman movie. There were talks of TV series pilots, including the infamous NBC pilot that basically turned Wonder Woman into a sociopath who didn’t care about anyone or anything other than the size of the tits on her action figure (And god do I wish I was kidding about that). At one point Joss Whedon was going to handle the movie but that didn’t pan out. Basically for pretty much my entire life there was only one live action Wonder Woman who went by the name of Lynda Carter, as far as I’m aware she is the only person to play the part on film… until Gal Gadot came around, and thank Zeus that she turned up when she did.

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