Haunted Mansion (2023) – Rich

IMPORTANT NOTE: This piece was written during the 2023 WGA and SAG-AFTRA strikes. Without the labor of the writers and actors currently on strike, the movies being covered here wouldn’t exist.

Released: 31st August
Seen: 21st September

Haunted Mansion Info

The Haunted Mansion is probably one of the most famous theme park attractions of all time. It’s so well known that even people who have never actually visited the park it’s built in at least know a few of its iconic visuals, like the ballroom full of ghosts or the elongating rooms. It’s such an iconic ride that it was inevitable that it’d inspire a movie and in 2003 it ended up doing so with The Haunted Mansion, a film that was certainly financially successful but was critically panned and not looked back on fondly by most (though it does have a cult following). The property would remain untouched in cinematic form for years until 2021 when the Muppets took a crack at it and, while their version only lasted a little under an hour, it was still well received by a lot of people and maybe gave Disney confidence they needed to really believe in another cinematic version of Haunted Mansion… and it’s a good thing they did because the new version is surprisingly good.

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Flamin’ Hot (2023) – Heart-Warming

IMPORTANT NOTE: This piece was written during the 2023 WGA and SAG-AFTRA strikes. Without the labor of the writers and actors currently on strike, the movies being covered here wouldn’t exist.

Released: 9th June
Seen: 3rd September

In the episode of Crazy Ex-Girlfriend titled “Josh’s Ex-Girlfriend Is Crazy” there’s a song titled The End Of The Movie where noted songperson Josh Groban reminds us of a universal truth… “Life doesn’t make narrative sense”. This reality creates a problem when someone becomes famous enough to warrant a portion of their life being turned into a biopic, a strange series of events has to be somewhat retrofitted into a three-act film structure in a way that might not be completely accurate but still tells a satisfying story. 

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Love Again (2023) – Think Twice

IMPORTANT NOTE: This piece was written during the 2023 WGA and SAG-AFTRA strikes. Without the labor of the writers and actors currently on strike, the movies being covered here wouldn’t exist.

Released: 11th May
Seen: 30th August

Celine Dion is arguably one of the world’s best singers, even if you don’t enjoy her music it’s hard to deny the raw power of her voice. She was one of the biggest artists in the 90s for a reason and has managed to maintain a huge fanbase for almost 40 years because when she’s in her element there are few who could compare. What’s kind of surprising is that despite her voice accompanying some of the biggest films of all time, she’s done very little on-camera work in the film world. Before now it’s been a couple of cameos in TV shows and singing backup for Miss Piggy in Muppets Most Wanted, that’s kind of been it until Love Again came along and said “What if we took our cute little romcom and made it have several scenes dedicated to exclaiming how great Celine Dion is?”

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Beautiful Disaster (2023) – Ugly

IMPORTANT NOTE: This piece was written during the 2023 WGA and SAG-AFTRA strikes. Without the labor of the writers and actors currently on strike, the movies being covered here wouldn’t exist.

Released: 29th August
Seen: 29th August

Since this blog isn’t a job so much as it is a very silly hobby, the idea of “morality” comes into deciding what films to watch/review. Sometimes a film will come out surrounded by controversy that just doesn’t feel like it’s worth dealing with (hence why Sound of Freedom isn’t getting a look, feels like no matter what I say about that film could end in an uncomfortable reaction for me), sometimes a film’s promotion will make it seem like it’s not something that would be fun to deal with (Notice there was never a Cuties review? Didn’t wanna dive into that set of landmines) and sometimes it’ll come out that a major person involved in the process is a complete asshole who doesn’t deserve the money. 

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Beau Is Afraid (2023) – Creepy and Kooky

IMPORTANT NOTE: This piece was written during the 2023 WGA and SAG-AFTRA strikes. Without the labor of the writers and actors currently on strike, the movies being covered here wouldn’t exist.

Released: 20th April
Seen: 27th August

Ari Aster is one of the most fascinating filmmakers in the horror genre today, one of the people who rode the wave of the recent trend of “Elevate horror” with his fascinating films Hereditary and Midsommar. His films are known for being strange, dark, twisted nightmares with leading performances that get horrifically snubbed whenever award season comes around (The fact that Toni Collette didn’t get an Oscar for Hereditary is a crime that will be dealt with by the Hague when the time comes). With two hit films under his belt and being somewhat of a darling at A24, it stands to reason that Ari has built up more than enough clout to get away with a film that would normally never get made because it was too weird, even for A24. Ari seems to have used that clout to get Beau Is Afraid made and no matter what you might think about it, the fact it got made at all is something special.

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65 (2023) – Bleh!

IMPORTANT NOTE: This piece was written during the 2023 WGA and SAG-AFTRA strikes. Without the labor of the writers and actors currently on strike, the movies being covered here wouldn’t exist.

Released: 27th July
Seen: 24th August

The writing team of Scott Beck and Bryan Woods earned a special place in modern horror history when they wrote the script for the incredible film The Quiet Place, to this date still one of the tensest films this reviewer has had the delight of seeing. While the finished film shares that credit with John Krasinski (who did a rewrite of Beck and Woods’ script), the core concept came from this dynamic duo who would follow it up with a pretty enjoyable horror film called Haunt, proving they had some pretty great ideas in their back pockets ready to go. So with those two men behind the script and directorial duties for 65, along with a lead performance by Adam Driver and a concept involving space travel and dinosaurs you would think this would lead to something of a fun time… you would be wrong, fun implies feeling and that’s not something 65 elicits easily.

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Magic Mike’s Last Dance (2023) – Last Chance

IMPORTANT NOTE: This piece was written during the 2023 WGA and SAG-AFTRA strikes. Without the labor of the writers and actors currently on strike, the movies being covered here wouldn’t exist.

Released: 9th February
Seen: 22nd August

In 2012 the movie Magic Mike came out, loosely based on Channing Tatum’s real-life history as a stripper. It was a massive hit that showed that a film about strippers could actually be something of a mainstream movie (though this reviewer would argue that it takes itself far too seriously and the only fun bits are the parts happening in the club, the film spends a little too much time talking about furniture repair and drugs to actually be fun) which naturally led to a sequel in 2015, Magic Mike XXL, a film that seemed to get that part of the enjoyment of stripper movies is that they’re cheesy and fun and mostly an excuse to get a bunch of very attractive people to dance in suggestive outfits (and this reviewer would argue it’s better than the original, certainly utilizes the talented ensemble cast’s comedic skills in ways that the first film didn’t). The sequel made so much money that it was inevitable that another sequel was going to happen, it’s just a little sad that it took about 8 years to get Magic Mike’s Last Dance and it ended up being kind of a dud.

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My Barbenheimer Experience

IMPORTANT NOTE: This piece was written during the 2023 WGA and SAG-AFTRA strikes. Without the labor of the writers and actors currently on strike, the movies being covered here wouldn’t exist.

There really is nothing quite like a good old double feature. Two films intentionally curated to be screened back to back and shared by a collective audience who can use one film to build up to another, it’s an idea so fundamental to the film-going experience that at least one film has opened with a song dedicated to the glory of double features (albeit ones of the Science Fiction variety). 

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Missing (2023) – Found It

Released: 23rd February
Seen: 28th May

In 2018 a little film called Searching was released to an unsuspecting public. Now at the time we had a few films that used the “it’s happening on a computer screen” gimmick (also known as Screenlife) but none had used it quite as effectively as Searching did in order to tell a truly intense story of a kidnapping from the POV of a worried father trying to use technology in order to find his daughter. It was an undeniable hit, raking in about 75 million on a budget that was basically just a few go-pros and a pair of fairly well-known actors but with its creative presentation and twist-filled story, it managed to get enough attention that a franchise sprung forth. This is how we get the film Missing, a follow-up that proves that there is a lot more life left in this concept that can hopefully be explored.

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Tetris (2023) – Fittingly Exciting

Released: 31st March
Seen: 22nd April

In 1985, back in the USSR, a man named Alexey Pajitnov was tasked with testing out a new piece of hardware to figure out what it was capable of. Of the many things he tried, one thing he did was make a game where a set of blocks fell from the sky in random shapes consisting of four squares and if you lined them up, those blocks would disappear. That game was called Tetris and for a game that is such a ubiquitous part of gaming, the story of how it ended up managing to be released outside the Soviet Union (that’s how long ago this was, Russia was still the Soviet Union at the time) is absolutely bonkers and told wonderfully in the movie Tetris… shame because I was hoping the Tetris movie would be an insane attempt to turn the actual game into a narrative but hey, a biopic works too.

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