After Everything (2023) – Death To All Of Them

IMPORTANT NOTE: This piece was written during the 2023 SAG-AFTRA strike. Without the labor of the actors currently on strike, the movies being covered here wouldn’t exist.

Released: 6th October
Seen: 6th October

The After franchise has become a nemesis of mine, a franchise I have a deep and profound hatred of that will never die. Every single time a new entry is released, the sound of my wail of pain can be heard around the block because it’s almost predetermined what is going to be put on the screen. Every film is an hour and a half of a depressingly demented toxic relationship with a blank sheet of paper that answers to the name of Tessa (Josephine Langford) and an abusive piece of excrement meant to resemble one of the biggest pop stars of our generation who answers to the name Hardin (Hero Fiennes Tiffin). Every time it’s a film of two people who shouldn’t be sharing time zones having an absurdly toxic and awful time, arguing constantly and breaking up their arguing with lackluster sex set to music chosen by a DJ who is high on ketamine and every time it’s just a bad time for anyone watching that has half a brain. 

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A Haunting In Venice (2023) – I Moustache A Question

IMPORTANT NOTE: This piece was written during the 2023 WGA and SAG-AFTRA strikes. Without the labor of the writers and actors currently on strike, the movies being covered here wouldn’t exist.

Released: 14th September
Seen: 20th September

Six years ago Kenneth Branaugh released Murder On The Orient Express, a surprise blockbuster murder mystery that showed there was still a lot of love for the classic murder mystery genre. Hell, it’s probably fair to say that without the success of Murder On The Orient Express we wouldn’t have seen Knives Out a few years later, Of course, because Murder On The Orient Express was such a huge hit, and there are over 40 assorted Hercule Poirot novels that could be adapted, naturally that meant a sequel which is why we got Death On The Nile last year. That film was not one that ended up being reviewed over here because of the Armie Hammer allegations which made the prospect of seeing it just a little bit depressing, and now definitely won’t be seeing it thanks to the Russell Brand allegations. Fortunately, Death On The Nile does not appear to be required viewing in order to follow A Haunting In Venice, if you even want to try and follow it.

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Haunted Mansion (2023) – Rich

IMPORTANT NOTE: This piece was written during the 2023 WGA and SAG-AFTRA strikes. Without the labor of the writers and actors currently on strike, the movies being covered here wouldn’t exist.

Released: 31st August
Seen: 21st September

Haunted Mansion Info

The Haunted Mansion is probably one of the most famous theme park attractions of all time. It’s so well known that even people who have never actually visited the park it’s built in at least know a few of its iconic visuals, like the ballroom full of ghosts or the elongating rooms. It’s such an iconic ride that it was inevitable that it’d inspire a movie and in 2003 it ended up doing so with The Haunted Mansion, a film that was certainly financially successful but was critically panned and not looked back on fondly by most (though it does have a cult following). The property would remain untouched in cinematic form for years until 2021 when the Muppets took a crack at it and, while their version only lasted a little under an hour, it was still well received by a lot of people and maybe gave Disney confidence they needed to really believe in another cinematic version of Haunted Mansion… and it’s a good thing they did because the new version is surprisingly good.

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Flamin’ Hot (2023) – Heart-Warming

IMPORTANT NOTE: This piece was written during the 2023 WGA and SAG-AFTRA strikes. Without the labor of the writers and actors currently on strike, the movies being covered here wouldn’t exist.

Released: 9th June
Seen: 3rd September

In the episode of Crazy Ex-Girlfriend titled “Josh’s Ex-Girlfriend Is Crazy” there’s a song titled The End Of The Movie where noted songperson Josh Groban reminds us of a universal truth… “Life doesn’t make narrative sense”. This reality creates a problem when someone becomes famous enough to warrant a portion of their life being turned into a biopic, a strange series of events has to be somewhat retrofitted into a three-act film structure in a way that might not be completely accurate but still tells a satisfying story. 

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Love Again (2023) – Think Twice

IMPORTANT NOTE: This piece was written during the 2023 WGA and SAG-AFTRA strikes. Without the labor of the writers and actors currently on strike, the movies being covered here wouldn’t exist.

Released: 11th May
Seen: 30th August

Celine Dion is arguably one of the world’s best singers, even if you don’t enjoy her music it’s hard to deny the raw power of her voice. She was one of the biggest artists in the 90s for a reason and has managed to maintain a huge fanbase for almost 40 years because when she’s in her element there are few who could compare. What’s kind of surprising is that despite her voice accompanying some of the biggest films of all time, she’s done very little on-camera work in the film world. Before now it’s been a couple of cameos in TV shows and singing backup for Miss Piggy in Muppets Most Wanted, that’s kind of been it until Love Again came along and said “What if we took our cute little romcom and made it have several scenes dedicated to exclaiming how great Celine Dion is?”

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Beautiful Disaster (2023) – Ugly

IMPORTANT NOTE: This piece was written during the 2023 WGA and SAG-AFTRA strikes. Without the labor of the writers and actors currently on strike, the movies being covered here wouldn’t exist.

Released: 29th August
Seen: 29th August

Since this blog isn’t a job so much as it is a very silly hobby, the idea of “morality” comes into deciding what films to watch/review. Sometimes a film will come out surrounded by controversy that just doesn’t feel like it’s worth dealing with (hence why Sound of Freedom isn’t getting a look, feels like no matter what I say about that film could end in an uncomfortable reaction for me), sometimes a film’s promotion will make it seem like it’s not something that would be fun to deal with (Notice there was never a Cuties review? Didn’t wanna dive into that set of landmines) and sometimes it’ll come out that a major person involved in the process is a complete asshole who doesn’t deserve the money. 

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Beau Is Afraid (2023) – Creepy and Kooky

IMPORTANT NOTE: This piece was written during the 2023 WGA and SAG-AFTRA strikes. Without the labor of the writers and actors currently on strike, the movies being covered here wouldn’t exist.

Released: 20th April
Seen: 27th August

Ari Aster is one of the most fascinating filmmakers in the horror genre today, one of the people who rode the wave of the recent trend of “Elevate horror” with his fascinating films Hereditary and Midsommar. His films are known for being strange, dark, twisted nightmares with leading performances that get horrifically snubbed whenever award season comes around (The fact that Toni Collette didn’t get an Oscar for Hereditary is a crime that will be dealt with by the Hague when the time comes). With two hit films under his belt and being somewhat of a darling at A24, it stands to reason that Ari has built up more than enough clout to get away with a film that would normally never get made because it was too weird, even for A24. Ari seems to have used that clout to get Beau Is Afraid made and no matter what you might think about it, the fact it got made at all is something special.

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65 (2023) – Bleh!

IMPORTANT NOTE: This piece was written during the 2023 WGA and SAG-AFTRA strikes. Without the labor of the writers and actors currently on strike, the movies being covered here wouldn’t exist.

Released: 27th July
Seen: 24th August

The writing team of Scott Beck and Bryan Woods earned a special place in modern horror history when they wrote the script for the incredible film The Quiet Place, to this date still one of the tensest films this reviewer has had the delight of seeing. While the finished film shares that credit with John Krasinski (who did a rewrite of Beck and Woods’ script), the core concept came from this dynamic duo who would follow it up with a pretty enjoyable horror film called Haunt, proving they had some pretty great ideas in their back pockets ready to go. So with those two men behind the script and directorial duties for 65, along with a lead performance by Adam Driver and a concept involving space travel and dinosaurs you would think this would lead to something of a fun time… you would be wrong, fun implies feeling and that’s not something 65 elicits easily.

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Magic Mike’s Last Dance (2023) – Last Chance

IMPORTANT NOTE: This piece was written during the 2023 WGA and SAG-AFTRA strikes. Without the labor of the writers and actors currently on strike, the movies being covered here wouldn’t exist.

Released: 9th February
Seen: 22nd August

In 2012 the movie Magic Mike came out, loosely based on Channing Tatum’s real-life history as a stripper. It was a massive hit that showed that a film about strippers could actually be something of a mainstream movie (though this reviewer would argue that it takes itself far too seriously and the only fun bits are the parts happening in the club, the film spends a little too much time talking about furniture repair and drugs to actually be fun) which naturally led to a sequel in 2015, Magic Mike XXL, a film that seemed to get that part of the enjoyment of stripper movies is that they’re cheesy and fun and mostly an excuse to get a bunch of very attractive people to dance in suggestive outfits (and this reviewer would argue it’s better than the original, certainly utilizes the talented ensemble cast’s comedic skills in ways that the first film didn’t). The sequel made so much money that it was inevitable that another sequel was going to happen, it’s just a little sad that it took about 8 years to get Magic Mike’s Last Dance and it ended up being kind of a dud.

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