Mortal Kombat II (2026) – Round 2, FIGHT!

Released: 8th May
Seen: 28th July

In 2021, a new adaptation of the video game Mortal Kombat came out. While its release was mildly hampered due to the pandemic (it was delayed and then released simultaneously in cinemas and on HBO Max because of that plague we all lived through and seem to want to pretend didn’t happen), the film did well enough and got moderately good reviews. I enjoyed it well enough but found it to be a little bit of a lore dump overstuffed with exposition that no one actually gives a fuck about because, while the lore of Mortal Kombat is surely fascinating, it’s not the thing that anyone really remembers about that franchise. The big thing was that we didn’t get to enjoy the tournament-style fights that the game franchise was known for and that felt like a big mistake… Well, Mortal Kombat II clearly heard everyone saying how much they wanted the tournament and decided to give us exactly that, and it’s a better movie because of it.

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Cold Storage (2026) – Chill

Released: 12th March
Seen: 12th July

In 1985, Return of the Living Dead was released. Created by John Russo, the co-creator of Night Of The Living Dead, the film was a comedic follow-up to the deeply disturbing original that became a cult hit on its own and was the origin of the idea that Zombies specifically hunger for brains above all else. It spawned a bunch of sequels of varying quality but is still an important element of horror’s history… and Cold Storage is the knockoff brand version of that franchise, and hey considering it’s been 20 years since we got a Return of the Living Dead movie then someone might as well come up with an alternative for us to enjoy.

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Project Hail Mary (2026) – Rocks

Released: 19th March
Seen: 1st July

One of the most beloved stories that cinema keeps going back to is “Man interacts with aliens”. It’s a time-tested story that allows for so many variations, from the whimsical wonder of ET to the nightmarish horror of The Thing, cinema has run the gamut of ways to show a human having to deal with a creature from another planet, figure out how to communicate with said creature and either save or destroy it. It’s been done so many times that we’re almost out of new alien designs that we can use before repeating ourselves. So one would think that another film about a human going to space and spending the entire time interacting with an alien would feel at least a little rote, a little repetitive… somehow, Project Hail Mary manages to feel fresh while also being charming as all hell.

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Supergirl (2026) – Averagegirl

Released: 25th June
Seen: 25th June

Roughly one year ago, Superman returned to us. After the absolute disaster that was the DCU, we were given a Superman who cares and there was much rejoicing. It was a genuinely charming movie with one of the best Superman actors we’ve had since the Christopher Reeve-era and I do not say that lightly. I named that film the second best film of 2025 and the performance of Superman was my third favourite performance in that same year. It was a genuinely great work of art that showed that there was space in the modern era for a kinder sweeter Superman. The ending of that film had a brief moment for Supergirl (Milly Alcock) who came to collect her dog Krypto and showed that this universe’s Supergirl was a bit of a drunken disaster who we would eventually get to spend an entire movie following. It was exciting, it seemed like it should be fun and now that film has come out and… it’s OK, it’s a genuinely OK movie but it should be so much better than OK.

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Hoppers (2026) – Golden Beaver

Released: 26th March
Seen: 20th June

One of the big problems that people have with the modern film landscape is that it feels like most movies that make it to cinemas have to either be based on a pre-existing IP (book, TV show, Reddit story that inexplicably gets popular) or a sequel to a film that was a previous hit. This seems to be reflected in the box office, if you look at this year’s top 10 highest grossing films you’ll see sequels, movies based on books and even a film that heavily utilises the IP of one of the biggest popstars of all time. There are only 2 films in the top 10 highest-grossing films of 2026 (at the time of writing this review) that are not based on some already existing property. The first is the megahit Obsession which exploded due to great word of mouth and the other is the subject of this review, Pixar’s first big film of this year, Hoppers.

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28 Years Later: The Bone Temple (2026) – Bonkers

Released: 15th January
Seen: 1st April

28 Years Later was genuinely one of the best additions to the zombie movie genre in recent years, a visual treat filled with some of the most purely horrifying imagery. It was an absolutely great entry into the 28 Days Later franchise that promised to be the start of its own little trilogy, continuing the post-apocalyptic story by pushing it into a bold new direction. Well, if 28 Years Later was this franchise swinging for the fences, then 28 Years Later: The Bone Temple loads the franchise into a catapult and throws it over the fences with absolute fucking glee while doing so.

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The Life Of Chuck (2025) – Oh Life

Released: 14th August
Seen: 11th December

When you think of a Stephen King story, you inevitably think of some weird horror story with a terrifying concept and a probably less than satisfying final act. You might also think of his sci-fi work, his grandiose epic The Dark Tower or The Stand. What might be thought of less are his dramatic works, despite them being adapted into truly grand movies. Green Mile, Shawshank Redemption, movies that can genuinely surprise people when they learn it’s a Stephen King adaptation (I’ve literally seen this happen, I’ve shocked people by saying “The Green Mile is based on Stephen King). He doesn’t really get to flex his dramatic writing muscles as much because everyone generally wants a Stephen King book to be scary, but back in 2020 he released a novella called The Life of Chuck. The novella caught the eye of Mike Flanagan, who is one of the modern horror heroes, and he adapted it into a film of the same name which is certainly heartwarming but… well, let’s begin the review before I go into that.

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Frankenstein (2025) – Monsterously Great

Released: 7th November
Seen: 28th November

The story of Frankenstein has been told so many times that, at this point, it’s actually a surprise when a full year goes by without someone attempting to tell their version of the legendary Mary Shelley tale, arguably the first science fiction story. Obviously, cinema’s love of this story began with the 1931 Universal classic by James Whale, but ever since then, it’s a well that people keep plunging their buckets into, hoping to extract something special. Of course, a lot of the time the well feels like it’s run dry because everyone has done every possible thing you could imagine with this character, there shouldn’t be anything new or interesting that could be done with him… but then along comes the legendary Guillermo Del Toro to use his special magic on the story and make it feel fresh once more.

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Tron: Ares (2025) – …loading

Released: 9th October
Seen: 18th October

In 1982, Disney released the movie Tron and to say it was a revelation is an understatement. Tron is the kind of film where they had to invent technology to figure out how to make it, keep in mind this was before CGI animation was even possible in any real capacity. The computers used to make Tron didn’t even have one-tenth of the power of the phone you are probably reading this on. It was revolutionary, a display of what a computer could bring to the world of cinema and even though it still made back its money ($50 million on a $17 million budget) it has been considered mostly a cult film and thus wasn’t really given a sequel treatment. Well, a combination of that and the fact that the animation department would’ve murdered someone if they had to go through that process again. A sequel would have to wait until the computers could handle the job, which is how we got Tron: Legacy in 2010. It was a fine movie, visually spectacular (besides the de-aging that they did to Jeff Daniels) and made a ton of money… and for some reason it took 15 years for them to try again with Tron: Ares.

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War Of The Worlds (2025) – War Is Hell!

Released: 30th July
Seen: 30th September

In recent years, a new genre called “Screenlife” has grown in popularity, resulting in films like Missing, Searching and Host where all the action takes place on a computer screen. When done right, it can be a truly fascinating way to tell a story, allowing the viewer to jump from video calls to emails, and even see messages being typed and deleted, giving a glimpse into a character’s mind. It’s simple, effective and genuinely a versatile way of making a film… however, when done badly, you get something like War of the Worlds, a contender for every “Worst of 2025” list that you’ll see in a few months.

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