Godzilla: King of the Monsters (2019) – Yes Gawd-Zilla

Released: 30th May
Seen:31st May

Since 1954 the world has had a repeated fascination with the Japanese movie monster Godzilla, a gigantic sea creature that was spawned by the nuclear radiation that would also regularly spit fire like it was nobody’s business. Godzilla is possibly one of the most iconic film characters of all time and for years he was a metaphor for nuclear war, natural disasters, basically anything that could best be embodied by a giant nuclear sea creature. Appearing in 35 films that span the gamut from iconically bad to some of the most fun you’ll have watching men in dinosaur suits slap each other, it’s a series that everyone has at least heard of and that Hollywood has tried to make on multiple occasions. The first time Hollywood got their slimy hands on Godzilla was in 1998 with Roland Emmerich decided he was going to make a Godzilla film even though, turns out, he didn’t even really make a Godzilla movie since he basically just made a movie with a weird dinosaur. It was a movie that was so bad that Toho, the company behind Godzilla, trademarked the new design as “Zilla” because there was nothing godly about that mess (except, perhaps, a godly amount of fish). Then in 2014, we got another Godzilla film and while that one was a step up from what came before, it also had maybe 10 minutes of Godzilla in it and spent a ton of time with the humans that no one cares about. So now, here we are, the third time that Hollywood would take on the king of the monsters and… god damn it, they finally got the damn point.

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Loqueesha (2019) – NO! No, you go in the corner and think about what you did!

Released: 21st May
Seen: 29th May

Earlier this month a trailer was brought to the attention of the internet for a movie titled Loqueesha, a film by alleged comedian Jeremy Saville that was about a white man pretending to be a black woman in order to try and get a job. This trailer blew the hell up on social media because everyone had to know just who the hell would release such a film. It got such sweeping negative attention that the original uploader of the YouTube video ended up deleting the video from their account. There was controversy galore, not only because the trailer was obviously racist and unfunny as all hell but because it came out that a claim in the trailer that the film played at the San Luis Obispo Film Festival turned out to be a lie because the film was actually pulled before the festival and therefore never screened once. So, you’d think with all this obscene negative reaction to the trailer that the smart thing to do would be to lie low, never release the film or maybe dump it out on VOD in a year or so when the heat died down but no one involved in this film ever claimed to do the smart thing so here we are, not even a month later and the film was put on Amazon Prime. I will now talk about it for a large amount of time in order to protect you from what is in this film… I’m watching it, so you literally never have to.

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Rocketman (2019) – Hello Yellow Brick Road

Released: 30th May
Seen: 25th May (Advance Screening)

Last year I reviewed a little indie film called Bohemian Rhapsody, you might have heard of it. At the end of that review, I gave the film a 3 and a half rating, a good score for a good film but the more I’ve ruminated on it, the more I realise how the film just isn’t that good. If I were to review it today it’d probably get a 2 and a half star rating. That’s kind of the fun thing about reviewing, as you watch more films you build up a bigger library of references and can spot flaws easier. So when I saw the trailer for Rocketman, I was ready to be a lot more critical about the film. I was ready to not be won over by whimsy but to actually do this properly, and when I found out that the director of Rocketman was the same man who was brought in to replace Bryan Singer on Bohemian Rhapsody after everyone finally realised that Bryan Singer is a bit of an asshole (to put it lightly) I was excited. This is it, a do-over, a chance to try again and make sure that this time I spot a gaudy mess for what it is… and then they just had to screw up my plans by actually producing a fun enchanting film that put the biggest smile on my face. I swear, it’s almost unfair.

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Aladdin (2019) – Friend Like Meh

Released: 23rd May
Seen:23rd May

When we think of the Disney Renaissance we think of this brief period between 1989 and 1999 when Disney was putting out hit after hit, some of the best films that appear in their catalogue. Right in the front end of that list, dropping in 1992 is the film Aladdin. Based on the Arabic folktale, Aladdin remains one of Disney’s most beloved films. It’s a simple love story, enchanting tunes and, of course, its legendary performance by the late Robin Williams has cemented it into cinema history. Even today the original film holds up with great comedy and award-winning songs that everyone knows. A Whole New World, Friend Like Me, Prince Ali, these are some of the best songs ever put on film. The movie was such a hit it led to two direct-to-video sequels (one of them is actually good) and a TV series that everyone who was a child in the 90s watched. There’s even an adaptation of the show on Broadway but one thing that there will never be is a live-action film remake… at least, that’s what I thought until we inexplicably let Disney think that it would be acceptable to plunder their vaults and turn their classic animated films into subpar live action drivel, but apparently we’re allowing that now so guess what I have to do right now? That’s right, weep and cry because I had to watch this bland lifeless thing that alleges to be a movie.

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Brightburn (2019) – Look, Up In The Sky!

Released: 23rd May
Seen:22nd May (Advance Screening)

Later this year we’re going to be getting an animated TV series focussed around the What If comic series. A very simple setup, the series would ask questions like “What if Iron Man had been a traitor?” or “What if Sgt. Fury had fought World War II in outer space?” It’s a fascinating idea that allows for some potentially funny and potentially silly results. It’s also an idea that would allow Superheroes to appear in something other than a big bombastic action film. It’s with this in mind that I walked into Brightburn with a general sense of excitement because the promotional trailers told me right away that this was going to be answering a “What If…?” question that I didn’t even know that I wanted the answer to… What if Damien from The Omen turned out to be Superman?

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Red Joan (2019) – Communism Is Just A Red Herring

Released: 6th June
Seen:22nd May (Advance Screening)

Do you know what’s the hardest part of these reviews to write? This opening paragraph that is always placed above a cut so when you look on the main page you get this little paragraph that provides a little bit of context, either context for the series the movie is part of or maybe a personal story so you can understand where I’m coming from when I talk about a certain film. The idea behind this format is that if you were to scroll through and read the opening paragraph, it might catch your eye and make you read it. It provides a jumping off point, like an introduction to an essay and they’re insanely hard to write because it requires me to find a way to hint at my feelings about the film without going into detail. It’s a taste-test that I offer you to get you to read on and when a movie is great they can be a lot of fun to write and when a movie is awful, they’re even more fun to write. But what about when a film is so middle of the road and so pointless that not only do I not have anything interesting to say about its inception, but its lack of purpose makes me spend a two-hour train ride pondering “Just how the hell am I going to talk about this?”. Well, Red Joan is here to test just how much I can get out of one of the most boring films I’ve seen in a while… which is weird to say about a film with Russian spies stealing nuclear secrets but that’s what we have.

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Someone Great (2019) – Something Very Above Average

Released: 19th April
Seen: 13th May

Someone Great Info.png

Is it just me or does Netflix have a weird habit of hiring actors from the CW network and giving them a cheesy romcom to play around with? We had that very recently with The Last Summer and The Perfect Date, two movies that were certainly watchable but nothing really worth writing home about (but totally worth writing a thousand words on the internet about because that is apparently my life now) and both of them have already been basically forgotten. There’s even another one coming out later on this month called Always Be My Maybe and heck, maybe that one’ll end up being the one that is just a little bit better than “Ah, it’s pretty good” because we’re still at “Ah, it’s pretty good” levels right now with another film in this genre.

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