Released: 9th January
Seen: 27th February

We live in an age where we keep hearing the same refrain over and over again, “No one can take a joke anymore, you can’t joke about anything”. It’s a refrain screamed largely by people who’ve been telling the exact same joke since 1993 and can’t be bothered to update their material. The truth is that you can still make jokes about pretty much anything as long as you do it well, you can push the boundaries of good taste if you’re able to actually do something interesting. Comedy is still fairly easy to do and can be quite shocking while doing it, you just need to not only tell the jokes well but know what you want to target with your comedy. American Fiction knows exactly what it wants to target with its comedy, and oh boy does it land every single punch that it throws.

Released: 1st February
Seen: 13th February

In 1997, Mary Kay Letourneau pleaded guilty to 2 counts of second-degree rape of a child. The child in question was 12-year-old Vili Fualaau and what made this case turn into the stuff of tabloid legend was that not only would Mary Kay go on to give birth to Fualaau’s child while in prison (two of them throughout the relationship, but one specifically was born during her initial prison sentence) but they would eventually get married and remain married for 14 years, until 2019. The entire story was everything that the tabloids love, it had sex, intrigue, lying, and a hint of a taboo romance that created an epic drama that people could follow. Everyone who was around then heard at least one or two comics making jokes about how lucky Vili in particular was to be in a situation where an older woman had sex with him, it was the ultimate water cooler topic for ages… and in the center of it all were two people, one of whom was a victim who didn’t get his story told. Sadly, May December doesn’t tell his story as it probably could’ve, but using the Letourneau/Fualaau story as a springboard it weaves a darkly fascinating tale of its own.