leebutler Action, Comedy, Netflix, Review

Back In Action (2025) – Dull and Lifeless

Released: 17th January
Seen: 22nd April

In 2014, Cameron Diaz did something quite admirable. After the release of Annie, she announced her retirement to spend more time with her kids. Considering this was Cameron Diaz, one of THE major movie stars of the era, for her to stop working on her own accord was a major thing. This was one of those celebrities who could sell a movie just on their name alone being attached. She had a two-decade-long career that was the envy of many others in her generation, and then she just chose to stop acting. People have been hoping she’d make a return for ages, almost since the day she announced her retirement, but she stuck to her guns until this year when she took part in the Netflix film appropriately titled Back in Action, her grand return to the movies… she deserved better.

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leebutler Action, Comedy, Fantasy, Review, Sci-Fi

Mickey 17 (2025) – Hey Mickey

Released: 6th March
Seen: 23rd March

Mickey 17 Info Image Directed and Written By - Bong Joon Ho Starring - Robert Pattinson, Naomi Ackie, Mark Ruffalo, Toni Collette, Steven Yeun

In 2020, the Oscars did something genuinely cool. For the first time in the history of the ceremony, a non-English language film won Best Picture, a moment that might be the last actually good thing to happen in 2020. The film in question, Parasite, took home four awards that night for Screenplay, Directing, International film and Best Picture. The director, Bong Joon ho, instantly became a major player and whatever film he made after Parasite was going to be a big deal so we all waited for over half a decade for his next big feature film. That film has finally come out after half a decade and as expected, Bong Joon Ho has delivered something truly spectacular in his latest work, Mickey 17.

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The Electric State Header Image
leebutler Action, Adventure, Comedy, Drama, Netflix, Review, Sci-Fi

The Electric State (2025) – Shockingly Bland

Released: 14th March
Seen: 16th March 

In the last few decades, filmmaking has gotten more expensive. It was not that long ago that the idea of spending even $50 million on a single film sounded insane, now you’re lucky to find a film that costs under $100 million that isn’t an indie film. According to Wikipedia, there are 89 films that (adjusted for inflation) cost over $200 million and only six of those films are pre-2000. This is a crisis state that’s setting up films to fail and put hardworking filmmakers out of jobs and it doesn’t help when a film that costs $320 million to produce is as meaningless and forgettable and undoubtedly financially devastating as The Electric State.

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leebutler Action, Adventure, Review, Sci-Fi

Captain America: Brave New World (2025) – Brave And The Bold Choice

Released: 13th February
Seen: 16th February

In 2018, Thanos snapped his fingers and destroyed half of the universe. By doing so, he simultaneously created a point we could mark as the peak of the Marvel Cinematic Universe. With the gift of time, we can pretty much state that Phase Three (AKA the era between Captain America: Civil War and Spider-Man: Far From Home) has been the best phase of the MCU, but its absolute peak can pretty much be pinpointed to Infinity War and Endgame, two films that felt like the end of a cinematic crescendo that had been building for a decade up to that point. They were great movies, truly proof of what this genre could be like at its absolute best and probably one of the dumbest moves that Marvel made in terms of story because the problem is that once you hit a high like that, what happens afterwards?

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leebutler Action, Adventure, Comedy, Review, Sci-Fi

Deadpool & Wolverine (2024) – Timely

Released: 25th July
Seen: 27th July

Six years ago, a little independent film called Deadpool 2 was released to cinemas, doing incredible business and cementing the legendary Merc with the Mouth as an iconic addition to the superhero genre. I know it feels like an absolute eternity since 2018, it was a different time before a plague basically upended our world and changed absolutely everything but you have to remember that 2018-2019 was probably the peak era of the modern Superhero genre, culminating in the cataclysmic cinematic event known as Avengers: Infinity War, followed a year later by Avengers: Endgame. Looking back with the gift of hindsight, Endgame marked the point where the superhero genre peaked and it’s probably never going to be that great again but at the time it felt like there would be no end and surely the next big thing would be another Deadpool movie. Surely it would be, Deadpool 2 was the 5th highest-grossing movie at the domestic box office, it was so popular they re-released it with new footage to make a Christmas movie, surely this meant that we’d get another run around with the funny red menace.

…then the plague happened, no one wanted to go to the movies anymore and Superhero films entered a slump. 

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leebutler Action, Adventure, Review, Sci-Fi, Thriller

Furiosa: A Mad Max Saga (2024) – Action Packed Glory

Released: 11th January
Seen: 26th April

In 2015 George Miller returned to the franchise that began his career after a 30-year break and gave us Mad Max: Fury Road, a film that many would argue (and be completely right to do so) was the best action film of the 2010s. A high-octane explosion-filled joyride through the desert, Mad Max: Fury Road revived a long-dead Ozploitation franchise and took it to Hollywood where it reminded the world that the guy who made the two Happy Feet movies used to be an absolute madman who made films where cars explode just for the fucking fun of it. What was a big surprise back then was that the standout character in the Mad Max movie wasn’t Max but a side character named Furiosa who became an instant classic character who people wanted to know more about. It might’ve taken nearly a decade but Miller has heard our cries and given us the glory that is Furiosa: A Mad Max Saga.

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leebutler Action, Adventure, Drama, Fantasy, Netflix, Review, Sci-Fi

Rebel Moon: Part Two – The Scargiver (2024) – Scarring

Released: 19th April
Seen: 28th April

On the 19th of April an interview with director Zack Snyder dropped where he delivered this quote:

You may love or hate my movies, I’m 100% fine with that but a vote against me is a vote for the focus groups. Know by saying ‘Snyder sucks’ you’re also saying “you know what? give me more focus groups! I want Happy Meals!

As one might expect, the second this phrase hit the internet there was a group of people who took issue with it, myself being one of them. This quote kind of speaks to the arrogance of Zack Snyder, how he seems to believe that his films are something so outside the mainstream and doing something so unique that we have to support him for the love of cinema. It is, truthfully, one of the most pretentious things that has ever been said by a director of mainstream cinema… it’s also absolute bullshit because, having now seen Rebel Moon: Part Two – The Scargiver, there’s truly nothing about it that goes against focus groups because it reeks of the most pandering studio bullshit one could imagine.

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leebutler Action, Adventure, Review, Thriller

Mission Impossible: Dead Reckoning – Part One (2023) – Mission Possible

Released: 8th July 2023
Seen: 29th January 2024

At this point, the Mission Impossible series exists for one reason and one reason only, to basically make the entire world believe that Tom Cruise is the most badass human being alive. Sure, there’s a story, espionage, action and comedy that appeals to the masses and delivers high-octane thrills as needed but its principal job at the moment is to help launder the image of a man whose entire life is so intertwined with the evil that is Scientology that he needs people to ignore that and focus on the cool stunts that he can perform. It’s kind of a neat trick because normally it works, normally Tom Cruise movies open so big and make such a splash that we talk about how he saved cinema or something like that. So what does it take for a Mission Impossible film to underperform like this one did? I mean, mostly it was just bad luck with the strikes and people not going to the movies as much but it’s also a case of diminishing returns.

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leebutler Action, Comedy, Review

Role Play (2024) – Playtimes Over

Released: 12th January
Seen: 25th January

Role Play Info

A simple concept done well will almost always be a recipe for a great time in a film, at least in terms of a film that can be easily enjoyed by the masses and provides a solid hour and a half of entertainment. You don’t need major stars or fancy locations or anything like that, just a simple idea that can provide a good thrill ride for a few hours. If done well you can make something magical, but if done wrong then it feels like you failed at doing something so incredibly basic that the only rational response is to point and laugh at the failure… but in the case of Role Play, that would imply that there was something funny going on and that just doesn’t seem to happen here.

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leebutler Action, Comedy, Crime, Drama, Netflix, Review, Thriller

Lift (2024) – Drop It

Released: 12th January
Seen: 15th January

Lift Info

It’s become something of a joke lately that Netflix keeps producing so many films that they can’t even properly advertise them all, but it’s also probably for the best that they don’t because a lot of them are strangely forgettable garbage that’s just kind of created so that Netflix has a library of films that will never be taken away from them. What’s weird about this is that Netflix spends an absolutely jaw-dropping amount on films that, at best, will spend an eternity sitting in their digital library where they aren’t really designed to turn a profit. These are blockbusters that are made without the intention of getting blockbuster profits, a strange phenomenon that would maybe be OK if it led to fun enjoyable films… but it doesn’t, it leads to content like Lift. 

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