Silent Night, Deadly Night (2025) – Gifted

Released: 14th August
Seen: 11th December

In 1984, Silent Night Deadly Night was released right at the height of the slasher boom of the 80s. It was made pretty much for the same reason a lot of horror films were made then, namely “Oh Halloween was popular, so pick a holiday and stick a killer on that date and we can print money” and sure enough they made a silly little horror film for just under a million dollars and expected it to do good business and that was that. What happened instead was that it became one of the biggest controversies of that era, the poster sparked massive protests, and critics tore the film to shreds for the crime of making Santa Claus a murderer. The film was pulled from cinemas due to those protests and in that moment, the protestors inadvertently gave Silent Night Deadly Night a place in horror infamy, which in turn resulted in the franchise becoming a cult hit. It would end up getting four sequels, one of which gave us the legendary “GARBAGE DAY” clip that was a hot meme for a while, and the film was remade back in 2012 because every slasher film got a remake in that era. Now once more it’s time for them to throw an axe in Santa’s hand and see what he does… and this time, it’s actually pretty good!

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Influencers (2025) – Like

Released: 13th December
Seen: 12th December

In 2023, Shudder released Influencer which was immediately a critical hit and got pretty good viewership numbers, at least good enough to warrant making a sequel. Now, at the time I was one of the few who didn’t love the film, I thought it had good ideas but I wasn’t a fan of the execution. Upon a recent rewatch I’ve slightly changed my mind, mostly because the central performance of the character CW grew on me. It still felt a little bit lackluster to me, but it moved to just being generally good so I was hopeful about the sequel… and sure enough, Influencers turned out to be absolutely brilliant.

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Strange Journey: The Story Of Rocky Horror (2025) – Sweet

Released: 5th December
Seen: 6th December

The first time I saw The Rocky Horror Picture Show was on a VHS tape while at home sick from school. For a long time I had been aware of the VHS tape that sat in the house, an impossible to miss set of ruby red lips on the cover, hovering wickedly under the words “The Rocky Horror Picture Show” printed in slightly-raised silver writing. Like everyone else on earth, I’d heard of the film before, indeed my school even taught us how to do the Time Warp at one point so elements of the film had entered my consciousness but the film itself hadn’t, so in my sickly state, I watched the film for the first time and was soon transfixed by it. It’s brilliant songs, completely mental performances and strange references that flew over my head just washed over me in that living room. Even on a crappy VHS tape, the magic of Rocky Horror worked on me, as it does for most people who see it. At that moment I joined the cult, the cult that has kept Rocky Horror in theatres and in the public consciousness for 50 years. Now seems like the perfect time to celebrate this truly insane film with a documentary and Strange Journey: The Story Of Rocky Horror is the exact kind of documentary that this classic deserves.

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The Conjuring: Last Rites (2025) – Uggh

Released: 4th September
Seen: 6th December

Ed and Lorraine Warren were complete and utter con artists whose damage to the people they claimed to help won’t be fully known for years to come. For literally decades they would go from town to town and “investigate” strange goings-on and somehow come to a “scientific” conclusion that this meant they found some form of demon. All the time just a whole mess of demons, it’s never mental illness or epilepsy or strange coincidences… nope, always demons. I’ve said this before, literally verbatim because I copied that opening section from my review of The Conjuring: The Devil Made Me Do It which I still regard as the worst mainline Conjuring movie (The spinoffs are somehow worse, but none fill me with as much actual rage as The Devil Made Me Do It). One might hope that they would stop this franchise at some point, Horror as a genre is in a new era that’s not exactly suited to what The Warren’s and their lies could inspire but nope, we now have The Conjuring: Last Rites and my god, I hope this is the end because even the lies are getting repetitive and dull.

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Five Nights At Freddy’s 2 (2025) – Upgrade

Released: 4th December
Seen: 4th December

In 2023, the long-awaited movie adaptation of Five Nights at Freddy’s came out to a pretty harsh critical reaction (myself included, I was not the biggest fan of it for a myriad of reasons) and a box office take that most films would kill to get. It was truly a sensation, bringing in about 300 million on a 20 million budget which makes sense because this franchise is basically review-proof. That’s the kind of return on investment that guarantees a sequel. It was inevitable that one was going to come out and probably quickly and sure enough, here we are with the second film, and to give the filmmakers credit, they seem to have paid attention to the problems that people had with the first one and have vastly improved things. 

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Frankenstein (2025) – Monsterously Great

Released: 7th November
Seen: 28th November

The story of Frankenstein has been told so many times that, at this point, it’s actually a surprise when a full year goes by without someone attempting to tell their version of the legendary Mary Shelley tale, arguably the first science fiction story. Obviously, cinema’s love of this story began with the 1931 Universal classic by James Whale, but ever since then, it’s a well that people keep plunging their buckets into, hoping to extract something special. Of course, a lot of the time the well feels like it’s run dry because everyone has done every possible thing you could imagine with this character, there shouldn’t be anything new or interesting that could be done with him… but then along comes the legendary Guillermo Del Toro to use his special magic on the story and make it feel fresh once more.

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Good Boy (2025) – Barking Brilliant

Released: 3rd October
Seen: 25th November

Last year, I proclaimed that In A Violent Nature was the best film of the year (a claim I stand by, fight me). Part of what made that film so special was that it took a genre we all know pretty well, that being cheesy hyper-gory slasher films, and changed the perspective that we follow from the perspective of the future victims to the perspective of the slow-moving moving stumbling killer. It was such a simple shift that created a radically brilliant piece of art that kind of defied the rules of the genre by explaining the magic trick behind how they work. That simple idea of shifting the perspective of a story to a character that we don’t normally spend any time with really allows something familiar to feel exciting and new, and can allow for a really creative director to show off just what they can do. Good Boy is that kind of movie, taking a subgenre we know all too well and finding the most unique possible way to explore that genre that I’ve seen in a long damn time.

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Oh, Hi (2025) – Nice To Watch You

Released: 25th July
Seen: 2nd November

One of my personal favourite film performances in cinema history is by Glenn Close in the movie Fatal Attraction. The story of a woman who has a one-night stand with a married man who then goes absolutely insane and basically tears his life apart because she refuses to be ignored is captivating and that performance has stuck with me since the moment I first saw it. Indeed the entire genre of a scorned lover seeking revenge on their partner is so wickedly fascinating that any time you have a couple breaking up and one of them deciding to make sure the other knows how much it hurts, I am there with a beaming excited grin so you can imagine my joy reading the plot of Oh, Hi and expecting a modern take on the idea. Well, if this is the modern take… ok, it’s fine, I guess I don’t need to see any boiled bunnies, but something of that level would be nice.

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Together (2025) – So Happy

Released: 31st July
Seen: 2nd November

Last year, the biggest surprise in cinema was the reaction to a little film called The Substance. Positive critiques by pretty much anyone who saw it, a massive box office hit and perhaps most surprisingly of all, it received nominations in major categories at the Oscars (and, in my view, should’ve at least won Best Actress). All this for a weird body horror film about how Hollywood treats women past a certain age, that kind of film normally would be relegated to the horror superfans circuit because Body Horror in particular is one of the more difficult sub-genres of horror for people to really get into. Maybe, if we’re lucky, The Substance opened up a floodgate to let mainstream Hollywood actors take a crack at weird body horror films, and if Together is any indication, that feels like a real possibility.

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100+ Horror Movies In 92 Days

Every year, on whatever microblogging platform is currently popular (and not overrun by Nazis), there’s a little trend started by @sarahstubbssays. The idea is simple: watch 100 horror movies that you’ve never seen before in 92 days. Back when X was a platform that could be considered mildly usable, I did this but never made the full hundred. This year, not only did I promise myself that I will do the hundred, but I threw in the bonus that I’m going to rank and micro-review every film that I see. Micro-review in this context means roughly 2-3 sentences per film. Hopefully, I won’t babble too much, but it’ll be a fun way to enjoy this lengthy experiment. 

So yeah, here’s over 100 mini reviews of random horror movies in order from worst to best… because why the hell not?

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