Role Play (2024) – Playtimes Over

Released: 12th January
Seen: 25th January

Role Play Info

A simple concept done well will almost always be a recipe for a great time in a film, at least in terms of a film that can be easily enjoyed by the masses and provides a solid hour and a half of entertainment. You don’t need major stars or fancy locations or anything like that, just a simple idea that can provide a good thrill ride for a few hours. If done well you can make something magical, but if done wrong then it feels like you failed at doing something so incredibly basic that the only rational response is to point and laugh at the failure… but in the case of Role Play, that would imply that there was something funny going on and that just doesn’t seem to happen here.

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Maestro (2023) – Play Me Off

Released: 20th December 2023
Seen: 15th January 2024

With the Oscar nominations being announced just a few days ago, the time has come to tackle the annual tradition of playing catch-up on every nominated film that I somehow managed to miss throughout the year. Sometimes a film just isn’t released down here before the nominations (That’s happening with over a dozen films that I could see), sometimes a film is released but falls past the radar of must-see (how the hell was I meant to know that The Creator would be an Oscar nominee) and sometimes a film just seems like it’s going to be something I’m going to hate trying to review and because this is an unpaid hobby I avoid it until absolutely required… my dislike of biopics put Maestro firmly in that category and while I can admit it’s great, it’s still not my cup of tea.

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Poor Things (2024) – RICH!

Released: 18th January
Seen: 23rd January

Yorgos Lanthimos is one of those directors who you can guarantee will deliver a film that’s so different from everything else in the cinema that it’s hard to describe it as anything other than “A Yorgos Lanthimos Film”. Even when he does something close to a regular period piece like in his last film The Favourite there is something just beneath the surface that creates a strange experience. He’s one of those filmmakers that we’re lucky to have because he keeps things interesting and allows the audiences who see his work to experience something truly unique. Once again, with his latest film Poor Things, Yorgos has delivered something truly fascinating to behold.

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The Holdovers (2024) – Hold On

Released: 11th January
Seen: 17th January

Making an original Christmas film is an art that seems to be lost. Sure every year there’s the requisite retellings of A Christmas Carol that everyone tries to tell but an actual enjoyable film that captures a Christmas spirit is hard to come by. The last truly great one that I can think of might be Violent Night, which falls into that category of “What if we took something wholesome and made it say fuck while it bled out”, it’s just not easy to pull off but when you can make something that captures a very specific element of the Christmas season you get something kind of special, and The Holdovers definitely captures something kind of special.

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Night Swim (2024) – Sinking Feeling

Released: 4th January
Seen: 16th January

A big discussion that’s been going on lately concerns film length, how films nowadays seem unable to be under 2 hours and how a lot of films that go for 3 hours or more don’t really need to waste that amount of audience time. What this whole issue comes down to is the idea that certain stories only really need a certain amount of time to tell them properly, Some films need 3 hours to explore every little crevice of their story, others can handle the story in 90 minutes. Then there are short films that often prove how effective they can be with only a couple of minutes, there’s even an entire channel dedicated to films that only last for 5 seconds long because that’s all they need to get the job done… Night Swim is one of those films that probably should’ve stuck to being a short 4-minute film instead of trying to take its general idea and stretch it forcibly into 100 minutes.

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Destroy All Neighbors (2024) – There Goes The Neighborhood

Released: 12th January
Seen: 15th January

At the start of this year, I put up a list of the best films of 2023 and top of that list was something called Cocaine Bear, a film that to this day delights me with its simple direct fun. Honestly half the time I go see a movie that’s what I go for, something that’s just uncomplicated fun that can be enjoyed without much thought at all. Horror comedies tend to be probably the best genre for doing this because often they are so heightened in their stupidity that even the average ones can be good enough for a fun time, especially when they embrace their own insanity and do something unexpected. This is why Destroy All Neighbors is such an enjoyable time, although it probably isn’t going to end up topping this year’s best list.

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Lift (2024) – Drop It

Released: 12th January
Seen: 15th January

Lift Info

It’s become something of a joke lately that Netflix keeps producing so many films that they can’t even properly advertise them all, but it’s also probably for the best that they don’t because a lot of them are strangely forgettable garbage that’s just kind of created so that Netflix has a library of films that will never be taken away from them. What’s weird about this is that Netflix spends an absolutely jaw-dropping amount on films that, at best, will spend an eternity sitting in their digital library where they aren’t really designed to turn a profit. These are blockbusters that are made without the intention of getting blockbuster profits, a strange phenomenon that would maybe be OK if it led to fun enjoyable films… but it doesn’t, it leads to content like Lift

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Society Of The Snow (2024) – We Live In A Snowciety

Released: 4th January
Seen: 7th January

In 1972 the Old Christians Club rugby union team boarded a plane in Uruguay, along with several family members and supporters, with the intent of getting to Chile to compete against an English rugby team. Part of this flight required a trip over the Andes mountain ranges, a trip that in normal conditions would be perfectly doable but the weather was bad enough to make it impossible to see. The details of how the crash happened are far too complicated to put in the opening paragraph of a film review but the core point is that the plane crashed in the snow-covered mountains, the 45 passengers and crew on board were effectively lost in the snow and debris. 

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Good Grief (2024) – Grief, It’s Good

Released: 5th January
Seen: 7th January

Telling gay stories in film is kind of a landmine sometimes. It seems more often than not those stories deal with immense tragedy, loss of family or just having one of the leads getting a specific fatal illness and dying for a dramatic conclusion. It’s rare to see a film about gay joy or even just gay resilience, it feels like more and more films are just kind of depressing in tone and it’s kind of sad… so it takes someone pretty damn talented to take a film about a gay man dying and turn it into a charming, funny and also emotional tale that feels somewhat hopeful by the end. Fortunately, Dan Levy is just that damn talented and has brought us Good Grief, something so charming and sincere that it’s just so soothing to watch.

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Bitconned (2024) – Nice Freaking Time

Released: 1st January
Seen: 1st January

Cryptocurrency is possibly one of the biggest scams to ever go mainstream in recent years. What’s sold as a way for regular people to make money without relying on banks is in reality a playground for con artists to squeeze money out of gullible rich people who see a new technology and dive in without thinking. The Crypto market has brought us the bitcoin and the NFT, both of which are totally bogus ideas that are hopefully on the way out soon but until then there’s a cornucopia of stories about crypto schemes and scams, one of which revolves around the company Centra Tech, the story of the rise and fall of that company and its founders is the basis for Bitconned.

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