Wake Up Dead Man: A Knives Out Mystery (2025) – Miraculous

Released: 12th December
Seen: 12th December

In 2019, Rian Johnson released Knives Out to an unsuspecting public, and the world embraced and fell in love with his all-star cast and murder mystery. It was a true masterpiece, a definitive work in the murder mystery genre that had people salivating for more. That’s when Netflix did one of the few truly cool things that they’ve done in a long time and gave Rian Johnson 400 million dollars to make two new entries in the franchise, the first one of those was Glass Onion in 2022, which was also absolutely brilliant and proved that Knives Out had genuine franchise potential. Now we’ve been blessed with Wake Up Dead Man, the third movie in the Knives Out Franchise, and I’m fully at the point of insisting that Rian Johnson continue making these films until either he or Daniel Craig is no longer with us, because once again he’s made an actual masterpiece.

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Zootopia 2 (2025) – Sssensational

Released: 27th November
Seen: 8th December

In 2016, Disney released Zootopia, which told the story of a society made entirely of animals (as in lions, tigers, bears, oh my) that was dealing with the disappearance of the predator class of animals. A buddy cop mystery movie told with just a ton of adorable animals in people clothes was basically a license to print money for Disney, which would rake in over a billion dollars from this one movie alone, and that still only made it the 4th highest-grossing movie of the year, which really says a lot about how insane the box office was only a decade ago. In the years since Zootopia has remained a very popular property, even getting a TV show on Disney+ in 2022, but it’s taken until now for Disney to get around to making a sequel, and it was absolutely worth the wait.

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Caught Stealing (2025) – Steals The Show

Released: 28th August
Seen: 30th November

Darren Aronofsky is the kind of director who seems to revel in polarising the audience, in making a film that’s going to get an extreme reaction no matter if it’s positive or negative. There aren’t really any films in his catalogue you could say are just good or well-liked; you either love his stuff or hate it. In recent years, even though I’ll admit he’s obscenely talented, I just wasn’t into his work on films like Mother! Or The Whale, but in the past, he’s delivered truly breathtaking work like Black Swan so undoubtedly there was a chance that he was going to win me back at some point with one of his works. It feels like Caught Stealing seems to be the first time that Darren has tried to make a film with a strong mass appeal (hilarious to say in retrospect since it bombed at the box office), and honestly, it’s just a damn good time.

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Nobody 2 (2025) – Fun

Released: 17th October
Seen: 29th November

In 2021, a little film called Nobody was released to the public. The film could be basically described as a mass-appeal suburban version of John Wick, filled with some truly incredible action sequences, a captivating lead performance by Bob Odenkirk and enough charm to elevate the already excellent material. It was a genuinely glorious little film that easily was one of the best of 2021 (and while being a good film in 2021 was a low bar because of how that year was still a pandemic recovery year for the movies, believe me when I say that Nobody was still genuinely fantastic). It was the kind of film that seemed like it was destined to be a franchise and deserved a sequel just to see what this little family did now that their father’s clandestine history had been revealed. Well, in Nobody 2, the Mansell family decide that the way they’re going to handle things is by going on a summer vacation… it will go exactly as expected.

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The Naked Gun (2025) – Surprising

Released: 21st August
Seen: 27th November

In the world of spoof comedies, one of the biggest franchises to ever grace the genre is the Naked Gun franchise. Based on the TV series Police Squad that was cancelled after a single season, Naked Gun was a massive cultural touchstone that spawned several sequels and is really the point where Leslie Nielsen went from serious actor to comedic legend (Yes he did Airplane! before this but you can literally look at his filmography and see that he pretty much never touches a serious film after Naked Gun). Of course the last film in the Naked Gun franchise was a little over 30 years ago now, Leslie has been gone for 15 so the idea of reviving the franchise is one that really shouldn’t have made it past the concept stage but somehow a new Naked Gun movie ended up being made and, to the shock of everyone, it’s actually really good.

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The Pee Pee Poo Poo Man (2025) – Crap

Released: 12th September
Seen: 12th September

This year, I managed to make it to my favourite film festival in the world, the Sydney Underground Film Festival. It’s the kind of film festival that pushes the boundaries of good taste and often surprises me with what it presents. Last year, I didn’t have the time to actually review what I’d seen because of my full-time job, so it’s really nice that this year I can return to reviewing what I went to see this year. This is the third film that I saw there, and when I looked at the schedule of what was on offer, I saw that on the same day there was a perfect pair of films. The first was the documentary on the Butthole Surfers, which I absolutely adored. Within an hour of that film finishing, I would then be able to see a film called The Pee Pee Poo Poo Man… Well, you can imagine my delight at the comedic value of following Butthole Surfing with Pee Pee Poo Poo, that’s too perfect a pair to pass up and with a title like The Pee Pee Poo Poo Man, surely it’ll be some dumb fun to numb the brain with, right? Well… it was dumb, I can definitely call it dumb.

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Novocaine No Pain (2025) – Painless

Released: 13th March
Seen: 9th August

Congenital insensitivity to pain (CIP) is a rare medical condition that basically makes the person who is born with it (as it’s a genetic disease) unable to feel pain. On the one hand, this sounds like a great thing, a life without pain sounds good in theory, but in practice, it means that it’s easy to do things like bite off sections of your tongue or burn yourself without ever noticing you’re doing it. It’s the kind of medical condition that’s a favourite of strange medical shows because what show isn’t going to love a story about someone who doesn’t feel pain. It doesn’t seem to get much time in the sun when it comes to cinema, though, until Novocaine No Pain (which is what the movie Novocaine has been titled in Australia, for reasons that make no sense) which is possibly the first CIP Action Comedy and it’s just generally fantastic.

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Another Simple Favour (2025) – Meh-mbo Italiano

Released: 1st May
Seen: 13th May

In 2018 a little film called A Simple Favour came out to rapturous applause. A fun, extravagant murder mystery thriller with a pair of female leads at the top of their game that delivered on every single front, it was a smash hit all around. I personally loved it so much that I named it the best film of the year that it came out and it came out in the same year that Avengers: Infinity War came out so the bar was high. That was 7 years ago, with the additional time and looking back on their cultural impact I have to admit that maybe I put it too high on the list (lists of that nature are never perfect, merely reflecting the critics belief in the moment they create the list) but I still stand by it being an absolutely brilliant movie that probably should’ve had a sequel years ago. We finally have got one, but was the wait too long for another favour?

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Thunderbolts* (2025) – THUNDER!!

Released: 1st May
Seen: 9th May

The Marvel Cinematic Universe will forever be a legendary moment in cinema, a franchise like this going for almost 2 decades with film and TV series creating this wide interconnected universe is almost unheard of and has rarely been as well executed as it has been here. Lately though, it feels like the MCU has been in a slump since the insane high of Endgame. Sure, there’ve been some bright spots, but nothing rose to the level of the MCU before Thanos snapped his fingers. It felt like everything was so spread out that it was hard to return to what made this franchise special. So here we find ourselves with another entry in the long-running franchise… and it might be the best one since Endgame and possibly in the top 10 of the entire MCU experiment, it’s that good.

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Emilia Pérez (2025) – Oscar Bait

Released: 16th January
Seen: 26th January

Throughout my time writing this blog, I have made a point to champion when a film presents a minority group in its narrative – even if the film itself is not particularly great, it still deserves praise for breaking the mould and showing people as they are. This has been particularly notable when it comes to a film that presents members of the LGBTQ+ community since, as a member of the G part of that acronym, it’s nice to see those in your social group represented. Even subpar representation is still, on some level, representation and deserves to be brought up. It also feels important to bring this up in regards to films that are getting Awards nominations, particularly at the Oscars who have a bad history related to this. Enter this year’s biggest Oscar nominee Emilia Pérez which might be the most high-profile story about a trans woman in cinema this year… and sadly it’s just not a good film, to the point that it’s baffling that it’s become this awards darling.

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