leebutler Horror, Review, Sci-Fi, Thriller

28 Years Later (2025) – Took Long Enough!

Released: 19th June
Seen: 26th September

In 2002, 28 Days Later was released into the world and significantly changed the landscape of what a Zombie movie could look like. Its biggest contribution was really making the idea of the fast-moving zombie into something mainstream, signalling the change from the genre’s default of slow-moving moving stumbling beasts. Sure, other films had done fast-moving zombies before, but 28 Days Later really set the standard that all others would follow. It was an undeniable hit and would eventually get a sequel in 28 Weeks Later, which was just as impressive and epic in its tale of just how far the infection had spread and the true nightmare of what a second wave could be. That was in 2007 and ever since then people have been talking about a sequel but because of issues regarding rights and ownership, that’s just not been possible… until now when finally someone pulled the right strings and got everyone in the right places so that they would be able to make 28 Years Later, a post-pandemic zombie movie that we probably wished we didn’t need but we got and it is something else.

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leebutler Comedy, Horror, Review, Thriller

Anything That Moves (2025) – Is It Sexual? Yeah!

Released: 14th September
Seen: 14th September

The final film I saw this year at the Sydney Underground Film Festival was chosen pretty much at random. I ran into that situation that I’m sure a lot of people have run into when it comes to film festivals. I bought a set of 5 tickets and used 4 of them for films I was interested in, so the last one was going to be chosen pretty much at random. I want to note that I entered this movie without any prior knowledge or preconceptions about what it would be like. It’s one of those films where the basic description in the booklet made the final choice for me… probably should’ve picked something else, I’m not going to lie.

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leebutler Horror, Review, Thriller

The Long Walk (2025) – Run!

Released: 11th September
Seen: 14th September

In 1979, Stephen King released the book The Long Walk under the pseudonym Richard Bachman (a name he picked partially to avoid saturating the market with King books and partially to test if his success was based on skill). The book was well received like a lot of early King works were and has been named one of the best books for teenage readers by the American Library Association. Like a lot of King books, there have been talks about an adaptation of The Long Walk for years, way back in 1988 it was going to be made by George Romero, but that ultimately fell through. Next up was Frank Darabont, who took a shot in 2007 and then in 2019, one André Øvredal (the man behind Scary Stories to Tell in the Dark) had a go, but none of these versions made it. Finally, someone looked at the content of the books and presumably went, “Hey, this feels kind of like a more fucked up Hunger Games… why don’t we just get the Hunger Games guy?” and so Francis Lawrence was gifted the chance to make The Long Walk… and made one of the best films of 2025.

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leebutler Horror, Mystery, Review, Thriller

Clown In A Cornfield (2025) – Friendo Loves You

Released: 8th May
Seen: 24th August

In 2020, Adam Cesare released the young adult novel Clown in a Cornfield. The novel was a big success, ending up winning the Bram Stoker Award for Best Young Adult Novel and pretty much instantly getting optioned for a film. There would end up being 2 more novels written in the Clown in a Cornfield series over the years but the film took a little while to get made (probably because 2020 was not exactly a great time to try and film a movie, what with all the COVID hanging around) but eventually a little film called Clown in a Cornfield came out and made a brief splash before getting eclipsed by Final Destination: Bloodlines… which is a shame because it’s the kind of movie that deserves a lot more love.

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leebutler Horror, Review, Thriller

Dangerous Animals (2025) – Bloody Good Time

Released: 12th July
Seen: 15th August

I’ve said it before, I’ll say it again, sometimes the simplest ideas done well make for the best movies. An elevator pitch, a single sentence concept played out to its absolute limit, is often a great way to ensure a fun, exciting film for the audience. This feels especially true regarding Horror films which can have concepts as basic as “Girl going through puberty has telekinetic powers” or “Man in mask stalks babysitters”…. Or, in the case of Dangerous Animals, “Shark obsessed serial killer goes on a spree”, and in its brutal brilliant simplicity you end up with one of the most gloriously fun horror films of the year.

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leebutler Drama, Mystery, Review, Thriller

Drop (2025) – Pick Me Up

Released: 17th April
Seen: 9th August

Every time a new technology comes out, it feels like it’s only a matter of time before the horror genre takes it on and plays with its darker elements. AI brought us M3GAN, mobile phones led straight to the novel Cell by Stephen King. This goes back to VHS’s ending up inspiring things like The Ring, so every new piece of tech can be used in a terrifying way. A pretty perfect piece of technology for this exact situation would be something like the airdrop, a way for someone to just anonymously drop an image or message onto your phone without needing to know your number. They don’t need to know who you are, you just have to be within range and then you can have whatever they want sent to you. Drop takes this idea of a mysterious man sending secret messages to someone and it is pulse-poundingly brilliant.

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leebutler Action, Comedy, Crime, Review, Thriller

Novocaine No Pain (2025) – Painless

Released: 13th March
Seen: 9th August

Congenital insensitivity to pain (CIP) is a rare medical condition that basically makes the person who is born with it (as it’s a genetic disease) unable to feel pain. On the one hand, this sounds like a great thing, a life without pain sounds good in theory, but in practice, it means that it’s easy to do things like bite off sections of your tongue or burn yourself without ever noticing you’re doing it. It’s the kind of medical condition that’s a favourite of strange medical shows because what show isn’t going to love a story about someone who doesn’t feel pain. It doesn’t seem to get much time in the sun when it comes to cinema, though, until Novocaine No Pain (which is what the movie Novocaine has been titled in Australia, for reasons that make no sense) which is possibly the first CIP Action Comedy and it’s just generally fantastic.

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leebutler Review, Thriller

Locked (2025) – Open Up

Released: 21st March
Seen: 30th May

A kind of story that we just don’t get enough of in cinema nowadays is “Person confined in a single space we almost never leave” Buried is a pretty great example of this kind of film, a film that takes place entirely in the confines of a coffin with someone buried alive inside it. It’s a deceptively simple idea but works really well in practice. It’s also remarkably cheap, the biggest expense being the lead actor you put in the single location and if done well it can be truly spectacular. There are a lot of challenges that come with making a film about one character and a voice on the phone in a small isolated location, but it’s such a simple and effective setup that I’m always looking for more films with that basic scenario to see what they can do. Well, now we have a new one in the form of Locked and it has got some great elements but it also doesn’t seem to know what to do with all of them.

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leebutler Action, Adventure, Review, Thriller

Mission: Impossible – The Final Reckoning (2025) – One Final Adventure

Released: 17th May
Seen: 25th May

The Mission: Impossible franchise has been a part of the cinematic landscape since 1996. Some people who were conceived on the opening night are now weeks away from turning 30, that’s a staggering amount of time for us to have been watching the ever-growing world-ending adventures of Ethan Hunt and his pack of associates who are as expendable as they are available for the shooting schedule required. No matter what your stance is on the franchise, it’s hard to deny that it’s been an iconic action franchise the likes of which we will not see again for quite a long time. Partially we won’t see it because we just will never see another star like Tom Cruise again who, despite how you might feel about him deciding to be a spokesman for one of the most evil organizations ever to exist on Planet Earth (WHERE IS SHELLY!?), is an undeniably charismatic superstar who can make even the flimsiest of action premises enjoyable thanks to his utter devotion to the craft. So here we are, Mission: Impossible – The Final Reckoning, which is allegedly the final film in this franchise… I’ll believe that when I don’t see it but if this is the note that the franchise is going out on, I’m not gonna be mad about it.

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leebutler Horror, Mystery, Netflix, Review, Thriller

Fear Street: Prom Queen (2025) – Down With Prom

Released: 23rd May
Seen: 24th May

In 2021, a horror film event happened that really showed the potential for what could be done with a streaming platform that wanted people to notice what it was releasing. Over the course of three weeks Netflix released the Fear Street Trilogy, a set of horror films inspired by the R.L. Stine books that all took place in different time periods, played around in different eras of the horror/slasher genre, and all connected to create a grand overarching story. It was dark, twisted, queer and just a ton of fun. I even named the entire trilogy as one of the best films of 2021, which is a choice I stand by because every single entry did something truly great within the slasher genre. They were films that understood what makes the genre fun and their success as an event pretty much guaranteed that there was going to be more. When they announced that we were going to get a new entry with the subtitle Prom Queen, this reviewer was excited at the prospect… never be excited about things, it leads to disappointment.

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