The Menu (2022) – Eat Up

Released: 24th November
Seen: 27th November

When reading film criticism, one comparison you will often find is the critics comparing a piece of art to food. It’s so common that it’s basically a cliche, if you want to make fun of a critic you merely need to say something in a slightly upper-crust accent and compare whatever you’re talking about to a common item of food. For example “The painting’s colour palette is as vivacious as a freshly grown strawberry”, it means absolutely nothing but sounds just intellectual enough to work in most cases.

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In Search Of Darkness III (2022) – Going Out On Top

Released: 26th November
Seen: 26th November

In 2019 the first instalment of In Search Of Darkness came out and was a joyous celebration of 80s horror, albeit just a little bit on the repetitive side. In 2020 we got the second instalment of In Search Of Darkness which went even deeper into the glory of the 80s horror and started diving into the weirder titles that littered the shelves of the local video store, with a lot fewer repetitions to pad out the runtime. For a while, it seemed like that would be the end of it but fortunately not because In Search of Darkness 3 just released and it’s a fitting finale to one of the most fun 80s retrospectives ever.

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Spirited (2022) – Good Afternoon!

Released: 18th November
Seen: 23rd November

Spirited Info

Of all the stories ever written, it’s a fair bet to say one of the most adapted is Charles Dickens’ classic A Christmas Carol. Its simple story of some asshole being visited by three ghosts in order to learn to be a better person is so malleable that it can be shoved into almost any intellectual property (like Blackadder, Mickey Mouse or Mr. Magoo) or be told in various ways, from the straight forward versions to more meta interpretations like The Man Who Invented Christmas… of course, every version pales in comparison to the one that they did featuring the Muppets back in 1992 but hey, they keep churning them out because it’s pretty hard to screw up A Christmas Carol.

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Men (2022) – Uggh, Men

Released: 18th August
Seen: 20th November

There’s been a strange trend recently of people pretending that horror films have never been political before roughly 2016. It might seem harsh to say they’re pretending but the alternative is to assume they’re just incredibly media illiterate. Horror as a genre has been political since the start and horror in film is regularly political, even if it’s incredibly subtle about it. 

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The Outfit (2022) – See My Vest

Released: 18th August
Seen: 16th November

The Outfit Info

There really is nothing quite like a gangster film, it’s such a fascinating underground world that can often lead to a story full of intrigue, backstabbing and murder if done right. Of course, the problem is that there have been so many truly great films in this genre that it’s hard to do something to stand out. You could go the Guy Ritchie route with something like The Gentlemen and make a big broad comedy full of fast quipping characters, a ton of extravagant action scenes and just blow the budget on going all out or you could take the route The Outfit takes and be a little quieter, calculated and generally intriguing.

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Good Luck to You, Leo Grande (2022) – Charmed, I’m Sure

Released: 18th August
Seen: 7th November

The two-hander is a fascinating thing in film. Placing a pair of actors in a room and letting the conversation between them carry the film from start to finish is something very few can actually pull off. There’s a not-insignificant risk to it, it can make the work feel stagey and if the two actors lack chemistry or drop the ball for even so much as a second it can all fall apart. However, if the leads have chemistry and are able to keep up with each other and the script is good enough then a two-hander can be something truly magical… Good Luck to You, Leo Grande is something truly magical.

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Weird: The Al Yankovich Story (2022) – Now You Know

Released: 4th November
Seen: 6th November

If there is any genre that would be on my dislike pile it would be the biopic, after all despite each one being about a very different artist, they all end up being the same. A traumatic childhood, hard-fought battle to get a recording contract, a surprise hit, lots of drugs, more hits, more drugs, more hits while doing more drugs culminating in a massive meltdown during a very important concert and redemption set to the tune of one of the most famous songs of that performer’s career.

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My Policeman (2022) – All Cops Are Boring

Released: 4th November
Seen: 5th November

My Policeman Info

In 1952, Alan Turing began a relationship with a man named Arnold Murray who he met outside a cinema. On the 23rd of January, an acquaintance of Murray’s broke into Turing’s home and performed a burglary, a crime that Turing naturally reported to the police. However, during the course of that investigation, the relationship between Murray and Turing (which was notably sexual in nature) came to light and soon both Murray and Turing were arrested as acts of homosexual sex violated laws surrounding Gross Indecency. 

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Torn Hearts (2022) – Whatever Happened To Peg Bundy?

Released: 8th September
Seen: 2nd November

Torn Hearts Info

In 1962, Joan Crawford and Bette Davis starred in the surprising late career hit What Ever Happened to Baby Jane? which was a touchstone in both of their careers and also inadvertently created a new subgenre known as Hagsploitation, or Grande Dame Guignol. The genre itself revolved around older female actresses playing characters who used to be glamorous stars but have turned into mentally unstable recluses who occasionally do a little bit of murder.

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