leebutler Comedy, Drama, Review, Romance

One Night Only (2026) – Celibate

Released: 6th August
Seen: 13th August

The year is 2013, and James DeMonaco makes his feature-length directorial debut with a film called The Purge. This is a big deal for James, because up to this point in his career James has mostly been a scriptwriter who got his start writing the script for Jack (that Robin Williams film about the boy who ages weirdly) but wasn’t really known for anything that special. He worked, certainly, but didn’t really get to make his mark. The Purge movie was going to make his mark; he wrote and directed it, got Ethan Hawke to star in his little low-budget horror film about a world where all crime, including murder, was legal for one night only; things were going well. Hell, the film made money, nearly 90 million on a 3 million budget. Everything should be going great… Unfortunately, the film got slaughtered in reviews.

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leebutler Adventure, Family, Fantasy, Review

The Magic Faraway Tree (2026) – Whimsical

Released: 23rd March
Seen: 23rd July

Enid Blyton might be one of the most prolific authors in history, if we are to believe she wrote everything accredited to her (there’s controversy on that, but that’s for someone else to address). Between 1922 and her death in 1968, she is the credited author of 762 books which include such beloved series as the Magic Wishing Chair, Noddy and The Magic Faraway Tree. The Magic Faraway Tree is particularly memorable to people of my age (my guess is specifically those who lived in Australia and Britain) thanks to a short-lived TV series The Magic of the Faraway Tree, based on the books with one of the most strangely memorable theme tunes from the era. It’s one of those stories that feels like it was always destined to be a charming feel-good children’s film if they ever got around to making one… well, they got around to it and lo and behold, it does exactly what you would want such a film to do.

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leebutler Horror, Review

Dolly (2026) – Hello, Dolly

Released: 12th March
Seen: 3rd May

The 80s horror boom is something that still fascinates people, it was a true golden age of horror films where everyone was making truly glorious, insane shit that would end up becoming cult hits. Part of the reason this was possible was the rise of consumer video equipment, film cameras that used to be prohibitively expensive or the stuff of hobbyists could now be bought by just about anyone. You didn’t even need decent quality film, you could make an entire movie using nothing but VHS tapes and it could be released to video stores where people would actually watch it. People made some gloriously messed-up films back then, films that would’ve never made it past any studio producer with any sense of human decency. It’s that glorious period of cinema that feels closest to what Dolly is trying to do and it nails what it’s aiming for.

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