The Magic Faraway Tree (2026) – Whimsical

Released: 23rd March
Seen: 23rd July

Enid Blyton might be one of the most prolific authors in history, if we are to believe she wrote everything accredited to her (there’s controversy on that, but that’s for someone else to address). Between 1922 and her death in 1968, she is the credited author of 762 books which include such beloved series as the Magic Wishing Chair, Noddy and The Magic Faraway Tree. The Magic Faraway Tree is particularly memorable to people of my age (my guess is specifically those who lived in Australia and Britain) thanks to a short-lived TV series The Magic of the Faraway Tree, based on the books with one of the most strangely memorable theme tunes from the era. It’s one of those stories that feels like it was always destined to be a charming feel-good children’s film if they ever got around to making one… well, they got around to it and lo and behold, it does exactly what you would want such a film to do.

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Dolly (2026) – Hello, Dolly

Released: 12th March
Seen: 3rd May

The 80s horror boom is something that still fascinates people, it was a true golden age of horror films where everyone was making truly glorious, insane shit that would end up becoming cult hits. Part of the reason this was possible was the rise of consumer video equipment, film cameras that used to be prohibitively expensive or the stuff of hobbyists could now be bought by just about anyone. You didn’t even need decent quality film, you could make an entire movie using nothing but VHS tapes and it could be released to video stores where people would actually watch it. People made some gloriously messed-up films back then, films that would’ve never made it past any studio producer with any sense of human decency. It’s that glorious period of cinema that feels closest to what Dolly is trying to do and it nails what it’s aiming for.

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