leebutler Horror, Review, Sci-Fi, Thriller

28 Years Later (2025) – Took Long Enough!

Released: 19th June
Seen: 26th September

In 2002, 28 Days Later was released into the world and significantly changed the landscape of what a Zombie movie could look like. Its biggest contribution was really making the idea of the fast-moving zombie into something mainstream, signalling the change from the genre’s default of slow-moving moving stumbling beasts. Sure, other films had done fast-moving zombies before, but 28 Days Later really set the standard that all others would follow. It was an undeniable hit and would eventually get a sequel in 28 Weeks Later, which was just as impressive and epic in its tale of just how far the infection had spread and the true nightmare of what a second wave could be. That was in 2007 and ever since then people have been talking about a sequel but because of issues regarding rights and ownership, that’s just not been possible… until now when finally someone pulled the right strings and got everyone in the right places so that they would be able to make 28 Years Later, a post-pandemic zombie movie that we probably wished we didn’t need but we got and it is something else.

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leebutler Comedy, Family, Fantasy, Review

Freakier Friday (2025) – On And On And On

Released: 7th August
Seen: 20th September

In the year 2003, Disney did something absolutely unheard of by the company… They released a remake of one of their previous films. The film being remade was 1976’s Freaky Friday, which was a fairly decent success with several Golden Globe nominations and featured a young Jodie Foster (who would also be in Taxi Driver that same year, 1976 was a wild year to be Jodie Foster) so remaking it probably seemed like a foolish idea, but it went ahead. The film would star Lindsay Lohan in one of the roles that would go on to define her career and Jamie Lee Curtis in probably one of her most beloved performances outside of a slasher film. Together, they made a little piece of millennial magic. Anyone who was a teenager in 2003 knew this film and loved it on some level. Hell, just play a few notes of Take Me Away and anyone of that specific generation will have flashbacks to Jamie Lee Curtis shredding the guitar solo like she’d been a rockstar for her entire life. It was an undeniable sensation, it was the 20th highest-grossing film of 2003 and is a real fan favourite live action Disney film. It’s actually shocking that it took 22 years for them to make a sequel to it, but now they have… It’s fine.

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leebutler Horror, Mystery, Review

Bring Her Back (2025) – Unnerving

Released: 29th May
Seen: 18th September

2022 was an absolutely incredible year for Horror films, one of the best that we’ve ever had. It was so good that when the time came to make my best of the year list I had no choice but to fill 5 of the top 10 slots with 6 movies (For those wondering how that works out, 2 films tied for one spot… it was a good year, what can I say!), and still had to put two more in Honourable Mentions. One of the horror films I didn’t put on the list that year was a little film called Talk To Me but let me be clear, that film was also one of the best films that was released that year. Talk To Me was an absolutely stunning original horror film that instantly put the Philippou brothers on the map as a pair of young directors to keep an eye on. While they’d had some positive response to their work on YouTube, their debut feature film really opened the floodgates to get them noticed. Of course, doing one great horror film is fine and all, but the real trick comes with the follow-up: Can you pull off the same magic again? Yes, yes they fucking can, in fact, they can go even more insane than they did before.

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leebutler Comedy, Horror, Review, Thriller

Anything That Moves (2025) – Is It Sexual? Yeah!

Released: 14th September
Seen: 14th September

The final film I saw this year at the Sydney Underground Film Festival was chosen pretty much at random. I ran into that situation that I’m sure a lot of people have run into when it comes to film festivals. I bought a set of 5 tickets and used 4 of them for films I was interested in, so the last one was going to be chosen pretty much at random. I want to note that I entered this movie without any prior knowledge or preconceptions about what it would be like. It’s one of those films where the basic description in the booklet made the final choice for me… probably should’ve picked something else, I’m not going to lie.

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leebutler Documentary, Review

Exorcismo: The Transgressive Legacy of Clasificada ‘S’ (2025) – Magnífico

Released: 13th September
Seen: 13th September

One of my weird fascinations is with film rating systems and what can and can’t be shown to certain audiences. The entire strange history of the US’s NC-17 rating is something I will never stop being fascinated by, same with the story of the British Video Nasties and how some horror films were considered so vile that owning a copy was grounds for an arrest. The ways that these ratings have impacted what movies get made or released is something truly worthy of lengthy study so hearing about this kind of censorship from around the world is something I’m eager to learn more about, which is why I’m glad that I got a chance to see Exorcismo: The Transgressive Legacy of Clasificada ‘S’ because it turns out Spain’s history of censorship is as wild as it gets.

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leebutler Documentary, Review

Occupy Cannes (2025) – Tromatic

Released: 31st July
Seen: 13th September

Ever since 1974, Troma has been one of the best-known independent movie companies on the planet. The company responsible for bringing us such treasured films as The Toxic Avenger, Sgt. Kabukiman N.Y.P.D. and Class of Nuke ‘Em High have managed to somehow keep their doors open for 5 decades and counting, through a combination of making quality cheap underground films and just raw determination. They’ve also just been relentless in trying to sell their films, pimping their product like a desperate Girl Scout trying to make quota. One of the many tactics that they’ve used over the years to get their films distributed is to attend the Cannes Film Festival and use guerrilla marketing stunts to get attention, and in the documentary Occupy Cannes, we get to see just how that goes for them.

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leebutler Comedy, Crime, Review

The Pee Pee Poo Poo Man (2025) – Crap

Released: 12th September
Seen: 12th September

This year, I managed to make it to my favourite film festival in the world, the Sydney Underground Film Festival. It’s the kind of film festival that pushes the boundaries of good taste and often surprises me with what it presents. Last year, I didn’t have the time to actually review what I’d seen because of my full-time job, so it’s really nice that this year I can return to reviewing what I went to see this year. This is the third film that I saw there, and when I looked at the schedule of what was on offer, I saw that on the same day there was a perfect pair of films. The first was the documentary on the Butthole Surfers, which I absolutely adored. Within an hour of that film finishing, I would then be able to see a film called The Pee Pee Poo Poo Man… Well, you can imagine my delight at the comedic value of following Butthole Surfing with Pee Pee Poo Poo, that’s too perfect a pair to pass up and with a title like The Pee Pee Poo Poo Man, surely it’ll be some dumb fun to numb the brain with, right? Well… it was dumb, I can definitely call it dumb.

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leebutler Documentary, Review

Butthole Surfers: The Hole Truth And Nothing Butt (2025) – Bodacious

Released: 15th August
Seen: 12th September

In 1996, a song called Pepper made it onto the charts and became somewhat of a hit. While it only barely made it to the top 40 on the mainstream charts, it hit number one on the modern Rock charts, which back then actually meant something. It was at least enough to get you noticed, maybe even get a performance on Letterman. It also didn’t hurt that the band’s name was The Butthole Surfers, a name so immediately iconic that it would go on to be referenced by The Simpsons and remain a punchline for decades to come. Pepper turned The Butthole Surfers into one of those magical acts that can lovingly be called “One Hit Wonder”, which is still a pretty big thing for a lot of young bands… by the time The Butthole Surfers got their one hit, they’d been a pretty popular underground touring band for 15 years with a fascinating history that is presented with great adoration by the film Butthole Surfers: The Hole Truth And Nothing Butt.

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leebutler Comedy, Horror, LGBT, Review

Queens Of The Dead (2025) – Dance Or Die

Released: 11th September
Seen: 11th September

In 1968, the world of cinema changed forever with the release of a little underground horror film with the simple but provocative title of Night Of The Living Dead. To say it changed the world of cinema forever might be an understatement. It revolutionised the Horror genre, presenting a form of violence that hadn’t been put on the screen before. It contains one of the greatest examples of a black main character in horror, was at the start of the independent film boom of the 70s and, of course, essentially created the modern Zombie that everyone has referenced since then.

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leebutler Horror, Review, Thriller

The Long Walk (2025) – Run!

Released: 11th September
Seen: 14th September

In 1979, Stephen King released the book The Long Walk under the pseudonym Richard Bachman (a name he picked partially to avoid saturating the market with King books and partially to test if his success was based on skill). The book was well received like a lot of early King works were and has been named one of the best books for teenage readers by the American Library Association. Like a lot of King books, there have been talks about an adaptation of The Long Walk for years, way back in 1988 it was going to be made by George Romero, but that ultimately fell through. Next up was Frank Darabont, who took a shot in 2007 and then in 2019, one André Øvredal (the man behind Scary Stories to Tell in the Dark) had a go, but none of these versions made it. Finally, someone looked at the content of the books and presumably went, “Hey, this feels kind of like a more fucked up Hunger Games… why don’t we just get the Hunger Games guy?” and so Francis Lawrence was gifted the chance to make The Long Walk… and made one of the best films of 2025.

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