80 For Brady (2023) – Legendarily Average

IMPORTANT NOTE: This piece was written during the 2023 WGA and SAG-AFTRA strikes. Without the labor of the writers and actors currently on strike, the movies being covered here wouldn’t exist.

Released: 27th July
Seen: 5th August

A sad truth about Hollywood is that older actresses tend to get nowhere near as many good roles as they deserve. It’s certainly getting better, last year alone had several great legendary older women turning out some great performances and even getting awards love for it but most of them are being relegated to either side characters or underwhelming grandma roles. Fortunately, there is a slowly growing subgenre of films that video essayist Be Kind Rewind has effectively dubbed Book Club films, which tend to include a group of assorted iconic actresses on a simple little adventure. The downside is that these films don’t really give these legendary actresses much to do beyond just hanging out together and getting a cheque – and in the case of 80 for Brady, four icons are relegated to a barely watchable Super Bowl advertisement.

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Talk To Me (2023) – Give Them A Hand

IMPORTANT NOTE: This piece was written during the 2023 WGA and SAG-AFTRA strikes. Without the labor of the writers and actors currently on strike, the movies being covered here wouldn’t exist.

Released: 27th July
Seen: 5th August

It’s a sad truth that Australian cinema isn’t as popular as it used to be. Sure we had our heyday with films like Priscilla, Strictly Ballroom and Razorback but lately it feels like we’re mostly just a cheap backlot for American films with very few serious hits of our own. So when an Australian film not only manages to score a great opening week at the box office (especially against juggernauts like Barbie) but gets rave reviews that’s cause for celebration, especially because Talk To Me manages to live up to the insane hype that surrounds it.

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The Pope’s Exorcist (2023) – Holy Hell

IMPORTANT NOTE: This piece was written during the 2023 WGA and SAG-AFTRA strikes. Without the labor of the writers and actors currently on strike, the movies being covered here wouldn’t exist.

Released: 6th April
Seen: 24th July

It’s almost a cliche at this point to bring up The Exorcist when talking about a movie featuring exorcism but it’s kind of impossible, some movies are just such a massive part of the cinematic landscape that anyone else touching that subgenre is inevitably going to be compared to them. Horror in particular has this problem a lot, all slasher movies tend to be leaning into templates made by Halloween or Friday the 13th, all Zombie movies are just riffing on Dawn of the Dead and all exorcism movies are basically just The Exorcist with a fresh coat of paint. You can absolutely do new interesting things with the genre, films like The Exorcism of Emily Rose throwing the genre into the courtroom create an interesting take on the genre… or you can just go “Oh but here’s a real person who actually did this job” and then do another version of The Exorcist but without the brilliance that made the 1977 film an absolute legend.

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Mafia Mamma (2023) – Mamma Mia!

Released: 13th April
Seen: 13th July

There are some actors who are so singularly talented that any material they’re given is almost automatically made better just by their involvement, the kind of performer who manages to shine even in absolute garbage. You have some obvious choices, all-time legends like Meryl Streep and Glenn Close are just two examples of people who basically make something great just by being in it. Then there’s Toni Collette, one of the greatest actresses that has ever come out of Australia, a performer who never fails to deliver something incredible and who probably should have at least one Oscar by now (I and many others will never forgive the Academy for snubbing her the year Hereditary came out). She’s truly something special as a performer… so how boring does a film have to be where even Toni Collette can’t make it into anything other than just a dull time?

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Joy Ride (2023) – Joyful

Released: 6th July
Seen: 6th July

When one thinks of the modern road trip movie, there’s a certain image that comes to mind for most audiences. That image is of a group of friends, usually four because that’s how many can easily fit in a standard car but that number can fluctuate, going outside of their normal lives and going on a simple adventure which results in insane shenanigans. This subgenre includes films like Road Trip, Euro Trip, and The Hangover which were insanely popular due to interesting locations, casts with great chemistry, and some decent writing… They were also overwhelmingly white, often using that as a major source of comedy since a bunch of white people in a foreign country and not understanding the customs has been comedy gold for a stunning amount of time.

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Extraction 2 (2023) – Even More Extraction!

Released: 16th June
Seen: 26th June

In the year of our lord 2020, Netflix released something that it doesn’t get to release often… a hit film that people actually watched. That film was Extraction, a powerhouse action flick directed by the stunt coordinator for such films as Avengers: Endgame and the Hunger Games Trilogy, which meant that it was basically designed from the ground up to deliver intense high-caliber action sequences with a somewhat interesting story to hold everything together. At the time the film managed to get 99 million viewers in the first month, it’s currently the 7th most viewed original film on the platform (at least as far as we know because Netflix is cagey about releasing its viewer data) – obviously Netflix was going to make a sequel to one of their biggest hits and so they brought back a few of the original cast, the original director and writing team and said “Go do that again” and sure enough, they went and did it again.

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Elemental (2023) – Elementary

Released: 15th June
Seen: 22nd June

When it comes to releasing quality films, there are very few studios that could be labeled as sure bets. Studios that, more often than not, are somewhat of a marker for quality films. If you’re a horror fan and see Blumhouse, you’ve got a good shot. People who might call themselves Cinephiles perk up seeing A24, Superhero buffs rush to Marvel films, it’s just a fact that some studio markers will get people paying attention and the kings of that in family film for the last few decades have been Disney/Pixar who has basically just released great films non-stop for decades. Even with their most recent releases having trouble at the box office, they’re still making good quality films that capture the imagination and test the limits of the 3D animation software that they use, and with Elemental they’ve absolutely pulled that off again.

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The Flash (2023) – Flash In The Pan

Released: 15th June
Seen: 20th June

The Flash Info

The Flash tells a very complicated story, both on and off-screen (but we’ll get to the off-screen stuff later). The story starts with Barry Allen (Ezra Miller) who is still dealing with the after-effects of being part of the Justice League, basically meaning he has to be on call whenever Bruce Wayne needs backup AKA someone to speedily clean up after his mess. Between those jobs he is doing what Barry Allen always does, calling his father who is in jail for murdering Barry’s mother (a crime he didn’t do) and trying to find evidence to prove his innocence. Somehow, Barry learns that his speed powers can be used to go back in time which means he should be able to go back in time to save his mom’s life… unfortunately, that also means he has somehow changed the world in ways he will have to spend the entire film dealing with.

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Mad Heidi (2023) – Good and Cheesey

Copy provided for review
Seen: 10th June

In 1880, author Johanna Spyri wrote the first book in the Heidi series. The story of a little orphan girl who lived in the Alps was immensely popular, one of the most famous pieces of Swedish literature ever printed and has been adapted to film multiple times over the years. The character of Heidi in particular has this image of innocence that’s so powerful that one of the most famous people to play her in a movie was Shirley Temple and after so many adaptations it becomes harder and harder to find a new angle on how to approach the story of Heidi. However, much like the recent season of Drag Race showed us that there’s a lot of fun in being a demented version of Shirley Temple, Mad Heidi shows off just how much fun it can be to take a character as innocent as Heidi and throw her into the world of glorious 70’s exploitation cinema!

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