Silent Night, Deadly Night (2025) – Gifted

Released: 14th August
Seen: 11th December

In 1984, Silent Night Deadly Night was released right at the height of the slasher boom of the 80s. It was made pretty much for the same reason a lot of horror films were made then, namely “Oh Halloween was popular, so pick a holiday and stick a killer on that date and we can print money” and sure enough they made a silly little horror film for just under a million dollars and expected it to do good business and that was that. What happened instead was that it became one of the biggest controversies of that era, the poster sparked massive protests, and critics tore the film to shreds for the crime of making Santa Claus a murderer. The film was pulled from cinemas due to those protests and in that moment, the protestors inadvertently gave Silent Night Deadly Night a place in horror infamy, which in turn resulted in the franchise becoming a cult hit. It would end up getting four sequels, one of which gave us the legendary “GARBAGE DAY” clip that was a hot meme for a while, and the film was remade back in 2012 because every slasher film got a remake in that era. Now once more it’s time for them to throw an axe in Santa’s hand and see what he does… and this time, it’s actually pretty good!

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Influencers (2025) – Like

Released: 13th December
Seen: 12th December

In 2023, Shudder released Influencer which was immediately a critical hit and got pretty good viewership numbers, at least good enough to warrant making a sequel. Now, at the time I was one of the few who didn’t love the film, I thought it had good ideas but I wasn’t a fan of the execution. Upon a recent rewatch I’ve slightly changed my mind, mostly because the central performance of the character CW grew on me. It still felt a little bit lackluster to me, but it moved to just being generally good so I was hopeful about the sequel… and sure enough, Influencers turned out to be absolutely brilliant.

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The Conjuring: Last Rites (2025) – Uggh

Released: 4th September
Seen: 6th December

Ed and Lorraine Warren were complete and utter con artists whose damage to the people they claimed to help won’t be fully known for years to come. For literally decades they would go from town to town and “investigate” strange goings-on and somehow come to a “scientific” conclusion that this meant they found some form of demon. All the time just a whole mess of demons, it’s never mental illness or epilepsy or strange coincidences… nope, always demons. I’ve said this before, literally verbatim because I copied that opening section from my review of The Conjuring: The Devil Made Me Do It which I still regard as the worst mainline Conjuring movie (The spinoffs are somehow worse, but none fill me with as much actual rage as The Devil Made Me Do It). One might hope that they would stop this franchise at some point, Horror as a genre is in a new era that’s not exactly suited to what The Warren’s and their lies could inspire but nope, we now have The Conjuring: Last Rites and my god, I hope this is the end because even the lies are getting repetitive and dull.

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Frankenstein (2025) – Monsterously Great

Released: 7th November
Seen: 28th November

The story of Frankenstein has been told so many times that, at this point, it’s actually a surprise when a full year goes by without someone attempting to tell their version of the legendary Mary Shelley tale, arguably the first science fiction story. Obviously, cinema’s love of this story began with the 1931 Universal classic by James Whale, but ever since then, it’s a well that people keep plunging their buckets into, hoping to extract something special. Of course, a lot of the time the well feels like it’s run dry because everyone has done every possible thing you could imagine with this character, there shouldn’t be anything new or interesting that could be done with him… but then along comes the legendary Guillermo Del Toro to use his special magic on the story and make it feel fresh once more.

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Good Boy (2025) – Barking Brilliant

Released: 3rd October
Seen: 25th November

Last year, I proclaimed that In A Violent Nature was the best film of the year (a claim I stand by, fight me). Part of what made that film so special was that it took a genre we all know pretty well, that being cheesy hyper-gory slasher films, and changed the perspective that we follow from the perspective of the future victims to the perspective of the slow-moving moving stumbling killer. It was such a simple shift that created a radically brilliant piece of art that kind of defied the rules of the genre by explaining the magic trick behind how they work. That simple idea of shifting the perspective of a story to a character that we don’t normally spend any time with really allows something familiar to feel exciting and new, and can allow for a really creative director to show off just what they can do. Good Boy is that kind of movie, taking a subgenre we know all too well and finding the most unique possible way to explore that genre that I’ve seen in a long damn time.

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Together (2025) – So Happy

Released: 31st July
Seen: 2nd November

Last year, the biggest surprise in cinema was the reaction to a little film called The Substance. Positive critiques by pretty much anyone who saw it, a massive box office hit and perhaps most surprisingly of all, it received nominations in major categories at the Oscars (and, in my view, should’ve at least won Best Actress). All this for a weird body horror film about how Hollywood treats women past a certain age, that kind of film normally would be relegated to the horror superfans circuit because Body Horror in particular is one of the more difficult sub-genres of horror for people to really get into. Maybe, if we’re lucky, The Substance opened up a floodgate to let mainstream Hollywood actors take a crack at weird body horror films, and if Together is any indication, that feels like a real possibility.

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100+ Horror Movies In 92 Days

Every year, on whatever microblogging platform is currently popular (and not overrun by Nazis), there’s a little trend started by @sarahstubbssays. The idea is simple: watch 100 horror movies that you’ve never seen before in 92 days. Back when X was a platform that could be considered mildly usable, I did this but never made the full hundred. This year, not only did I promise myself that I will do the hundred, but I threw in the bonus that I’m going to rank and micro-review every film that I see. Micro-review in this context means roughly 2-3 sentences per film. Hopefully, I won’t babble too much, but it’ll be a fun way to enjoy this lengthy experiment. 

So yeah, here’s over 100 mini reviews of random horror movies in order from worst to best… because why the hell not?

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V/H/S/Halloween (2025) – Anything Can Happen On Halloween

Released: 3rd October
Seen: 5th October

The V/H/S franchise now sits as an astonishing 8-film series of anthology films. Those films have consisted of over 40 shorts made by nearly a dozen directors, some of whom have gone on to make some of the most important Horror films of the last 15 years. It’s an undeniable powerhouse in the horror genre that’s had its highs and lows, but the general rule is as long as the majority of the shorts are good, then that’s all that matters. So this year’s entry, V/H/S/Halloween takes the central concept of films shot with VHS cameras and makes every one of the shorts revolve around Halloween, which is a nice, simple way to link everything up. Do they work? Well, as I do every time, we’re going to go short by short.

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Until Dawn (2025) – Glitchy

Released: 25th April
Seen: 3rd October

In 2015, the video game Until Dawn was released on PlayStation. It was a major hit almost instantly, the game being mostly story based, where the player would have to essentially keep a cabin full of teenagers alive for a single night while assorted creatures tried to kill them. The central gimmick of the game was a system that allowed the players choices to make a difference in the ending (AKA you pick up a certain book and it might lead to a specific character living that would die in any other playthrough), It was enough of a hit that it spawned a few spin offs and even recently got a full remake for the newest console. It’s the kind of game that was pretty much destined to get a film adaptation at some point and now it has one, it just doesn’t work like you would hope.

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Peter Pan’s Neverland Nightmare (2025) – You Can Fly

Released: 27th Feburary
Seen: 1st October

The Twisted Childhood Universe is the name given to the movie franchise that’s slowly being created which takes public domain fairy tale characters and turns them into horror movies. It’s a universe brought to you by the Winnie the Pooh: Blood and Honey people and when they first announced that this was a thing they were doing, the internet collectively groaned because the idea sounded painful and we had all suffered through the first movie which was a steaming heap of garbage. Then they released Blood and Honey 2, a marked improvement on the original that proved the actual potential of this stupid concept. Of course those were still early test films, they were banking off the Winnie the Pooh as a killer idea and we didn’t have much information about how the full Poohniverse (The other nickname given to this universe) would fare… Well, now the first film that isn’t about the bear of very little brain has come out and folks, this might actually turn out OK.

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