Right now we are going through a bit of a golden era for representation in TV and movies, particularly for members of the LGBTQIA+ community. While the numbers still aren’t fantastic, there’s a noted increase in films that feature characters who are from that community actually played by actors from that community, trans actors playing trans characters are a thing that’s happening more frequently and it’s a glorious thing to see.
Two years ago the world stared in genuine shock and awe as the atrocious rape-romanticisation known as 365 Days was unleashed onto an unsuspecting public. It was, and remains, one of the worst films of the last 10 years with atrocious dialogue, performances, plot and just about everything else that one could imagine.
Recently one of the big discourses around cinema has been the idea that superhero movies are destroying cinema. The idea is that they’re all the same and overwhelming the market, every movie nowadays wants to be just like them so we don’t get anything new or exciting. Respectfully, that feels like a case of hating the popular thing just because it’s popular. As someone who sits through hundreds of films a year for this blog, maybe half a dozen of them are superhero films and if anything, they’re a nice respite because they’re usually at least entertaining enough that it’s a few hours enjoyably spent.
No, you want to know what the real death of cinema looks like? It looks like yet another bland boring romance movie starring a pair of attractive people who can just barely get lines of dialogue out playing boring cliche characters with minimal chemistry (if any) who regurgitate the exact same romance plot we’ve seen a thousand times over… anyway, let’s talk about Purple Hearts
Every now and then a film comes out that I lovingly refer to as the “Nana Movie”, a film that’s clearly aimed for an audience of senior citizens that has middling stakes, a couple of charming performances and often is set in a little village in the middle of England or Scotland. They’re never really that great or memorable but they’re sit in that space where you’re comfortable taking your nan to see them because you’ll all be a little charmed and have a nice evening out before going for a bit of tea at whatever place near the cinema serves tea. The Nana Movie, it’s a thing… and Falling for Figaro is almost a perfect example of the Nana movie, albeit an example that’s very flawed.
Fire Island is a little island just off the coast of Long Island in the state of New York and for decades now it’s been known as a gay hotspot. This little stretch of land is legendary in the gay community for its tea dances (afternoon teas designed for single gay men to meet up in the days when homosexuality was illegal) and its wild nightlife. If there is a long-running show that features gay characters, the odds are good that they will at some point mention Fire Island. Honestly the fact that it’s taken until now for a significant gay comedy that takes place on Fire Island is kind of astounding in itself but now we have one and it’s delightful.
In 2020 Jennifer Lopez was robbed, one of the biggest robberies in recent years which we shall not be getting over any time soon… that robbery was, as they often are, perpetrated by the Oscars who denied her a nomination for her absolutely jaw-dropping performance in Hustlers. It was a shocker to everyone that she was snubbed, she was one of the people everyone just assumed were going to be nominated but for some reason, she wasn’t. Still, it was enough for people to really see just what Jennifer could do when given a chance and people were hopeful that her next big film might be able to get her the award she should’ve had 2 years ago… she then made Marry Me, a film that’s basically fine but isn’t going to be getting any awards any time soon.
The year was 2020, we were deep into the horrors of the pandemic and thus desperate for things to keep us entertained since everything was shutting down, which is how a film like 365 Days was able to get dropped on Netflix and become a massive hit on the service… now, granted, everyone could readily admit that the film was a giant piece of shit and was openly mocking how awful it was every chance possible but that didn’t change the fact that it was a monster hit.
It was critically savaged and called out for being a romanticisation of rape that was a poorly filmed/acted/written/scored piece of garbage… and that’s just from my own personal description of it when I gave it the top spot on my worst of 2020 list.
Tammy Faye Bakker is one of the more fascinating figures in televangelist history. When one thinks of televangelists you tend to think of the fire and brimstone preachers, the prosperity gospel peddlers and those who use their bully pulpit in order to bully those who God would’ve actually commanded them to love… Tammy wasn’t like that. Tammy was kind, loving and had a fondness for waterproof mascara.
She was energetic, full of joy that emanated from deep down in her soul and was a bit of a rebel… by that I mean she was one of the first people with a big platform during the 80s who not only sided with the LGBT community during the AIDS crisis but she was noted for trying to convert Christians onto a path of love for those who needed it. She was an angel, and The Eyes Of Tammy Faye does a pretty good job of telling her complicated life story.
In 1897, playwright Edmond Rostand wrote Cyrano de Bergerac which would supposedly tell the life story of the real Savinien de Cyrano de Bergerac. This play has been adapted several times since its creation, not only straight forward adaptations but even inspiring films such as The Ugly Truth or Sierra Burgess Is A Loser. Throughout the years there have also been several attempts to adapt this play into a stage musical, including one in 2019 that starred Peter Dinklage in the title role. It’s that adaptation that was turned into Cyrano, a film that was stunningly only nominated for one Oscar this year (but we’ll get to why that’s stunning in a little bit).
NOTE: Here is my review from Soda & Telepaths that was posted back on October 23, 2020
A Ghost Waits is a low budget horror rom-com that follows a simple house cleaner named Jack (MacLeod Andrews) who has been given the job of cleaning up an abandoned house. He’s heard that this house keeps losing tenants for some reason and part of his job is to make sure everything is up to code since maybe the tenants keep leaving because the heating doesn’t work or they found structural damage and just split. Turns out there’s no real structural damage to the building… however, there is a ghost named Muriel (Natalie Walker) and she is as terrible as all Muriel’s are and her job is to scare anyone out of the house that Jack is cleaning. What follows is one of the weirdest love stories in recent years.