Butthole Surfers: The Hole Truth And Nothing Butt (2025) – Bodacious

Released: 15th August
Seen: 12th September

In 1996, a song called Pepper made it onto the charts and became somewhat of a hit. While it only barely made it to the top 40 on the mainstream charts, it hit number one on the modern Rock charts, which back then actually meant something. It was at least enough to get you noticed, maybe even get a performance on Letterman. It also didn’t hurt that the band’s name was The Butthole Surfers, a name so immediately iconic that it would go on to be referenced by The Simpsons and remain a punchline for decades to come. Pepper turned The Butthole Surfers into one of those magical acts that can lovingly be called “One Hit Wonder”, which is still a pretty big thing for a lot of young bands… by the time The Butthole Surfers got their one hit, they’d been a pretty popular underground touring band for 15 years with a fascinating history that is presented with great adoration by the film Butthole Surfers: The Hole Truth And Nothing Butt.

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Better Man (2024) – A Different Man

Released: 26th December 2024
Seen: 24th February 2025

Biopics in general have never been my thing, mostly because they’re pretty much all the same. A performer gets famous, does a lot of drugs, pisses off a lot of people before finally pulling through and becoming the superstar that was worthy of making a biopic about. It’s all the same and only ever becomes interesting based on the lead actor’s performance. It’s such a predictable formula you can almost guess what song will be performed after each drug-taking montage if you know enough of the main musician’s hit songs. The only biopic in recent memory that was actually good enough to make me enjoy it would be Rocketman which took the life of Elton John and turned it into a lavish musical that ignored the constraints of linear time to present the story of Elton’s life. I’ve been genuinely waiting for someone to look at that movie and steal what made it work to see if it could be replicated, imagine my surprise when Take That bad boy Robbie Williams did that exact thing and threw in a CGI monkey just for the fucking hell of it.

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Maria (2025) – Ave Maria

Released: 30th January
Seen: 15th February

The world of opera is one that this reviewer is not exactly well versed in, to put it mildly. The number of operas that I’ve seen could be counted on one hand and it’s literally only the Jerry Springer Opera so it’s not like that counts for anything. This is to say that I, and possibly most non-Opera fans, have no idea who Maria Callas is or what about her would make her such an important figure to be worthy of a biopic. Sure you can take a look at her Wikipedia and see her referred to as “The Bible of Opera” but without knowing her it means you effectively have to go in blind and learn about her as the film progresses… on some levels, Maria is a fascinating way to get to know this performer and makes you want to know even more. On other levels, it makes it hard to get to know this woman.

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Maestro (2023) – Play Me Off

Released: 20th December 2023
Seen: 15th January 2024

With the Oscar nominations being announced just a few days ago, the time has come to tackle the annual tradition of playing catch-up on every nominated film that I somehow managed to miss throughout the year. Sometimes a film just isn’t released down here before the nominations (That’s happening with over a dozen films that I could see), sometimes a film is released but falls past the radar of must-see (how the hell was I meant to know that The Creator would be an Oscar nominee) and sometimes a film just seems like it’s going to be something I’m going to hate trying to review and because this is an unpaid hobby I avoid it until absolutely required… my dislike of biopics put Maestro firmly in that category and while I can admit it’s great, it’s still not my cup of tea.

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Weird: The Al Yankovich Story (2022) – Now You Know

Released: 4th November
Seen: 6th November

If there is any genre that would be on my dislike pile it would be the biopic, after all despite each one being about a very different artist, they all end up being the same. A traumatic childhood, hard-fought battle to get a recording contract, a surprise hit, lots of drugs, more hits, more drugs, more hits while doing more drugs culminating in a massive meltdown during a very important concert and redemption set to the tune of one of the most famous songs of that performer’s career.

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Torn Hearts (2022) – Whatever Happened To Peg Bundy?

Released: 8th September
Seen: 2nd November

Torn Hearts Info

In 1962, Joan Crawford and Bette Davis starred in the surprising late career hit What Ever Happened to Baby Jane? which was a touchstone in both of their careers and also inadvertently created a new subgenre known as Hagsploitation, or Grande Dame Guignol. The genre itself revolved around older female actresses playing characters who used to be glamorous stars but have turned into mentally unstable recluses who occasionally do a little bit of murder.

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Purple Hearts (2022) – Dishonourable Discharge

Released: 29th July
Seen: 17th August

Recently one of the big discourses around cinema has been the idea that superhero movies are destroying cinema. The idea is that they’re all the same and overwhelming the market, every movie nowadays wants to be just like them so we don’t get anything new or exciting. Respectfully, that feels like a case of hating the popular thing just because it’s popular. As someone who sits through hundreds of films a year for this blog, maybe half a dozen of them are superhero films and if anything, they’re a nice respite because they’re usually at least entertaining enough that it’s a few hours enjoyably spent.

No, you want to know what the real death of cinema looks like? It looks like yet another bland boring romance movie starring a pair of attractive people who can just barely get lines of dialogue out playing boring cliche characters with minimal chemistry (if any) who regurgitate the exact same romance plot we’ve seen a thousand times over… anyway, let’s talk about Purple Hearts

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Elvis (2022) – Set My Soul On Fire

Released: 23rd June
Seen: 12th July

Elvis Info

For years now there has been a conspiracy theory that Elvis Presley isn’t dead. The story goes that Elvis grew tired of fame and of his exhausting schedule and so he faked his own death and went off to live as a normal person. People claim to see him in coffee shops, he works in a little cafe in the middle of the desert, people just see Elvis all the time. I have never subscribed to this theory, I firmly believed for years that Elvis Aaron Presley died on August 16,1977 in his home in Memphis… now I might have to question that because Austin Butler might just be the pseudonym that Elvis chose to perform under one last time.

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Studio 666 (2022) – Hail Satin

Released: 24th February
Seen: 3rd July

Studio 666 Info

During the course of the pandemic (because we’re currently pretending to be over the pandemic despite thousands upon thousands of new cases popping up every single day) a lot of artists have had to get innovative with what they could do in order to be creative. Some embraced the online world in new ways by doing internet shows, some decided to basically use the time as a forced vacation and others decided to just try something completely new and out there because what the hell else were they going to do? The Foo Fighters decided to take that third route shortly after completing their 10th album Medicine at Midnight by making a feature film… a strange little horror-comedy called Studio 666.

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Marry Me (2022) – A Little

Released: 10th February
Seen: 23rd May

Marry Me Info

In 2020 Jennifer Lopez was robbed, one of the biggest robberies in recent years which we shall not be getting over any time soon… that robbery was, as they often are, perpetrated by the Oscars who denied her a nomination for her absolutely jaw-dropping performance in Hustlers. It was a shocker to everyone that she was snubbed, she was one of the people everyone just assumed were going to be nominated but for some reason, she wasn’t. Still, it was enough for people to really see just what Jennifer could do when given a chance and people were hopeful that her next big film might be able to get her the award she should’ve had 2 years ago… she then made Marry Me, a film that’s basically fine but isn’t going to be getting any awards any time soon.

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