leebutler Review, Thriller

Hurry Up Tomorrow (2025) – Go Away Now

Released: 15th May
Seen: 2nd December

In 2023, Abel “The Weeknd” Tesfaye decided to try his hand at acting with the miniseries The Idol and the reviews for that series were absolutely scathing on a level that very few shows could get. It had an infamously bad production history, and every episode was met with brutal vitriol as it became apparent to everyone paying even a little bit of attention that Abel was not a good actor. Honestly, the reviews were so bad that it seemed like it should stop him from ever being asked back to try and do anything even close to acting again… but alas, lessons were not learned and someone decided to give him a movie where he confirms he can’t act and his co-stars prove that even their incredible talents can’t save this crap.

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leebutler Action, Comedy, Review

Fight or Flight (2025) – Gloriously Silly

Released: 4th September
Seen: 1st December

In 2022, a little film called Bullet Train came out that asked the logical question, “What would happen if you put Brad Pitt on a Japanese bullet train full of assassins?” The answer was a pretty fun movie with a lot of wild over-the-top cartoon characters, a lot of inventive action scenes with stunts by a guy who did a lot of Marvel work and the director of Atomic Blonde and Deadpool 2. It was the kind of film that was just balls to the wall fun, at times those balls made their way through the wall because they were slammed against it with such velocity. It was also a pretty big hit, and like a lot of big hits, it’s almost required for someone to try and make a knockoff version of it. Enter Fight or Flight, which takes Brad Pitt and replaces him with Josh Hartnett and jams some wings on the train to turn it into a plane. With that, you have another pretty damn fun movie.

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leebutler Action, Comedy

Playdate (2025) – Detention

Released: 12th November
Seen: 30th November

Sometimes a film just rubs you the wrong way and it’s really hard to explain why. Sometimes there is just something about the tone and performances in any given film that, for some reason, triggers something deep in the hate-filled portion of your brain that makes you want to scream in anger and yet it’s hard to fully pinpoint what it is about that film that gets you going. This is a problem for someone reviewing a film that has this kind of issue happen because the entire point of a review is to pinpoint what exactly it is about a film that does or doesn’t work and explain that in a way that can be understood… but here we are, Playdate just seemed to rub me the wrong way and now I’m going to spend the better part of a few paragraphs trying to put my finger on what its problem is because “It sucks” is just not good enough an explanation, even though it does absolutely suck.

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leebutler Comedy, Crime, Review, Thriller

Caught Stealing (2025) – Steals The Show

Released: 28th August
Seen: 30th November

Darren Aronofsky is the kind of director who seems to revel in polarising the audience, in making a film that’s going to get an extreme reaction no matter if it’s positive or negative. There aren’t really any films in his catalogue you could say are just good or well-liked; you either love his stuff or hate it. In recent years, even though I’ll admit he’s obscenely talented, I just wasn’t into his work on films like Mother! Or The Whale, but in the past, he’s delivered truly breathtaking work like Black Swan so undoubtedly there was a chance that he was going to win me back at some point with one of his works. It feels like Caught Stealing seems to be the first time that Darren has tried to make a film with a strong mass appeal (hilarious to say in retrospect since it bombed at the box office), and honestly, it’s just a damn good time.

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leebutler Action, Comedy, Crime, Review, Thriller

Nobody 2 (2025) – Fun

Released: 17th October
Seen: 29th November

In 2021, a little film called Nobody was released to the public. The film could be basically described as a mass-appeal suburban version of John Wick, filled with some truly incredible action sequences, a captivating lead performance by Bob Odenkirk and enough charm to elevate the already excellent material. It was a genuinely glorious little film that easily was one of the best of 2021 (and while being a good film in 2021 was a low bar because of how that year was still a pandemic recovery year for the movies, believe me when I say that Nobody was still genuinely fantastic). It was the kind of film that seemed like it was destined to be a franchise and deserved a sequel just to see what this little family did now that their father’s clandestine history had been revealed. Well, in Nobody 2, the Mansell family decide that the way they’re going to handle things is by going on a summer vacation… it will go exactly as expected.

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leebutler Action, Crime, Comedy, Review

The Naked Gun (2025) – Surprising

Released: 21st August
Seen: 27th November

In the world of spoof comedies, one of the biggest franchises to ever grace the genre is the Naked Gun franchise. Based on the TV series Police Squad that was cancelled after a single season, Naked Gun was a massive cultural touchstone that spawned several sequels and is really the point where Leslie Nielsen went from serious actor to comedic legend (Yes he did Airplane! before this but you can literally look at his filmography and see that he pretty much never touches a serious film after Naked Gun). Of course the last film in the Naked Gun franchise was a little over 30 years ago now, Leslie has been gone for 15 so the idea of reviving the franchise is one that really shouldn’t have made it past the concept stage but somehow a new Naked Gun movie ended up being made and, to the shock of everyone, it’s actually really good.

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leebutler Horror, Review, Thriller

Good Boy (2025) – Barking Brilliant

Released: 3rd October
Seen: 25th November

Last year, I proclaimed that In A Violent Nature was the best film of the year (a claim I stand by, fight me). Part of what made that film so special was that it took a genre we all know pretty well, that being cheesy hyper-gory slasher films, and changed the perspective that we follow from the perspective of the future victims to the perspective of the slow-moving moving stumbling killer. It was such a simple shift that created a radically brilliant piece of art that kind of defied the rules of the genre by explaining the magic trick behind how they work. That simple idea of shifting the perspective of a story to a character that we don’t normally spend any time with really allows something familiar to feel exciting and new, and can allow for a really creative director to show off just what they can do. Good Boy is that kind of movie, taking a subgenre we know all too well and finding the most unique possible way to explore that genre that I’ve seen in a long damn time.

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leebutler Documentary, Review

The Perfect Neighbor (2025) – Everybody Needs Good Neighbours

Released: 17th October
Seen: 4th November

On June 2nd 2023, Police were called to a street in Ocala, Florida to respond to an alleged disturbance call. Susan Louise Lorincz called them to report that a couple of kids were being loud near her house and creating a nuisance, a call she had made multiple times in the past for all kinds of issues that largely revolved around those kids just playing in the street or in the open field near her house (a field she did not have any ownership of). Susan was informed that police were on their way… 2 minutes after she hung up, Susan would be calling the police back to inform them that she had just shot her neighbour, Ajike Owens, who was the mother of one of the children that Susan regularly had run-ins with. Ajike would not survive the shooting and the circumstances that led to this horrific event are the subject of the documentary The Perfect Neighbor

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leebutler Comedy, Review

Oh, Hi (2025) – Nice To Watch You

Released: 25th July
Seen: 2nd November

One of my personal favourite film performances in cinema history is by Glenn Close in the movie Fatal Attraction. The story of a woman who has a one-night stand with a married man who then goes absolutely insane and basically tears his life apart because she refuses to be ignored is captivating and that performance has stuck with me since the moment I first saw it. Indeed the entire genre of a scorned lover seeking revenge on their partner is so wickedly fascinating that any time you have a couple breaking up and one of them deciding to make sure the other knows how much it hurts, I am there with a beaming excited grin so you can imagine my joy reading the plot of Oh, Hi and expecting a modern take on the idea. Well, if this is the modern take… ok, it’s fine, I guess I don’t need to see any boiled bunnies, but something of that level would be nice.

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leebutler Horror, Review, Romance

Together (2025) – So Happy

Released: 31st July
Seen: 2nd November

Last year, the biggest surprise in cinema was the reaction to a little film called The Substance. Positive critiques by pretty much anyone who saw it, a massive box office hit and perhaps most surprisingly of all, it received nominations in major categories at the Oscars (and, in my view, should’ve at least won Best Actress). All this for a weird body horror film about how Hollywood treats women past a certain age, that kind of film normally would be relegated to the horror superfans circuit because Body Horror in particular is one of the more difficult sub-genres of horror for people to really get into. Maybe, if we’re lucky, The Substance opened up a floodgate to let mainstream Hollywood actors take a crack at weird body horror films, and if Together is any indication, that feels like a real possibility.

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