leebutler Horror, Review

Silent Night, Deadly Night (2025) – Gifted

Released: 14th August
Seen: 11th December

In 1984, Silent Night Deadly Night was released right at the height of the slasher boom of the 80s. It was made pretty much for the same reason a lot of horror films were made then, namely “Oh Halloween was popular, so pick a holiday and stick a killer on that date and we can print money” and sure enough they made a silly little horror film for just under a million dollars and expected it to do good business and that was that. What happened instead was that it became one of the biggest controversies of that era, the poster sparked massive protests, and critics tore the film to shreds for the crime of making Santa Claus a murderer. The film was pulled from cinemas due to those protests and in that moment, the protestors inadvertently gave Silent Night Deadly Night a place in horror infamy, which in turn resulted in the franchise becoming a cult hit. It would end up getting four sequels, one of which gave us the legendary “GARBAGE DAY” clip that was a hot meme for a while, and the film was remade back in 2012 because every slasher film got a remake in that era. Now once more it’s time for them to throw an axe in Santa’s hand and see what he does… and this time, it’s actually pretty good!

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leebutler Uncategorized

Five Nights At Freddy’s 2 (2025) – Upgrade

Released: 4th December
Seen: 4th December

In 2023, the long-awaited movie adaptation of Five Nights at Freddy’s came out to a pretty harsh critical reaction (myself included, I was not the biggest fan of it for a myriad of reasons) and a box office take that most films would kill to get. It was truly a sensation, bringing in about 300 million on a 20 million budget which makes sense because this franchise is basically review-proof. That’s the kind of return on investment that guarantees a sequel. It was inevitable that one was going to come out and probably quickly and sure enough, here we are with the second film, and to give the filmmakers credit, they seem to have paid attention to the problems that people had with the first one and have vastly improved things. 

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leebutler Horror

100+ Horror Movies In 92 Days

Every year, on whatever microblogging platform is currently popular (and not overrun by Nazis), there’s a little trend started by @sarahstubbssays. The idea is simple: watch 100 horror movies that you’ve never seen before in 92 days. Back when X was a platform that could be considered mildly usable, I did this but never made the full hundred. This year, not only did I promise myself that I will do the hundred, but I threw in the bonus that I’m going to rank and micro-review every film that I see. Micro-review in this context means roughly 2-3 sentences per film. Hopefully, I won’t babble too much, but it’ll be a fun way to enjoy this lengthy experiment. 

So yeah, here’s over 100 mini reviews of random horror movies in order from worst to best… because why the hell not?

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leebutler Horror, Review

V/H/S/Halloween (2025) – Anything Can Happen On Halloween

Released: 3rd October
Seen: 5th October

The V/H/S franchise now sits as an astonishing 8-film series of anthology films. Those films have consisted of over 40 shorts made by nearly a dozen directors, some of whom have gone on to make some of the most important Horror films of the last 15 years. It’s an undeniable powerhouse in the horror genre that’s had its highs and lows, but the general rule is as long as the majority of the shorts are good, then that’s all that matters. So this year’s entry, V/H/S/Halloween takes the central concept of films shot with VHS cameras and makes every one of the shorts revolve around Halloween, which is a nice, simple way to link everything up. Do they work? Well, as I do every time, we’re going to go short by short.

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leebutler Comedy, Horror, LGBT, Review

Queens Of The Dead (2025) – Dance Or Die

Released: 11th September
Seen: 11th September

In 1968, the world of cinema changed forever with the release of a little underground horror film with the simple but provocative title of Night Of The Living Dead. To say it changed the world of cinema forever might be an understatement. It revolutionised the Horror genre, presenting a form of violence that hadn’t been put on the screen before. It contains one of the greatest examples of a black main character in horror, was at the start of the independent film boom of the 70s and, of course, essentially created the modern Zombie that everyone has referenced since then.

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leebutler Comedy, Horror, Review

Screamboat (2025) – Oh Boy!

Released: 2nd April
Seen: 26th May

On the 28th of December last year, I subjected myself to the absolutely horrific piece of garbage known as The Mouse Trap which had the distinct honour of being the first horror film to take advantage of the fact that Steamboat Willie entered the public domain. That film was so god awful that it made it to the top of my worst of the year list, an honour it would’ve gotten even if last year was a normal year for me where there were 10 films on such a list. It was a truly putrid film that was the perfect example of a film made to cheaply cash in on something being public domain. No cleverness, no joy, just a shitty generic slasher with a Mickey Mouse mask on because you could legally get away with it. At the end of my review of that “film” I pointed out that the next film that was going to play with the idea of Mickey Mouse as a killer would be called Screamboat and all I wanted was for it to be somewhat better than The Mouse Trap was…well, Screamboat is the exact film I was hoping for when I heard that they were making a horror movie about Steamboat Willie.

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leebutler Horror, Mystery, Netflix, Review, Thriller

Fear Street: Prom Queen (2025) – Down With Prom

Released: 23rd May
Seen: 24th May

In 2021, a horror film event happened that really showed the potential for what could be done with a streaming platform that wanted people to notice what it was releasing. Over the course of three weeks Netflix released the Fear Street Trilogy, a set of horror films inspired by the R.L. Stine books that all took place in different time periods, played around in different eras of the horror/slasher genre, and all connected to create a grand overarching story. It was dark, twisted, queer and just a ton of fun. I even named the entire trilogy as one of the best films of 2021, which is a choice I stand by because every single entry did something truly great within the slasher genre. They were films that understood what makes the genre fun and their success as an event pretty much guaranteed that there was going to be more. When they announced that we were going to get a new entry with the subtitle Prom Queen, this reviewer was excited at the prospect… never be excited about things, it leads to disappointment.

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leebutler Uncategorized

Why Do Horror Movies Keep Using The Word ‘Final’ When They Aren’t Actually Final?

Uploaded to MoviePilot July 21st 2017

Today I stumbled upon a trailer for one of the horror genre’s greatest icons latest films, a film series that revolutionized the genre of horror. I must say that it warmed my heart to see that familiar face popping up on my screen. I’m of course referring to Jigsaw, the latest offering from the Saw series. You remember Saw right? That’s the movie franchise about the guy who put people in traps and used Satan’s Pinocchio to terrify people when he rode in on a tricycle. Oh yeah, it was so nice seeing him again… why am I seeing him again? They told us he was over with last time.

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Do you remember this Horror Movies? Cos I do

They’ve told us this a lot of times over the years. It seems that every other year they’ll tell us that something is the dramatic conclusion to an epic story they’ve been weaving over seven sequels (including the one in space, which was totally a legit sequel and not at all just the studio running out of ideas and desperate to keep the franchise active) and then a few years pass and suddenly the word ‘Final’ doesn’t actually mean ‘Final’ anymore because they bring back the franchise they told us was over. Maybe it’s just me, maybe I’m weird like this, but I like words to mean the things that they actually mean.

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