Mickey 17 (2025) – Hey Mickey

Released: 6th March
Seen: 23rd March

Mickey 17 Info Image

Directed and Written By - Bong Joon Ho

Starring - Robert Pattinson, Naomi Ackie, Mark Ruffalo, Toni Collette, Steven Yeun

In 2020, the Oscars did something genuinely cool. For the first time in the history of the ceremony, a non-English language film won Best Picture, a moment that might be the last actually good thing to happen in 2020. The film in question, Parasite, took home four awards that night for Screenplay, Directing, International film and Best Picture. The director, Bong Joon ho, instantly became a major player and whatever film he made after Parasite was going to be a big deal so we all waited for over half a decade for his next big feature film. That film has finally come out after half a decade and as expected, Bong Joon Ho has delivered something truly spectacular in his latest work, Mickey 17.

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Stowaway (2021) – Smart-ish Sci Fi

Released: 22nd April
Seen: 26th April

Stowaway Info

Space, the final frontier. A place that very few have ever gone and a perfect location for a film about people stranded in the middle of nowhere. It’s a popular filming location and can be used for high drama (Apollo 11), horror (Alien) or even goofy ass stupidity that is more enjoyable than it has any right to be (Jason X). Of course, sometimes you can go for a high drama and end up somewhere a little closer to stupid but enjoyable… oh, hi Stowaway.

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Velvet Buzzsaw (2019) – Did Somebody Mention Art?

Released: 1st February
Seen: 1st February

Velvet Chainsaw Info.png

 

According to Urban Dictionary, the term “Velvet Buzzsaw” is a term with two possible meanings. The first one is a slang term for vagina (Which the dictionary itself uses in the sentence “As the conversation became sexually charged, she could feel her Velvet Buzzsaw begin to hum”). The second being an extreme oral sex technique where the male essentially motorboats the aforementioned vagina, meaning it’s theoretically possible to Velvet Chainsaw a Velvet Chainsaw. Interestingly, both these meanings of the term predate the conception of this movie by decades and neither one really has anything to do with the actual content of the film. It’s a vulgar title that elicits an image that the film itself chooses not to use; it merely refers to it when one female character explains that she used to take that on as a name in a moment that implies it reflects on her past. It’s a nickname that links her to female art groups like Pussy Riot, an artist group that intentionally chose a name that suggests sexuality in order to gain attention so that their message can be heard.  Now, I bring all this up to show you the disconnect between this film and the very idea it’s trying to explore… that art critique done for the purposes of profit is a crime worthy of the death of the critic and all those who might profit from their work. This idea makes this a fun film to try and talk about, but let’s see what happens.

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