Mickey 17 (2025) – Hey Mickey

Released: 6th March
Seen: 23rd March

Mickey 17 Info Image

Directed and Written By - Bong Joon Ho

Starring - Robert Pattinson, Naomi Ackie, Mark Ruffalo, Toni Collette, Steven Yeun

In 2020, the Oscars did something genuinely cool. For the first time in the history of the ceremony, a non-English language film won Best Picture, a moment that might be the last actually good thing to happen in 2020. The film in question, Parasite, took home four awards that night for Screenplay, Directing, International film and Best Picture. The director, Bong Joon ho, instantly became a major player and whatever film he made after Parasite was going to be a big deal so we all waited for over half a decade for his next big feature film. That film has finally come out after half a decade and as expected, Bong Joon Ho has delivered something truly spectacular in his latest work, Mickey 17.

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Best Performances of 2020

2020 has been the year of never ending badness, that would be the mildest statement one could make about this year. In general, it’s been a total shitshow with very few moments of happiness… so this year seems like a perfect time to start a new tradition on this blog, because why the hell not? It means I have fresh New Year’s content and that’s always nice to have fresh content so this is me saying what I felt the best performances of the year were.

Well, I say “Best” but much like with the best films of the year list, ‘BEST” in this context really means “Performances that I liked the most”. Maybe they weren’t in the best films, some of them might actually be in pretty bad films, but they’re the kind of performances that make you want to watch any film… and this is a top 20, because it’s my blog and I can do that sort of thing!

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The Devil All the Time (2020) – The Devil Went Down To Ohio

Released: 11th September
Seen: 18th September

The Devil All the Time Info

In 2011, the novel The Devil All the Time was released and was instantly showered with awards and praise. Written by Donald Ray Pollock as a follow up to his book Knockemstiff, it was a big enough hit that, inevitably, the rights to the book were bought and a film adaptation was announced way back in 2018. Well, now we are here two years later and what did they make? They made… a film. A film with two great performances that is a film, it’s not much more than that.

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The Lighthouse (2020) – You Light Up My Life

Released: 6th February
Seen: 3rd September

The Lighthouse Info

Back in February, in the before times when we had hope that this year wouldn’t be a total garbage fire, I wrote up a list of Oscar predictions. This was way back in the before times when Parasite winning a bunch of awards felt like it was a sign that this year wasn’t going to be a constantly depressing mess. In that prediction post, between my complaining about snubs and my general apathy because I expected the ceremony to be safe and bland, in the Best Cinematography category I brought up The Lighthouse. While I hadn’t seen it because it was released the day before I posted that prediction list, I was confident that a black and white film shot like an old 30s flick might make the Oscar voters have a shattering climax. Well, it’s now about 6 months later, I’ve been basically stuck at home for a very very long time and going quite mad so a film about two lighthouse keepers slowly losing their minds feels depressingly appropriate.

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Tenet (2020) – Discount Inception

Released: 26th August
Seen: 22th August (Advance screening)

Tenet Info

2020 is the year that the act of going to a cinema became a distant memory. Something we did in the before times when the world wasn’t battling against one of the worst plagues we’ve ever had with the worst leadership imaginable helping to make it considerably worse. Throughout this year we’ve seen film after film push back to next year when, hopefully, we’ll be able to go outside without any fear again. One film that refused to push back till next year, or bite the bullet and go to VOD, was Tenet. Christopher Nolan absolutely insisted that his film be seen in a cinema no matter what, adamant that this film be the one to get people back to the cinema. Now that it’s come out, I can honestly say that while it’s good it probably didn’t NEED to be the first thing in cinemas.

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