Nosferatu – Movie Meister Reviews

Every year on this blog I talk about the Oscar nominees and the potential winners in each category. It’s the reason this blog exists and it’s a fun thing to do around this time of year, even when (thanks to a real-world job that takes a lot of my time) I’ve missed a few of the bigger films that got a bunch of nominations. I still can look at some of the bigger trends and have a guess about how the ceremony is going to go… it also doesn’t help that, as usual, some of these films are incredibly hard to find in Australia in a way that I can legally see them at a convenient time. So, here are my predictions for what will win, what should win and the wild card choice that might sneak in at the last minute.

Besides, if the members of the Academy can vote for movies to win the award without ever watching them, I can predict what they’re going to do without seeing everything.

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Released: 1st January
Seen: 3rd February

The 1922 film Nosferatu: A Symphony Of Horror feels like some kind of miracle, namely that we still have access to the film at all. Made in Germany as an unofficial adaptation of the Dracula novel, the original film was the subject of a copyright lawsuit brought on by Bram Stroker’s widow and all copies were supposed to be destroyed by fire. Somehow, a few copies of the film managed to survive and would soon be circulated around the world where it would become not only a cinematic classic but one of the most influential horror films of all time. People have referenced Nosferatu for almost a century now, the infamous shot of Count Orlock’s shadow against the wall with his fingers stretched out alone has been copied by more films than one would dare count and so many vampire films have copied the visual appearance of Count Orlok to some degree. It’s a film that has influenced many and even been the subject of a few remakes, including this remake by Robert Eggers which manages to take the classic material and elevate it in a way only Eggers can.

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