Locked (2025) – Open Up

Released: 21st March
Seen: 30th May

A kind of story that we just don’t get enough of in cinema nowadays is “Person confined in a single space we almost never leave” Buried is a pretty great example of this kind of film, a film that takes place entirely in the confines of a coffin with someone buried alive inside it. It’s a deceptively simple idea but works really well in practice. It’s also remarkably cheap, the biggest expense being the lead actor you put in the single location and if done well it can be truly spectacular. There are a lot of challenges that come with making a film about one character and a voice on the phone in a small isolated location, but it’s such a simple and effective setup that I’m always looking for more films with that basic scenario to see what they can do. Well, now we have a new one in the form of Locked and it has got some great elements but it also doesn’t seem to know what to do with all of them.

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Best Performances of 2021

2021 has been one hell of a year and we’ve already talked about the best and worst films, but sometimes there are specific performances that really just demand to be praised that aren’t necessarily in the best or worst films. Some performances are so good that they demand praise even if the film they’re part of is awful, and some are just pure fun and deserve to be talked about because we should be able to admit to enjoying them. 

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The Father (2021) – Perfect

Released: 1st April
Seen: 22nd April

The Father Info

I genuinely don’t know how to start this. I hate to use the excuse of “I’m too emotional to come up with something witty or clever to open this review” but… it’s the truth. The Father has really emotionally wrecked me, partially because of the content and partly cos it hit me on a personal level. Just warning you that if you have a family member with dementia that this film is going to hit you like a train and probably ruin the rest of your day… but god it’s so good.

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The Two Popes (2019) – Two Popes Are Holier Than One

Released: 27th November 2019
Seen: 3rd February

In 2017, Anthony McCarten wrote The Pope as a stage play. Sadly I don’t know who was in it originally (and god damn it’s impossible to find out any details of that 2017 production even though I know it existed!) but it was apparently clear to everyone from the jump that this little biographic play about the old pope and the new pope having a lengthy conversation was destined to become a movie. It was also pretty obvious to everyone that Anthony Hopkins and Jonathan Pryce were the guys who should take the lead. In Netflix’s bid to try and get an Oscar for Best Picture, they bought the rights and produced the movie version, probably figuring that the last three things Anthony McCarten wrote (Theory of Everything, Darkest Hour and Bohemian Rhapsody) all ended up with Best Picture nods so if they had him adapt his own stage play then it might happen again… it didn’t, cos this isn’t a best picture nominee, but the film is still pretty damn good.

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Transformers: The Last Knight

Seen 3rd July

traqnspost

In the 2004 film Team America Matt Stone and Trey Parker posed a very simple question, “Why does Michael Bay get to keep on making movies?”. They were referring to Pearl Harbor, A film where Michael Bay decided to turn one of the worst attacks on America into a love story. Well, good news, Michael Bay is no longer desecrating American history… he’s moved on to desecrating the entire planet’s history, science, logic, basic movie making and humanity in general.

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