Nosferatu (2025) – A Symphony Of Brilliance

Released: 1st January
Seen: 3rd February

The 1922 film Nosferatu: A Symphony Of Horror feels like some kind of miracle, namely that we still have access to the film at all. Made in Germany as an unofficial adaptation of the Dracula novel, the original film was the subject of a copyright lawsuit brought on by Bram Stroker’s widow and all copies were supposed to be destroyed by fire. Somehow, a few copies of the film managed to survive and would soon be circulated around the world where it would become not only a cinematic classic but one of the most influential horror films of all time. People have referenced Nosferatu for almost a century now, the infamous shot of Count Orlock’s shadow against the wall with his fingers stretched out alone has been copied by more films than one would dare count and so many vampire films have copied the visual appearance of Count Orlok to some degree. It’s a film that has influenced many and even been the subject of a few remakes, including this remake by Robert Eggers which manages to take the classic material and elevate it in a way only Eggers can.

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Best Performances of 2021

2021 has been one hell of a year and we’ve already talked about the best and worst films, but sometimes there are specific performances that really just demand to be praised that aren’t necessarily in the best or worst films. Some performances are so good that they demand praise even if the film they’re part of is awful, and some are just pure fun and deserve to be talked about because we should be able to admit to enjoying them. 

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The Lighthouse (2020) – You Light Up My Life

Released: 6th February
Seen: 3rd September

The Lighthouse Info

Back in February, in the before times when we had hope that this year wouldn’t be a total garbage fire, I wrote up a list of Oscar predictions. This was way back in the before times when Parasite winning a bunch of awards felt like it was a sign that this year wasn’t going to be a constantly depressing mess. In that prediction post, between my complaining about snubs and my general apathy because I expected the ceremony to be safe and bland, in the Best Cinematography category I brought up The Lighthouse. While I hadn’t seen it because it was released the day before I posted that prediction list, I was confident that a black and white film shot like an old 30s flick might make the Oscar voters have a shattering climax. Well, it’s now about 6 months later, I’ve been basically stuck at home for a very very long time and going quite mad so a film about two lighthouse keepers slowly losing their minds feels depressingly appropriate.

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The Last Thing He Wanted (2020) – No One Wanted This

Released: 27th January
Seen: 5th May

The Last Thing He Wanted Info

So, while I’m still learning how to effectively write these reviews, I have slowly developed a system that works for me. After I do the first paragraph (usually designed to be just eye-catching enough that if you were to scroll through my main page that it might make you want to know more) I will then stop and think about how to describe the plot. I might have IMDB open to remind me of character and actor names but I can usually come up with a decent enough plot synopsis that doesn’t give away more than I need to in order to get you to know just what kind of movie I’m talking about. The plot synopsis is always a quick thing for me, I try to keep it short and sweet because if you want a proper plot synopsis then Wikipedia is in the next tab over. I add it for context and little more than that… this time? I’m tempted to skip it because the plot is so poorly constructed that even just adding it for context feels pointless but it’s my structure now so I feel obligated to try.

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