leebutler Documentary, Review

1000 Women In Horror (2026) – Edifying

Released: 20th March
Seen: 29th March

Nowadays, it feels like talking about representation in the media is a touchy subject. Not because we aren’t doing enough (we’re not) or because the representation isn’t good (it could be better but we’re working on it) but because even talking about how cinema can represent a minority group of any form tends to make the morons who think DEI is a bad thing lose their fucking minds. Those morons are probably the ones who need the education that could be provided by a film like 1000 Women In Horror but they’re also the least likely to see it which is a shame because it’s quite good.

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leebutler Horror, Review, Thriller

Influencers (2025) – Like

Released: 13th December
Seen: 12th December

In 2023, Shudder released Influencer which was immediately a critical hit and got pretty good viewership numbers, at least good enough to warrant making a sequel. Now, at the time I was one of the few who didn’t love the film, I thought it had good ideas but I wasn’t a fan of the execution. Upon a recent rewatch I’ve slightly changed my mind, mostly because the central performance of the character CW grew on me. It still felt a little bit lackluster to me, but it moved to just being generally good so I was hopeful about the sequel… and sure enough, Influencers turned out to be absolutely brilliant.

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leebutler Horror, Review

Night Of The Reaper (2025) – Don’t Fear The Reaper

Released: 19th September
Seen: 28th September

It’s pretty undeniable that the peak of the Slasher genre was back in the 80s; that’s certainly when all the major classics of the genre came into existence. There are many theories about why this is, but I’d suggest it’s a combination of “Horror was an infamously cheap genre to make movies in during the 80s” and people like Tom Savini showing what extremes that practical effects could achieve. That combo created a gold rush that defined the genre for the longest time (until Scream came along and made it meta) and that period of history being so closely associated with the slasher might also explain why a lot of throwback horror films set themselves up in the 80s to play with the nostalgia of the genre. Night of the Reaper is a prime example of a film doing whatever it can to remind us of films from the 80s but also has something special of its own that makes it worth watching.

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leebutler Uncategorized

Slasher: Flesh And Blood – S4 Episode 1 & 2

NOTE: Here is my review from Soda & Telepaths that was posted back on August 12, 2021

The 4th season of the series Slasher, going by the subtitle “Flesh and Blood”, follows the Galloway family. The patriarch of the Galloway family, Spencer Galloway (David Croenenberg) has been diagnosed with terminal cancer and has decided to set up a competition on his personal island in order to see who among his family (including his wife, children and grandchildren) will end up with his entire fortune. 

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leebutler Review

BLOOD QUANTUM (2020) – An Important And Extremely Entertaining Shudder Exclusive

NOTE: Here is my review from Soda & Telepaths that was posted back on April 30, 2020

Zombies, one of the most overused creatures in media today. If you name a genre then sure enough, there’ll be a zombie-filled version of it somewhere. There are zombie romance films, zombie westerns, hell a little over a week ago I was watching a Disney zombie musical that was popular enough to warrant a sequel. Zombies are everywhere and everyone uses them but sometimes they get used for something special. Every now and then a zombie property breaks out from the bonds of the genre to actually be something special. Blood Quantum is one of those movies.

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