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The Upside (2019) – There Is No Upside

Released: 19th April
Seen: 21st April

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In 2011, the film The Intouchables was released. A French film based upon real events, it told the story of a wealthy quadriplegic and a poor black man who come together and change each other for the better. The movie was a box office smash, netting 400 million worldwide and gaining enough critical acclaim and love from the audience that, at the time of writing, it ranks 39 on the IMDB list of top rated films of all time. It is a film that has resonated with its audience… but it’s in a language other than English so by the laws of Hollywood, they have to remake the film for audiences who don’t want to bother reading subtitles and in the process make a film that… exists?

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The Curse Of The Weeping Woman (2019) – Big Ghosts Don’t Cry

Released: 18th April
Seen: 19th April

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The Conjuring universe is one of the strangest cinematic universes that we’ve had in recent years. While other cinematic universes, like the one that Marvel has basically defined over the last decade, will have several standalone films that build up to a major event picture, the Conjuring Universe does things a little differently. It has the main central series which follows Ed and Lorraine Warren in their paranormal haunts (while never actually addressing the legitimate criticism that the Warren’s are basically doing an elaborate carnival act and preying on people’s fears) and then they put a creepy monster of some kind in those Conjuring movies and that monster will spin off into its own origin movie. Those origin movies tend to be painful to watch, with Annabelle being a snoozefest with no logic and even less thought put into it that basically relied on the movie Annabelle: Creation to salvage the concept while The Nun was basically average if I was being kind and if I were to re-review that film today I’d probably put it at 2.5/5 instead of a 3/5 but hey, that’s the fun thing about seeing every movie you can. The more you see the more you look back and have different opinions on different films. I have a distinct feeling though that when I look back on this film I’m going to still think it was basically a waste of time while also being a horrific waste of potential.

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Little (2019) – Not So Big

Released: 11th April
Seen: 15th April

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In comedy, there is a storyline you see pop up again and again that could be described as ‘The Body Swap Film’ where one person is thrown into the body of someone completely different in order to learn a valuable lesson about who they are as people. They can also suddenly wake up in a body that’s of a very different age to what they were previously. This has given us such films as 1976’s Freaky Friday, Big, 1995’s Freaky Friday, The Hot Chick, 2005’s Freaky Friday, 17 Again and 2018’s Freaky Friday (which was also a musical, why the hell have we allowed four remakes of Freaky Friday to exist in this timeline?). It’s a very simple and standard story to tell. The main character is a bad person, someone magically turns them into someone different, they have serious emotional growth, they turn back into the person they were before only now they’re nicer. It’s sweet, it’s simple, it’s a framework that usually allows actors a chance to show off their comedic skills and Little is no different than others like it, in that it relies heavily on the lead performers to get through because it’s sure not going to be relying on the script.

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Missing Link (2019) – Proof Of Happiness

Released: 11th April
Seen: 13th April

Missing Link

Stop Motion animation is probably the most difficult kind of animation there is. Building scale models and animating them in the physical world, moving just a tiny portion of the models for every single frame and slowly creating movement by hand, something where a small accident could ruin days of work. If a model dries up then that could destroy a film. For the longest time the big name in the field of stop motion animation was Aardman Animation, the people who made Chicken Run (which I just found out is getting a sequel, which is awesome), and now the new people claiming the throne of stop motion animation is Laika who has been fairly consistent in releasing great films, and their latest film is no exception.

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Hellboy (2019) – Aww, Hell!

Released: 11th April
Seen: 11th April

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In 1993 the comic book artist Mike Mignola created the character of Hellboy for Dark Horse comics. A demon-human hybrid, the character became a big enough hit with readers to get an adaptation in 2004 with the movie Hellboy that was written and directed by Guillermo del Toro who managed to turn it into a minor box office hit, pulling in almost 100 million worldwide on a 66 million budget. It got enough critical praise and a cult following to get Universal to shell out for a sequel with the same cast and same creative team, 4 years later letting out Hellboy 2: The Golden Army which fared even better, netting almost 160 million on an 85 million budget and (at least as far as I’m concerned) was just a better movie all around. Now it’s a decade later and rebooting old franchises is all the rage, and Guillermo Del Toro is coming off of two Oscar wins for his beloved film The Shape of Water so now would be the perfect time to get him to come back, drag Ron Perlman with him to don the red latex again and knock everyone out with an amazing Hellboy movie… or you could just get a bunch of completely different people to try and make money off the name alone and hope to god no one actually cares about being entertained, that’s a valid option.

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DC Did What Marvel Didn’t

For the last decade, Marvel has basically owned the cinema landscape. Since the release of Iron Man, they have never left the top 10 highest grossing films list of each year, the only exception being in 2009 when they didn’t release a film (remember when there was a year that didn’t have a Marvel film? Memories). In all that time they have proven to dominate the cultural conversation around movies, and recently they even added an Oscar to the collection of things they pulled off. But there is one thing that they didn’t pull off yet, that their competitor DC just pulled off with Shazam! and I’m in the mood to talk about that. The catch is, in order to talk about it I have to spoil a few things so if you haven’t seen Shazam! then be warned, I’m spoiling a lot of major moments that you’re going to want to see so this is where you abandon this editorial discussion and go see the film, then come back because I require validation.

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SHAZAM! (2019) – Hot Damn!

Released: 4th April
Seen: 4th April

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I’ve previously talked on this blog about how nervous I get walking into DC films. After their attempt at an expanded universe netted exactly one good film (Wonder Woman, for the record) and got them a resounding box office failure with their massive team-up film… let’s just say that I get nervous when I walk into these things. Then Aquaman happened and it was above any expectation. I dare say that I should’ve probably given it an even 4 out of 5 now that I look back on it because it was a genuinely fun playful movie that understood that the material was not meant to be dark and so it didn’t bother being pointlessly grim. With the advertisements for Shazam! I was admittedly a little more excited, there was a brighter tone that excited me and made me hopeful that they were going to get this right… oh my god, oh my god you guys!

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Pet Sematary (2019) – Sometimes Dead Isn’t Better

Released: 4th April
Seen: 3rd April (Advanced Screening)

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Picture it. Hollywood, 1989. The film Pet Sematary, based on the 1983 Stephen King novel of the same name, was released to cinemas to some serious aplomb. Getting really great critical reviews and slamming the box office, it’s currently the 5th highest earning Stephen King adaptation before you account for inflation (after inflation it gets to 6th). It’s a genuine masterpiece of horror that leans more on the concepts than actual scares and lets the situation itself be where the horror comes from. With genuinely great performances by most of the cast (let’s just pretend the lead actor isn’t in this discussion), it’s a film that you absolutely need to see because it’s a genuine heart stopper… and because knowing about what happens in the original actually makes this movie have a much more powerful effect on you as an audience member.

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Wonder Park (2019) – Wonder Meh

Released: 4th April
Seen: 31st March (Advance Screening)

Wonder Park Info

So, I’m not exactly a theme park enthusiast. I’ve tried to go to them before and never really enjoyed them. Maybe it’s the people, maybe it’s the food, maybe it’s the weight restrictions that basically tether my feet to the ground that I don’t want to walk on for four hours for three rides, I’ve just never been big on them. However, films about theme park rides? I… don’t care for those either, but only because they’ve never actually been good. With the notable exception of the Pirates of the Caribbean movie, a film based on a theme park never seems to work and only seems to irritate the audience that goes to see it. When a film was announced to be about a girl who builds a magical theme park, I was ready to be annoyed and irritated by it. I was prepared for it to be Emoji Movie level trash. I was ready to sit down and write almost 2000 words about why it was an abhorrent piece of cinematic sludge that will poison your children’s minds and render them mute with its awfulness… but that implies that what I saw had something in it that was interesting enough to elicit that reaction from me and the only reaction I really have is “Oh, that exists”.

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Five Feet Apart (2019) – Stay Away

Released: 28th March
Seen: 30th March

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The Teen Romance genre is not a genre made for critics. They’re never really meant for anyone other than a very specific demographic, never have loftier goals besides giving people the feels and usually are variations on a trope with some mild set dressing. Nicholas Sparks literally put his kids through college writing books that played specifically to this audience and there is a large fanbase for this kind of film. I, meanwhile, am a 31-year-old gay man who has become cynical about these films due to overexposure so the question becomes, can I put aside my biases against this genre and be fair? Well, I tried but it doesn’t help that the movie sucks.

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