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Holmes & Watson (2018) – The Defective Detective

Released: 26th December
Seen: 27th December

Holmes & Watson Info.png

In all of literature, one of the most beloved and adapted characters is that of Sherlock Holmes. The story of a genius detective who goes around solving crimes, defeating Moriarty and working with his friend Dr Watson is the stuff of legends that everyone has had a crack at. He’s been in action oriented films, weekly episodic TV shows, miniseries, he was a gnome at one point, an animated rat another time, a doctor for a very long period of time and even a Japanese puppet. Sherlock Holmes has been everything and in every kind of movie… and now, he can add “Awful unfunny comedy” to the long list of film projects he’s been associated with.

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Aquaman (2018) – It’s Better, Down Where It’s Wetter

Released: 26th December
Seen: 26th December

Aquaman Info.png

DC has really had something of a bad time with their attempt at a cinematic universe. While the hardcore DC fan base have enjoyed the films so far, with general audiences they’ve been critically panned and have such a horrible reputation that the massive team up movie Justice League is the worst performing film in the franchise. That’s almost impossible to contemplate, the film where every major DC superhero was meant to team up in an event that we have been building too for four movies and it didn’t make as much money as Suicide Squad. The audience is effectively done with what the DC universe is offering now. There were serious talks for a while that the upcoming Flashpoint movie might be used just to try and erase the entire franchise and start again from scratch, it’s not looking good for the DCEU who not only have a failing franchise on their hands that can barely bring them a return on investment, but the franchise is now so far behind the juggernaut MCU that it seems unlikely they’ll ever catch up. For this franchise to still have legs it needs this film to be good. All they had to do was make something that didn’t hurt to watch and they might actually put themselves on the right track… and oh thank god they pulled it off.

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Peppermint (2018) – Not Exactly Minty Fresh

Released: 15th November
Seen: 21st December

You know what’s really difficult about writing these reviews? Figuring out how to start them. Sometimes it comes easy, there’s a really good comparison I can make to give the reader a quick idea of the direction I might go in or there’s a half decent joke I can build too. Sometimes though, there’s nothing. Sometimes, there is no really good comparison or a bit of weird history, sometimes a film just pops up out of nowhere and surprises you with its release, mildly impresses you with how it’s telling a well-told story and then… nothing. It’s not that it’s awful, it just kind of happens to be there and there isn’t exactly that much to say about it that would make a good lead into the main portion of the review.

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Once Upon A Deadpool (2018) – Once More, With Savage

Released: 12th December
Seen: 19th December

One of the most infamous bad horror movies of the ’80s was a film called Silent Night, Deadly Night Part 2. The internet knows it mostly because of the infamous “GARBAGE DAY” scene that was a meme a while ago. The movie itself is a barely repackaged copy of the original movie, edited down with interstitial scenes featuring the brother of the main character from the first movie and a psychiatrist who literally go over the events of the original film in detail before moving onto a new story in the second half of the film. Beyond the Garbage Day sequence, there wasn’t much about it that was memorable. At best it was a mediocre cash in that barely tried to differentiate itself from the original and was trying to bank on the media uproar that surrounded the original film in the franchise… so, what if someone took the “Repackage an old movie” idea, used a good movie to do it, but didn’t bother to add any new story elements of any kind and just relied on a marketing gimmick in order to make some money? Turns out, that might work but only up to a certain point.

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Second Act (2018) – Intermission

Released: 6th December
Seen: 18th December

Second Act Info Peter Segal Justin Zackham Elaine Goldsmith-Thomas Jennifer Lopez Leah Remini Vanessa Hudgens Milo Ventimiglia Freddie Stroma

There is something in a comedy that is more valuable than the script will ever be, an element that a lot of films seem to forget. It’s the chemistry in the cast. A good cast with great chemistry can make absolutely any film work, while a bad cast couldn’t make a Marx Brother’s routine funny. It’s more important than anything else that the cast is able to make a scene feel funny and charming, even when the jokes aren’t exactly the best thing ever… my god, this might be one of the most delightfully charming casts that I’ve ever had the joy of seeing on film.

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Robin Hood (2018) – They Roam About The Forest Looking For Fights

Released: 21st November
Seen: 12th December

 A little over a year ago I watched a film called King Arthur: Legend of the Sword, a retelling of the iconic tale of King Arthur and how he became the legend that we know him as. It was a very fun, albeit critically panned, film that utilized the director’s style to try and breathe some new life into a tale that’s been told so many times that it’s almost comical to think that someone decided that they really needed to retell it… it also bombed spectacularly. SO, what if we did the exact same thing, didn’t use Guy Ritchie as the director and picked that other famous and well-retold story about the medieval era hero who’s pretty good with a weapon? Oh, that would be a bad idea because of obvious reasons? Well, screw that, let’s do it anyway because there is no possible way this could go badly.

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Tea With The Dames (2018) – There Is Nothing Like A Dame

Released: 2nd May
Seen: 7th December (Catch-Up Screening)

There is a style of documentary that always feels a little bit strange to me, I call it the capture conversation documentary, these are documentaries that just put a bunch of people in a room and have them just talk. We don’t cut away, it’s not a talking head piece but it’s a film where the people on screen converse as though there isn’t a camera there and we’re a fly on the wall to this discussion. It feels odd because that kind of thing isn’t genuine, these people would never be sitting in a perfect semi-circle and decide amongst themselves to talk about films that they had been in together or about the state of industry when they were young, things that they probably haven’t thought about in ages and certainly wouldn’t be talking about in this manner. So for a film to take this idea and find a way to not only make it feel natural but to also be willing to mock the facade that they’ve put up as part of the framework of this style of documentary is something special.

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The Grinch (2018) – You’re A Mean One, Mr Grinch

Released: 29th November
Seen: 29th November

The month of December’s a fabulous thing
There’s joy in the air and carols to sing
The lights are hung high upon every roof thatch
And stores sell their toys in many a batch
And down in the cinema, some of the time
Sits a pretentious reviewer, thinking in rhyme
(Yes, we’re doing this. What did you expect?
To give up on this gimmick, that would be neglect)

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Summer Of 84 (2018) – Way WAY Before Nirvana

Released: 10th August
Seen: 28th November

Official Trailer for Summer of 84

One of the fascinating things about pop-culture, particularly the impact nostalgia plays on it, is something known as the 30-year cycle. To get a good explanation of this you need to look at Lindsay Ellis’ video essay Stranger Things, IT and the Upside Down of Nostalgia but basically, this cycle is why we’re seeing so many 80’s style content in pop culture recently. Not only is it why shows and movies like, well, Stranger Things and It are getting such buzz and are hitting something special in the audience, it also explains things like the stylistic choices of Thor: Ragnarok or the throwback nature of Mandy. The nature of the 30-year cycle lends itself really well to the horror genre, especially now since that 30-year cycle means we’re seeing echoes of one of the golden ages in horror. Summer of 84 capitalises on that and its echoes of a distant cinematic past are loud, vibrant and engaging.

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Widows (2018) – Nobody Thought They Had The Balls To Pull This Off

Released: 22nd November
Seen: 27th November

Official Trailer for Widows (2018)

One of the standard genre’s that is almost always guaranteed to be a really good time is the heist film. For some reason, we all just enjoy a movie where a bunch of criminals stick it to someone higher in the social food chain while also making a ton of money. Widows is certainly going to fit that standard mould, a bunch of people plan to steal a large amount of money that will stick it to the people above them in the social food chain and that would be good enough. It would be enough if Widows was just a standard heist film but it also happened to star a group of amazing women, that would be good enough… but this is a Steve McQueen film, good enough doesn’t cut it here.

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